Possibly cloying in large doses. [Jan 2006, p.112]

[Drummer Dave Lombardo's] return hasn't complicated Slayer's brutal, single-minded aesthetic, but it has stoked the hellfire that merely sputtered on God Hates Us All. [Sep 2006, p.97]

Not quite a match for the smoky blueprints, yet entertaining enough to inspire a trip to their source. [May 2006, p.128]

It's original member, turntablist Nu-Mark, who still provides the highlights. [Aug 2006, p.96]

Ultimately, In My Mind falters through narrowness of vision. [Dec 2005, p.120]

[An] instant classic. [Sep 2006, p.84]

The album is less of an indignant affair than you might expect. [Sep 2006, p.84]

It kicks ass. [Aug 2006, p.99]

Blends bluegrass, backwoods folk and hammered blues with a motorik groove. [Apr 2006, p.106]

It's Roderick's lyrics that really grip. [Nov 2006, p.118]

Could very well be the best record of this restlessly self-critical career. [Jul 2006, p.90]

You can't help thinking that by ironing out their creases, The Sleepy Jackson have lost a little bit of their spark. [Aug 2006, p.111]

The band's trademark punky abrasiveness and arty dissonance now serve a more dancefloor-friendly dynamic. [Nov 2006, p.106]

The sound of a group entering their prime, Silent Shout--strange, bold and tuneful--is textbook Euro-pop. [Apr 2006, p.110]

Much of it... sounds like the spiritual cousin of Neil Young's After The Gold Rush and Harvest, sharing the same back-to-nature rusticity. [Jul 2006, p.101]

Real-life dramas wrapped in uplifting tunes. [Aug 2006, p.86]

The overall effect is too solipsistic and immature to take you close to the title's imaginative world. [Aug 2006, p.96]

Minus the lovely, stoned air, Another Fine Day doesn't quite reach the heights of its predecessor, but there's plenty to admire. [Aug 2006, p.106]

A highly unoriginal record. [Mar 2007, p.86]

There's a gleeful, shonky exuberance to this debut all their own. [Aug 2006, p.88]

This is more than mere virtuoso performance. [Aug 2006, p.90]

Consolidates and amplifies everything they've done up to now. [Aug 2006, p.110]

Mov[es] through electronica, folk, folktronica, big beat, psychedelia and Krautrock, all guided by Kid Millions' astounding drumming. [Sep 2006, p.91]

It's dumber, filthier, sturdier and packed with more euphemisms than Viz's Profanisaurus. [Aug 2006, p.104]

Yet another work of widescreen beauty and magnificent ambition. [Aug 2006, p.86]

What makes The Eraser great is Yorke's singing. [Aug 2006, p.82]

The music... has become a too-clean version of their state's patented, tumbledown take on Stonesy power-pop. [Sep 2006, p.97]

The giddy rush of "I Citizen The Loathsome" and spectral funk ot "To" in particular begin a new page in electronica's tatty textbook. [Aug 2006, p.108]