Uncut's Scores
- Music
For 11,994 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,013 out of 11994
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Mixed: 2,907 out of 11994
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Negative: 74 out of 11994
11994
music
reviews
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- Critic Score
This merging of hypnotic rhythms with pulsing electro is apparent throughout, especially on squelchy tracks like "Got To Be Who U Are", and the result is a potent fusion. [Jun 2024, p.36]- Uncut
Posted May 3, 2024 -
- Critic Score
The current lineup lacks that ritualistic Jamaican component - the nyabinghi-style conga playing of the late Pablo Gonsales and the Skatalites-influenced sax of Mike "Bammi" Rose - but there are still great moments. [Jan 2025, p.32]- Uncut
Posted Jan 31, 2025 -
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Eight tracks range from menacing, acid rain drone to jagged rhythmic gut-punches. Here they summon the raw energy of The Young Gods in their prime, hobbling through grey ruined cities that have dominated our news-screens in recent times. [Jul 2025, p.33]- Uncut
Posted Jun 23, 2025 -
- Critic Score
Hannon is in his element, from the bittersweet ba-ba-Bacharachian title track to the glam, high-kicking chorus of "Down The Rabbit Hole". [Nov 2025, p.31]- Uncut
Posted Sep 16, 2025 -
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Monster Magnet and Mudhoney's sludgy heaviness and Hawkwind and Stooges prototypes form the mulch for this unexpected double. [Mar 2026, p.33]- Uncut
Posted Mar 27, 2026 -
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Pleasingly, Segall's root wildness is enhanced by their [Ben Boye, Mikal Cronin, Emmett Kelly, and Charles Moothart's] jamming virtuosity. [Feb 2017, p.37]- Uncut
Posted Jan 20, 2017 -
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Infectious stuff, and 30 years on from the first Pastels single, there is still no escaping indie's fey power. [Jul 2012, p.67]- Uncut
Posted Jun 1, 2012 -
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Mering's atmospheric second album is a masterclass in spooked melancholia, clothing her cool Nico-esque vibrato in spine-shivering folk-noir arrangements. [Nov 2014, p.84]- Uncut
Posted Oct 30, 2014 -
- Critic Score
Polished but never bland, and comes dotted with a wealth of special guests. .... But a big part of what makes Tonky compelling is how he stitches his tales into a wider fabric of African-American experience. [Mar 2025, p.36]- Uncut
- Posted Mar 19, 2025
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- Critic Score
For all its diverting technical backstory, for all our attempts to manoeuvre Tim Hecker into various neat genre boxes, ancient and modern, his music is ultimately ravishing in a way that transcends method and contest, [May 2016, p.83]- Uncut
Posted Mar 29, 2016 -
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Throughout the album, melodies stop and start like film scores: they change key, tempo, time signatures and even musical genres to suit the flow of the story. [Sep 2017, p.22]- Uncut
Posted Aug 1, 2017 -
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While Williams can operate at either extreme of the spectrum, the softer likes of "Dirt" - a haunting duet with Tom Fleming of Wild Beasts and One True Pairing - suggest where her true forte lies. [Aug 2020, p.39]- Uncut
Posted Jul 2, 2020 -
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Some of her finest vocals, full of wit and humour and immense loneliness. [Jan 2026, p.34]- Uncut
Posted Jan 26, 2026 -
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There's a real effort to forge beauty out of chaos without losing any of the chaos. [Album of the Month, Jan 2006, p.100]- Uncut
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Posted Jan 22, 2015 -
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Lyrically, The Murder Capital are less direct than Idles and Fontaines, but musically they're more expansive, bringing a brooding brain-twisting gothic feel. [Sep 2019, p.30]- Uncut
Posted Aug 13, 2019 -
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While some moments fee contrived to win headlines [...] it's the stories of grind under dour circumstance, such as "Grow Up" featuring Birmingham MC Jaykae, that shine the brightest. [Jul 2019, p.34]- Uncut
Posted May 17, 2019 -
- Critic Score
It's rhythmic patterns and twisting beats are surprising throughout, making the record as unpredictable a voyage as the times we live in. [Jul 2019, p.33]- Uncut
Posted Jun 6, 2019 -
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Posted Sep 8, 2025 -
- Critic Score
Excellent news that Price has re-embraced the old-school virtues that got her noticed in the first place: the rowdy yet droll honky-tonk tear-up, heard here on such Southern soul-infused cuts as "Losing Streak" and "I Just Don't Give A Damn". [Oct 2025, p.31]- Uncut
Posted Aug 27, 2025 -
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Glass Swords places him squarely out there on his own, programming the kind of computer-game fluoro-rave crunk that's easy to admire but hard to love. [Nov 2011, p.97]- Uncut
Posted Nov 11, 2011 -
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There's a relentlessly macabre tension and ultimately savage catharsis to these six songs. [Mar 2022, p.36]- Uncut
Posted Feb 2, 2022 -
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Posted Nov 3, 2022 -
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The drama can recall Florence + The Machine more than their dream-pop origins, but the mood - lacerating self-doubt becoming decay-defying euphoria - is Lanterns On The Lake's own. [Aug 2023, p.33]- Uncut
Posted Jun 22, 2023 -
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- Critic Score
Whatever its emotional well-spring, her expression is clear, purposeful and strong in its directness. [Sep 2018, p.38]- Uncut
Posted Aug 17, 2018 -
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In short, it's a quietly beautiful record: anthemic but not bombastic, introspective yet universal, simply drawn but beautifully coloured in. [Apr 2011, p.82]- Uncut
Posted Mar 29, 2011 -
- Critic Score
A set of songs that inscribe their intensities and their romantic visions directly on the listener's heart. [Feb 2016, p.76]- Uncut
Posted Jan 11, 2016 -
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Throughout, her lyrics betray a convincing world-weariness. [Oct 2017, p.24]- Uncut
Posted Sep 19, 2017 -
- Critic Score
Exquisitely crafted, lightly experimental chamber-folk album. [Jan 2022, p.21]- Uncut
Posted Nov 22, 2021