Uncut's Scores

  • Music
For 11,991 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11991 music reviews
    • 84 Metascore
    • 80 Critic Score
    With each track the listener sinks deeper into their world, and though the punchier rap numbers like "B£E" cut through, these scruffily celestial miniatures add up to present a compelling picture. [Dec 2021, p.33]
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    • 82 Metascore
    • 80 Critic Score
    They waltz from space-jazz ("In Cucina") to disco-dub ("Phase One Million") and library scat-funk ("Tub Erupt"), the whole thing tied together by Cathy Lucas's dusky delivery. [Dec 2021, p.35]
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    • 61 Metascore
    • 60 Critic Score
    “Move”, featuring Thomas, is a thrilling mix of swaggering pop hooks and sweltering Latin grooves and the album’s undoubted highlight. Yet, elsewhere, you can’t help wondering if Santana’s fluid guitar playing really needs “help” from such a ragbag of heavy friends. [Dec 2021, p.33]
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    • 81 Metascore
    • 80 Critic Score
    It's a slightly exhausting but often thrilling sonic voyage. [Nov 2021, p.32]
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    • 79 Metascore
    • 70 Critic Score
    It's still deeply strange. ... Crucial to its success is its keen rhythmic sense. [Oct 2021, p.25]
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    • 92 Metascore
    • 80 Critic Score
    Two years on, her sound is equally ambitious but more committed: here are modern, maximalist pop songs with top notes of R&B, Trap and Afrobeat, plus experimental detailing. As ever, Taylor's lyrics convince. [Nov 2021, p.32]
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    • 75 Metascore
    • 80 Critic Score
    Frequently thrilling, and its pilfering from America's classic rock catalogue - including The Allman Brothers, The Doobie Brothers, Creedence clearwater Revival, The Band and Crazy Horse - is affectionate and celebratory. [Nov 2021, p.33]
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    • 75 Metascore
    • 70 Critic Score
    Some songs are mere fragments and there's an early version of standalone single "U.S. Mail" in place of Sundowner's stunner "Jamie," but this is otherwise a beautiful and raw selection still bearing the scars and charms of creative birth. [Oct 2021, p.29]
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    • 76 Metascore
    • 90 Critic Score
    Thorpe achieves a balance of high-shine electro-pop, gauzy ambient flow and jazzier acoustic elements that couldn't be more attuned to his formidable skillset. [Nov 2021, p.35]
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    • 85 Metascore
    • 80 Critic Score
    Smart stylistic detours mask something a little deeper. [Oct 2021, p.24]
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    • 85 Metascore
    • 90 Critic Score
    if Shannon Lay's solo expression has been a steady blooming across three albums, Geist represents its full-blown folkish splendour. [Nov 2021, p.29]
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    • 79 Metascore
    • 80 Critic Score
    There's plenty here to startle, to catch you looking. ... It's consummate.[Nov 2021, p.32]
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    • 73 Metascore
    • 80 Critic Score
    As peculiar as "The Doll" and "Blue Tits" are, at heart this is thrilling, possibly visionary pop. [Nov 2021, p.25]
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    • 79 Metascore
    • 70 Critic Score
    Blake's fragmented post-dubstep has always had an air of bleak melancholy, but nothing he's done has been quite as self-consciously miserable as this. [Nov 2021, p.25]
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    • 77 Metascore
    • 70 Critic Score
    The Dharma Wheel channels the Allman Brothers, Grateful Dead, Crazy Horse and more in its generous spirit. [Nov 2021, p.29]
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    • 80 Metascore
    • 80 Critic Score
    An all-instrumental set of improvised studio performances as lyrical and soulful as they are virtuosic and energised. [Nov 2021, p.25]
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    • 72 Metascore
    • 70 Critic Score
    9
    After reaching for Bowie-esque grandeur on the opening "Song For Agnes," they lock into an INXS-style chromium-funk groove on "America's Cup" and reimagine The Clash as a synth-punk band on the speed-burner "Human Touch." [Nov 2021, p.32]
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    • 84 Metascore
    • 80 Critic Score
    Carnegie Hall has its own distinctive vibe, with the songwriter coming to terms in real time with his burgeoning, sometimes over-enthusiastic fanbase. [Nov 2021, p.49]
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    • 81 Metascore
    • 70 Critic Score
    While these sonic smudges sometimes feels scrappy, there are sublime interludes here too. [Nov 2021, p.35]
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    • 86 Metascore
    • 80 Critic Score
    CDs 3 and 4 offer Infidels tracks blessedly stripped of producer Mark Knopfler's digital trickery and overdubs. ... With deft elimination of Arthur Baker's era-specific production effects, "I Remember You" becomes a ravishing thing, the gospel lilt of "Emotionally Yours" a gorgeous highlight. [Nov 2021, p.40]
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    • 64 Metascore
    • 60 Critic Score
    His sixth solo album has some decent uptempo moments. ... Less compelling are the albums world-weary ballads, but one old downtempo number, "Foreign Sand," benefits from a stripped-back acoustic treatment. [Nov 2021, p.35]
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    • 87 Metascore
    • 70 Critic Score
    The songs are introspective, reflective and fretful. ... It's best moments are its quieter ones. [Nov 2021, p.26]
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    • 74 Metascore
    • 70 Critic Score
    With her voice sounding more like a cross between Nico and Patti Smith than ever, she laments division and bigotry on songs such as "Queasy" and "Overblown," while musically she spans pedal-steel-laden country rock, punk menace and string-driven Velvets drones. [Oct 2021, p.35]
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    • 64 Metascore
    • 80 Critic Score
    The stripped-back production adds a sense of immediacy and places focus on the fine vocals of hall and Golding, plus guest vocalist Hannah Hu. [Oct 2021, p.33]
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    • 73 Metascore
    • 70 Critic Score
    The tracks range from the wiry and infectious to the outright transcendental, while some of the vocal effects evoke the sound of those early krautrock pioneer. [Oct 2021, p.31]
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    • 78 Metascore
    • 70 Critic Score
    The result is a delightful mix of new-wave-influenced pop and synth-laden Eno-style instrumentals. [Nov 2021, p.30]
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    • 78 Metascore
    • 70 Critic Score
    Woodland concepts aside, the band are most arresting when knocking out groove-locked rhythms with bursts of spluttering electronics. [Oct 2021, p.33]
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    • 76 Metascore
    • 60 Critic Score
    Their shimmering, somnolent ambience is irrefutably palliative. [Oct 2021, p.25]
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    • 73 Metascore
    • 70 Critic Score
    It's another perfectly good Ty Segall album, full of perfectly good Ty Segall songs. [Nov 2021, p.32]
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    • 79 Metascore
    • 80 Critic Score
    It's when the band marry this discordance with melody that they really shine. [Nov 2021, p.35]
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