Uncut's Scores

  • Music
For 11,991 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11991 music reviews
    • 70 Metascore
    • 80 Critic Score
    It's Pollard in excelsis. [May 2017, p.32]
    • Uncut
    • 73 Metascore
    • 70 Critic Score
    It's a svelte, consummately accomplished change, although Burnett's reliably polished, sometimes even laidback, settings allow plenty of room for grit and sweat. [Apr 2017, p.32]
    • Uncut
    • 77 Metascore
    • 70 Critic Score
    Their 10th album in 25 years underlines their skill at combining heavy guitar solos with gauzy pop melodies and blizzards of noise. [Apr 2017, p.25]
    • Uncut
    • 79 Metascore
    • 70 Critic Score
    Here, the likes of "Call Upon The Fire" and "Commanche Moon" continue to mines, as, say Earth do, a folk essence of melody and lore. [Apr 2017, p.23]
    • Uncut
    • 72 Metascore
    • 70 Critic Score
    The results are stiff at times, the LP overlong, but Branch's country songwriting sounds all the more compelling and idiosyncratic in this setting. [May 2017, p.25]
    • Uncut
    • 79 Metascore
    • 60 Critic Score
    They've mastered the basics, but still have miles to go. [May 2017, p.26]
    • Uncut
    • 78 Metascore
    • 80 Critic Score
    Animating even the slowest songs on the album is a sense of play and possibility, the realisation that these musicians can shake off the dust and still surprise us. [May 2017, p.36]
    • Uncut
    • 78 Metascore
    • 70 Critic Score
    Kirk's fondness for gloomier realms prevails, especially in his noteworthy wordplay and on the ominously noisy title track. [May 2017, p.40]
    • Uncut
    • 79 Metascore
    • 80 Critic Score
    Not so much a fusion as a cross-cultural collision. [May 2017, p.40]
    • Uncut
    • 87 Metascore
    • 90 Critic Score
    A record that yields a procession of hidden treasures. [May 2017, p.38]
    • Uncut
    • 82 Metascore
    • 90 Critic Score
    Although What If's nine instrumental tracks are heavily rhythmic, this is a refreshingly gridless and affecting music, with serrated clicks and muted arpeggios wandering organically in and out of time. [Apr 2017, p.30]
    • Uncut
    • 78 Metascore
    • 70 Critic Score
    Bunker Funk runs along more heavily rhythmic lines, without sacrificing a single joule of energy. [May 2017, p.26]
    • Uncut
    • 72 Metascore
    • 80 Critic Score
    These three sprawling tracks were recorded in the pair's Bushwick apartment, but boast both breadth and startling virtuosity, sparkling guitar-drums jams blown wide with reverb. [May 2017, p.40]
    • Uncut
    • 80 Metascore
    • 90 Critic Score
    Hitchcock sounds more energised and vibrant than he has in decades. [May 2017, p.31]
    • Uncut
    • 79 Metascore
    • 80 Critic Score
    A satisfactorily dramatic return. [May 2017, p.30]
    • Uncut
    • 86 Metascore
    • 90 Critic Score
    Age seems to have deepened his poetic faculties, these rootsy narratives scarred by experience, but all the richer for it. Crowell's best since The Houston Kid. [Apr 2017, p.26]
    • Uncut
    • 71 Metascore
    • 70 Critic Score
    There's nothing quite as genuinely exciting as [the title track's] Aphex-meets-Bee-Gees disco, but its unorthodox elements are sprinkled across the album. [May 2017, p.32]
    • Uncut
    • 77 Metascore
    • 70 Critic Score
    Unsurprisingly, after nearly 30 years their hang-loose attitude is now tempered with a little socio-political reflection, although "Black Eyes"--a stomping, sown-dirty homage to hedonism--is a standout. [May 2017, p.25]
    • Uncut
    • 78 Metascore
    • 60 Critic Score
    Patchily exhilarating, but the blasts lack freshness. [Apr 2017, p.25]
    • Uncut
    • 74 Metascore
    • 80 Critic Score
    [Hames] combines the stately emotionalism of '60s torch singers with the all-caps exuberance of a particularly sharp garage-rock band and the eloquent twang of late-period Replacements. [Apr 2017, p.30]
    • Uncut
    • 78 Metascore
    • 70 Critic Score
    Undertow resembles free jazz noiseniks let loose in a junkyard, cooking up a mood of creeping dread with radioactive electronics. [Apr 2017, p.40]
    • Uncut
    • 79 Metascore
    • 70 Critic Score
    Not everything works on this bloated 18-tracker, but enough hits the target. [May 2017, p.35]
    • Uncut
    • 85 Metascore
    • 80 Critic Score
    Overall, it's a long, strange ride, and Joshua judges ruefully. [May 2017, p.18]
    • Uncut
    • 74 Metascore
    • 80 Critic Score
    The default setting for Venn's debut album is a kind of punky Krautrock, all finger-bleeding ostinato basslines and hypnotic beats wreathed in doomy electronics. [Apr 2017, p.40]
    • Uncut
    • 80 Metascore
    • 70 Critic Score
    For all its easy charms, Triplicate labours its point to the brink of overkill. After five albums' worth of croon toons, this feels like a fat full stop on a fascinating chapter. [May 2017, p.22]
    • Uncut
    • 76 Metascore
    • 70 Critic Score
    "Horns Surround Me" and "Feel You" may lack the intricately orchestrated arrangements of their recorded incarnations, but they're no less thoughtful. [Apr 2017, p.32]
    • Uncut
    • 79 Metascore
    • 70 Critic Score
    What is new is the extensive use for the first time of the Kora, a lyrical embellishment that slots dreamily into the melodic elegance of the classic Baobab shuffle. It's good to have them back. [May 2017, p.37]
    • Uncut
    • 72 Metascore
    • 60 Critic Score
    Touching new folk-rock compositions sit alongside spirited arrangements of trad songs and sturdy instrumentals. [May 2017, p.26]
    • Uncut
    • 77 Metascore
    • 80 Critic Score
    "Forever & A Day" sounds suspiciously like a love song, "Sleep On The Wing" has one of those gorgeous Colin Newman vocal performances. Otherwise, it's ominous thrum, insistent rumble and circular tunes that hide menace beneath their logic. [May 2017, p.40]
    • Uncut
    • 72 Metascore
    • 70 Critic Score
    You Had Me At Goodbye finds her experimenting with musical form, be it on chamber-folk eulogy "When The Roses Bloom Again," "Windmill Crusader's" skittish electro-pop or the droll "Antiseptic Greeting." There are moments of minimal charm here, too. [Apr 2017, p.26]
    • Uncut