Uncut's Scores
- Music
For 11,992 reviews, this publication has graded:
-
50% higher than the average critic
-
5% same as the average critic
-
45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,012 out of 11992
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Mixed: 2,906 out of 11992
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Negative: 74 out of 11992
11992
music
reviews
- By Date
- By Critic Score
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- Critic Score
The nostalgic tug of the earlier, dancier singles remains strong, but as a bonus disc of rarities demonstrates, their experimental side is equally compelling. [Mar 2012, p.101]- Uncut
Posted Apr 26, 2012 -
- Critic Score
Here, we find the mufti-instrumentalist in his natural habitat, leading a band in seven pieces that blend Eastern-tinged melody, courtly medieval music and modern composition. [Mar 2012, p.90]- Uncut
Posted Apr 26, 2012 -
- Critic Score
Political metaphors abound on this eclectically ramshackle collection. [Mar 2012, p.98]- Uncut
Posted Apr 26, 2012 -
- Critic Score
The good news is [single "You Don't Know How Lucky You Are"] is not even the best song on his debut album. [Mar 2012, p.89]- Uncut
Posted Apr 26, 2012 -
- Critic Score
Venture further into Our Version of Events and it's clear Sande has in fact modeled herself on Leona Lewis with a series of sappy ballads bulging with lyrical truisms. [Mar 2012, p.89]- Uncut
Posted Apr 26, 2012 -
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Posted Apr 26, 2012 -
- Critic Score
BPM works its vibrational magic with quietude and organic peace, and comes across more like a n ancient Zen ritual. [Apr 2012, p.71]- Uncut
Posted Apr 26, 2012 -
- Critic Score
They cite Wagner as an influence, sharing his bombast but none of the drama. [Apr 2012, p.69]- Uncut
Posted Apr 26, 2012 -
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Posted Apr 20, 2012 -
- Critic Score
Rufus reins in his extravagant tendencies for a subtly shaded, seductive album that radiates warmth and contentment. [May 2012, p.84]- Uncut
Posted Apr 20, 2012 -
- Critic Score
It has its Mr. Fox-y moments but this feels like a minor clanger. [May 2012, p.83]- Uncut
Posted Apr 20, 2012 -
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Posted Apr 20, 2012 -
- Critic Score
Benson's fifth solo album rarely deviates from his established modus operandi. [May 2012, p.67]- Uncut
Posted Apr 20, 2012 -
- Critic Score
It's a more anthemic, traditional and radio-friendly Feeder that greets is on their eight album. [Apr 2012, p.77]- Uncut
Posted Apr 20, 2012 -
- Critic Score
She builds on that promise [from her last album, Lights Out Zoltar!] with a skittish yet evocative album that draws on surf-rock. [May 2012, p.72]- Uncut
Posted Apr 18, 2012 -
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Posted Apr 17, 2012 -
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Posted Apr 17, 2012 -
- Critic Score
Dark, funny and teetering on the verge of Phil Ochs delusional, Macaroni is a assault on hipster apathy. [May 2012, p.69]- Uncut
Posted Apr 17, 2012 -
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Posted Apr 17, 2012 -
- Critic Score
The rest is a warm and hilarious mediation of mortality. [May 2012, p.83]- Uncut
Posted Apr 17, 2012 -
- Critic Score
If you worship Wavves, or the epic SoCal proto-hardcore of the first Redd Kross and Adolescents record, kneel and marvel. [May 2012, p.67]- Uncut
Posted Apr 17, 2012 -
- Critic Score
The album is drenched in Hawaiian guitar and wah-wah, making the title perfectly apt. [May 2012, p.67]- Uncut
Posted Apr 17, 2012 -
- Critic Score
It's a surly, spiky piece of work, on which the few shafts of sweetness are soon soured with guilt, recrimination and reproach. [May 2012, p.66]- Uncut
Posted Apr 17, 2012 -
- Critic Score
Music without charm or purpose, with all the nutritional value of a Twinkie. [Apr 2012, p.71]- Uncut
Posted Apr 9, 2012 -
- Critic Score
The songwriter is in fine form--but it's sometimes hard to suppress doubts over the need for solo Pollard now GBV are back. [Apr 2012, p.83]- Uncut
Posted Apr 6, 2012 -
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Posted Apr 6, 2012 -
- Critic Score
At low levels, this record will work nicely as aural wallpaper for cocktail parties, but turn it on and slap on a pair of headphones and the effect is transporting. [May 2012, p.69]- Uncut
Posted Apr 6, 2012 -
- Critic Score
The Sadies are one of the finest backing bands around, and team up adroitly with John Doe to produce a cracking set of country classics. [May 2012, p.71]- Uncut
Posted Apr 6, 2012 -
- Critic Score
The Wilderness is more like a Junkies album as we'd previously appreciated them. [May 2012, p.71]- Uncut
Posted Apr 6, 2012 -
- Critic Score
Too often, though, these chant-a-long anthems are too damn chirpy for their own good. [May 2012, p.71]- Uncut
Posted Apr 6, 2012