An album you can get lost in. [Mar 2018, p.24]

Dedekind Cut is playful and emotionally varied, allowing for moments of rapture and joyful release amid the brooding, quasi-industrial hum. This tips over into sentimentality on the rippling strings and splashing water FX of Tahoe's tittle track, but the album remains an intriguing hybrid of Arca's fleshy rumble and the KLF's Chill Out. [Mar 2018, p.25]

Over 11 tracks the formula admittedly feels a little one-note and limited in scope, but the pair's gift for melody shines nonetheless. [Mar 2018, p.25]

An immersive, fluid and emotionally fragile listening experience. [Apr 2018, p.30]

Depth Of Field, Blasko's sixth studio album, substantially persists with the gloomy synthesiser motif of its superb predecessor, 2015's Eternal Return, but locates an even more poised balance between the chilly melancholy of glam-electronica backdrops and the capacious warmth of Blasko's vocals. [Apr 2018, p.24]

Stand-out numbers include the sumptuous orchestral lament "Hi A Skoellyas Liv A Dhagrow" and the gorgeous "Herdhya", a breathy spooktronica ballad with an anti-Brexit theme. [Apr 2018, p.27]

Not thrilling, maybe, but pleasingly solid. [Apr 2018, p.24]

Superorganism benefits from a surprising amount of focus and discipline that belies the woozy feel of the group's fun and savvy synthesis of the bricolage hip-hop of vintage Gorillaz and Avalanches, and the Day-Glo psych-pop of Animal Collective. [Apr 2018, p.35]

The excellent "Misheard" and "Useless" swirl with a cathartic sense of rage and helplessness, but while it's effective, the entirety is a lot to take. [Apr 2018, p.30]

The vibe is smart, slightly soiled. [Apr 2018, p.28]

With Mercury Rev/Flaming Lips producer Dave Fridmann poking psychedelic liquorice in the fluffy sherbet of their sound, Ross and drummer David Blackwell are more like an ice-cream van sinking in marshmallow, Motorhead on the dodgems or PJ Harvey fronting the Glitterband. [Mar 2018, p.28]

Surprisingly experimental. [Mar 2018, p.28]

It's a poignant, occasionally awkward addition to their catalogues, pitting Stills' earthy burr against Collins' soaring soprano. [Apr 2018, p.35]

Influenced by visual artist John Baldessari, Pure Beauty explores strange sonic vistas. [Apr 2018, p.35]

Here, on their fourth LP, the duo--teaming up again with Dave Fridmann--appear to have entered some weird, parallel 1983. [Apr 2018, p.30]

His most classically minded, complementing the film's setting with its own opulent old=world beauty. [Apr 2018, p.27]

There is a candid, personal quality to "Discreet" and "Have Fun Tonight," a sincere hymn to queer polyamory. Meanwhile, Chairlift's Caroline Polachek joins for the elegantly torrid "Togetherness." [Apr 2018, p.26]

The album's best tracks are those where Carlile strides beyond the confines of orthodox pop-country. [Apr 2018, p.24]

As a trio they've made a record of richer, more satisfying hues. [Mar 2018, p.26]

"Relay Runner" and "Jornada" boast more muscular sensibilities, with pulsing rhythms that bust through the layers of eerie drones and noises that make Loma as unsettling as it is compelling. [Mar 2018, p.28]

Landfall is an electro-acoustic patchwork of mostly short, mournful, quietly lovely mood pieces. [Mar 2018, p.22]

The set follows the progression of Mersey music from Yachts and Big In Japan through to The La's, who re-engaged with the Cavern sound and signalled where Britpop would soon be heading. [Mar 2018, p.47]

It won't cure humanity's ills, but it does a fine job of rejuvenating a band entering its third decade. [Mar 2018, p.22]

"To Shave The Leaves. In Red. In Black" is a frankly terrifying piece of spartan, gothic metal, where Gustafsson sounds like he's mutilating a hymn on the tenor sax. Best of all is the fidgety, one-chord funk of "Washing Your Heart In Filth," where Andreas Werliin sounds like three drummers playing at once. [Mar 2018, p.25]

Thankfully, Williams' effort to emulate that bygone sound is too sophisticated and idiosyncratic to be mere pastiche. [Mar 2018, p.35]

A fairly ravishing listen that brings to life to Remy's Cindy Sherman-style identity politics. [Mar 2018, p.35]

Sometimes the honesty gets close to discomfiting, but it's always compelling. [Mar 2018, p.47]

A thing of gentle and radiant wonder. [Mar 2018, p.24]