Uncut's Scores

  • Music
For 11,991 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11991 music reviews
    • 73 Metascore
    • 60 Critic Score
    A slight disappointment. [Jun 2007, p.88]
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    • 79 Metascore
    • 80 Critic Score
    Decidedly heady stuff. [Jul 2007, p.100]
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    • 68 Metascore
    • 60 Critic Score
    If it's a little predictable, it's still easy on the ears. [Jul 2007, p.127]
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    • 74 Metascore
    • 70 Critic Score
    Witty like Loudon Wainwright, doleful like Jonathan Richman, Hamilton emerges as a distinct presence throughout, and it's this you warm to. [Dec 2006, p.102]
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    • 67 Metascore
    • 80 Critic Score
    Repeated listens--it's a grower--reveal a number of meatier, surprisingly hard-rocking songs. [May 2007, p.99]
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    • 77 Metascore
    • 80 Critic Score
    She's rarely sounded more alive. [Jun 2007, p.92]
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    • 76 Metascore
    • 70 Critic Score
    Aggressive bursts of noise and fantastic harmonic singing make this record sound like the result of a happy accident rather than a long-pondered academic exercise. [Apr 2007, p.94]
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    • 85 Metascore
    • 100 Critic Score
    While what was lost with Smith is immeasurable, what he left was amazing, and New Moon is an appropriately spectacular monument. [Jun 2007, p.112]
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    • 57 Metascore
    • 60 Critic Score
    Amiably lightweight. [Jun 2007, p.115]
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    • 69 Metascore
    • 60 Critic Score
    Sometimes, in hunting a mid-point between noise maelstrom and Espers-style chamber psychedelia, Fields come out sounding merely ordinary. [May 2007, p.90]
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    • 69 Metascore
    • 70 Critic Score
    Tigers... sees the brain of the Manics reunited with their strongest qualities: their heart, humanity and soul. [Jun 2007, p.102]
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    • 82 Metascore
    • 80 Critic Score
    The third outstanding album of his career. [Mar 2007, p.103]
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    • 69 Metascore
    • 60 Critic Score
    American Doll Posse sounds like a return to more conventional songwriting form. [Jun 2007, p.87]
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    • 71 Metascore
    • 80 Critic Score
    BRMC seem invincible; or back to their searing best, at any rate. [May 2007, p.87]
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    • 79 Metascore
    • 80 Critic Score
    It's a darker, deeper affair. [Jun 2007, p.94]
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    • 72 Metascore
    • 60 Critic Score
    All the elements are there, but somehow 5:55 doesn't gel as it should. [Oct 2006, p.124]
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    • 76 Metascore
    • 80 Critic Score
    An album that shines light, albeit dimly, into hidden corners of the soul. [May 2007, p.100]
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    • 65 Metascore
    • 70 Critic Score
    Several of the songs seem performed out of affection rather than any sense of artistic adventure. [May 2007, p.90]
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    • 82 Metascore
    • 80 Critic Score
    Favourite Worst Nightmare is a near-triumph, a far superior Album #2 than Meat Is Murder, The Libertines, or Second Coming. Yet some doubts nag, partly because of the subject matter. [May 2007, p.84]
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    • 70 Metascore
    • 40 Critic Score
    No doubt Oyamada has a fine ear for sound design, but he handles his tunes with antiseptic gloves. [May 2007, p.88]
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    • 70 Metascore
    • 70 Critic Score
    Surprisingly invigorated. [May 2007, p.89]
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    • 69 Metascore
    • 40 Critic Score
    VI
    Why, when Dragonforce are doing this for real? [May 2007, p.96]
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    • 66 Metascore
    • 80 Critic Score
    Bristl[es] with wit, energy and nifty hooks. [May 2007, p.99]
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    • 66 Metascore
    • 80 Critic Score
    Unsettling stuff--but weirdly life-affirming, too. [May 2007, p.103]
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    • 76 Metascore
    • 70 Critic Score
    A successful fusion of tradition and modernism.
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    • 69 Metascore
    • 40 Critic Score
    This treads the thin line between appealing whimsy and finicky, smartypants noodling. [Jun 2007, p.111]
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    • 76 Metascore
    • 60 Critic Score
    Nothing sounds more dated than an ageing futurist, and it's only when Trent cuts loose... that we get a glimpse of the world-beater we know he can be. [May 2007, p.103]
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    • 56 Metascore
    • 60 Critic Score
    These 11 new songs will do little to dispel the view that the band are fatally addicted to self-indulgent navel-gazing, but it's still beautifully recorded, and played with exquisite tact and precision. [May 2007, p.88]
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    • 83 Metascore
    • 80 Critic Score
    The Grinderman hat seems to have tilted the basic Bad Seeds stance brilliantly on its side, bringing out a new humour and a grumpy-old-rocker gravitas. [Apr 2007, p.102]
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    • 78 Metascore
    • 80 Critic Score
    Cassadaga is fulsome, epic, and swirling, by far Oberst's most sophisticated, seamless effort. [May 2007, p.89]
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