Uncut's Scores

  • Music
For 11,989 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11989 music reviews
    • 78 Metascore
    • 70 Critic Score
    A record that is intensely visceral, loud and charged yet not needlessly overblown. [May 2022, p.26]
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    • 80 Metascore
    • 70 Critic Score
    Embellished with hints of country and Southern soul, it belongs to the same school of forlorn pop classicism favoured by Dennis Wilson or Emit Rhodes. [Apr 2022, p.29]
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    • 70 Metascore
    • 60 Critic Score
    Opens with three tracks that feature his street set-up and have the sparse rawness of Lomax’s 1930s Mississippi Delta recordings. The other eight tracks were recorded in a studio with a full band and bounce and ricochet with the joyous energy of the Bhundu Boys at their most exuberant. [Mar 2022, p.29]
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    • 87 Metascore
    • 80 Critic Score
    It’s her voice, always expressive and active, that anchors even the wildest experiments, whether it’s the children’s choir at the end of the title track or the ratatat rhythms of “Obligation”. [Apr 202, p.32]
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    • 77 Metascore
    • 70 Critic Score
    This might have worked better as a single LP, but to ensure the collection doesn’t run out of steam, there are two new tracks: the bouncy “Curious” and retro rocker “Billy Goodbye”. [Apr 2022, p.44]
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    • 75 Metascore
    • 80 Critic Score
    Island Family examines themes of identity, isolation and belonging against an endlessly inventive backdrop of sweeping electronica, clever samples and weirdy folk, sometimes strangely blissful and at others beat-driven and wakeful. [Apr 2022, p.32]
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    • 71 Metascore
    • 70 Critic Score
    Wonky charmer of a third album. [Apr 2022, p.31]
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    • 76 Metascore
    • 70 Critic Score
    It's Cypress Hill's own B-Real who steals the show, though, his nasally raps still as distinctive as a whiff of the green stuff. [Apr 2022, p.26]
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    • 77 Metascore
    • 70 Critic Score
    It secures Midlake's future with small yet significant shifts that haven't erased their identity. Not deeper waters, necessarily - but running clearer and on a newly energised course. [Apr 2022, p.22]
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    • 70 Metascore
    • 70 Critic Score
    A better-than-respectable restatement of many of their original virtues, the primary being the flair for sunny, Hollies-like melodicism. [Apr 2022, p.25]
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    • 80 Metascore
    • 70 Critic Score
    Instrumental understatement and forlorn romanticism define The Jacket. [Apr 2022, p.36]
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    • 78 Metascore
    • 80 Critic Score
    This is Raum's greatest gift—it's not just a trip to the past but a truly worthy addition to one of the most important but overwhelming catalogues in electronic music. [Apr 2022, p.35]
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    • 75 Metascore
    • 80 Critic Score
    It's entirely fantastical stuff. [Apr 2022, p.32]
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    • 73 Metascore
    • 70 Critic Score
    It's a tart set but not a sour one - concerns are laid bare and life lessons shared, with whip-smart confidence. [Apr 2022, p.25]
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    • 83 Metascore
    • 90 Critic Score
    In many ways, it’s everything you could want in a Spiritualized album. [Mar 2022, p.22]
    • 73 Metascore
    • 70 Critic Score
    Alex Cameron returns to the more overtly acerbic studies in modern male toxicity that established the Australian singer-songwriter as a suave provocateur. [Apr 2022, p.25]
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    • 85 Metascore
    • 80 Critic Score
    Classic Objects is, on its face, Jenny Hval's most straightforward work: her songs flirt with conventional verse-chorus structure, her lyrics are clear nd direct, drawn from life. Closer listening, though, reveals Hval interrogating those experiences. [Apr 2022, p.29]
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    • 76 Metascore
    • 80 Critic Score
    Old-school techno beats dominate as Flür cuts a dance-pop swathe through his own history and back. [Apr 2022, p.26]
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    • 83 Metascore
    • 70 Critic Score
    There's no revolutionary do-over taking place here, just solid, reliable indie rock from a songwriter who knocks it out with what's bordering on flippant ease. [Apr 2022, p.28]
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    • 78 Metascore
    • 60 Critic Score
    The whole work glides in one long, soft landing. [Apr 2022, p.35]
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    • 82 Metascore
    • 80 Critic Score
    Her supple voice is a thing of understated beauty, bonded to tales of emotional attachment and release in a way that suggests full closure is still a little way off. [Apr 2022, p.28]
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    • 83 Metascore
    • 80 Critic Score
    More inward-looking than her conceptual debut, its emotive lyrics lending themselves to a more tightly focused musical palette. [Apr 2022, p.36]
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    • 83 Metascore
    • 80 Critic Score
    A lively, impassioned record that proudly eschews convention and celebrates its outsider roots. [Apr 2022, p.31]
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    • 84 Metascore
    • 100 Critic Score
    It is quite simply stunning. [Apr 2022, p.30]
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    • 71 Metascore
    • 70 Critic Score
    He roams a palette of solo guitar modes, from Sonic Youth-y harmonics, through melodic lines, all slight but identifiable his own. [Mar 2022, p.32]
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    • 67 Metascore
    • 70 Critic Score
    The arrangements - as ever - are more Les Misérables than Les Cousins, but her voice and her writing have lost non e of their chandelier sparkle. [Apr 2022, p.26]
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    • 84 Metascore
    • 90 Critic Score
    Another stunning album. [Mar 2022, p.29]
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    • 75 Metascore
    • 80 Critic Score
    Here, informed by the BLM movement, the lyrics on his third Black Radio LP are often mournful. ... Sometimes the mournfulness is sublime. [Apr 2022, p.32]
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    • 76 Metascore
    • 80 Critic Score
    As stylishly coherent as it is surprising. [Mar 2022, p.26]
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    • 71 Metascore
    • 60 Critic Score
    That unsubtle drive for huge hooks can sometimes be a bit exhausting, but tracks like "New Age Millennial Magic", the groovy "Feel The Change!" and "Demolition Song" come so loaded with good vibes it's hard not to smile. [Mar 2022, p.25]
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