Uncut's Scores

  • Music
For 11,992 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11992 music reviews
    • 74 Metascore
    • 70 Critic Score
    Spend The Night emerges as the dumb-riffed album Courtney Love tried to make with Celebrity Skin. [May 2003, p.94]
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    • 90 Metascore
    • 100 Critic Score
    The first record in a long while I've wanted to play again immediately after it's finished. [Album Of The Month, April 2002, p.92]
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    • 75 Metascore
    • 40 Critic Score
    There's little on OFOW that he hasn't done already. [Nov 2002, p.128]
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    • 63 Metascore
    • 70 Critic Score
    These days her winning innocence has turned to mature craft, but she's lost none of her integrity or emotional honesty. [Dec 2002, p.129]
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    • 77 Metascore
    • 80 Critic Score
    Exquisite. [Feb 2003, p.80]
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    • 60 Metascore
    • 80 Critic Score
    10
    LL's best album since 1987's Bigger and Deffer. [Jan 2003, p.122]
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    • 68 Metascore
    • 70 Critic Score
    A hugely inventive collection. [Jan 2003, p.119]
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    • 69 Metascore
    • 40 Critic Score
    The appealing immediacy evident on the debut is smothered by the overbearing production. [Nov 2002, p.118]
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    • 71 Metascore
    • 100 Critic Score
    This is the pop album of 2003 which everyone else will have to beat. [Jul 2003, p.124]
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    • 70 Metascore
    • 70 Critic Score
    The finest tracks here update the duo's attitude as well as their sound, dissecting anew cultural and emotional climate with a bittersweet detachment reminiscent of the Pet Shop Boys. [Oct 2002, p.124]
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    • 64 Metascore
    • 20 Critic Score
    Basic, sludge-grey power pop that makes Weezer sound as kaleidoscopic as The Flaming Lips. [Nov 2002, p.128]
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    • 75 Metascore
    • 80 Critic Score
    This is Calexico on downers, Lee Hazlewood on jolly pills. [Dec 2002, p.131]
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    • 65 Metascore
    • 20 Critic Score
    A sentimental indulgence destined for a theme-pub half-life. [Nov 2002, p.114]
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    • 81 Metascore
    • 80 Critic Score
    Think early Air meets hip-hop, the West Coast harmonies and Ultramarine-style tech-fok eccentricities merging with euphoric yet becalmed moodscapes. [Nov 2002, p.113]
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    • 74 Metascore
    • 40 Critic Score
    It's a snappy, catchy hybrid, though one that irritates pretty quickly. [Apr 2003, p.105]
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    • 72 Metascore
    • 60 Critic Score
    It's hard to see how much satisfaction this laconic talent must gain from fiddling with a formula he perfected in 1987. [Nov 2002, p.114]
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    • 75 Metascore
    • 80 Critic Score
    On paper it may sound like brittle Grand Royal retro-cool, but on record it simply belts along with a primal melodic simplicity and sexy nu-wave freshness. [January 2002, p.146]
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    • 84 Metascore
    • 70 Critic Score
    His melancholic optimism is uplifting and his melodies surprisingly plush. [Dec 2002, p.140]
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    • 76 Metascore
    • 40 Critic Score
    They haven't yet shown enough thrills in righteousness to challenge gangsta's dark, easy attraction. [Nov 2002, p.129]
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    • 61 Metascore
    • 60 Critic Score
    Pale fire, but fire nonetheless. [Dec 2002, p.130]
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    • 64 Metascore
    • 70 Critic Score
    Guests like Emiliana Torrini and Shinehead help make this that rarity: an electronic album with personality. [Dec 2002, p.133]
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    • 59 Metascore
    • 40 Critic Score
    The lovely packaging far outshines the formless and dated rumblings within. [Nov 2002, p.113]
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    • 62 Metascore
    • 80 Critic Score
    Iconoclastic and visceral, Squarepusher is punk rock 2002. [Nov 2002, p.132]
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    • 80 Metascore
    • 80 Critic Score
    Producer Mike Mogis [gives] these delicate songs a sheen that was lacking on their 2001 debut. [Jul 2003, p.114]
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    • 62 Metascore
    • 40 Critic Score
    A decent album of roots-tinged songs that showcases his terse guitar style and detached vocals to solid if unspectacular effect. [Nov 2002, p.122]
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    • 72 Metascore
    • 80 Critic Score
    Whereas so much downtempo leans heavily on two-note, oceanic synth washes, Blue States are masters of detail. [Sep 2002, p.111]
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    • 59 Metascore
    • 40 Critic Score
    Entertaining, largely forgettable. [Jan 2003, p.120]
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    • 65 Metascore
    • 60 Critic Score
    For the most part, Anderson's cockernee affectations have gone, as have his references to drugs, gasoline and tube-bound alienation. Instead, we have the sci-fi romance of "Astro Girls" and the rabble-rousing rock of "Street Life." [Nov 2002, p.126]
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    • 79 Metascore
    • 80 Critic Score
    Definitely a return to psyche splendour. [Oct 2002, p.122]
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    • 79 Metascore
    • 40 Critic Score
    This is pretty gloomy going, not rendered much easier by the lugubrious baritone in which Beck delivers his emotional autopsies, or the vague, amorphous melodies. [Nov 2002, p.116]
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