Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 83 Metascore
    • 80 Critic Score
    This arrestingly adventurous debut is a densely layered mash-up of shudders and drones, narcotically twisted beats, gospel-infused vocals and surreal wordplay. [Mar 2014, p.85]
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    • 83 Metascore
    • 80 Critic Score
    In a field of her own. [Feb 2016, p.79]
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    • 83 Metascore
    • 80 Critic Score
    Even on songs which tap into more difficult territory, such as "When Your Heart Is Broken", he delivers it with such a seamless knack for melodic songcraft, that he even turns heartache into foot-stomping riffs and sing-along choruses. [Apr 2025, p.30]
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    • 83 Metascore
    • 90 Critic Score
    An amazing album. [Mar 2007, p.75]
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    • 83 Metascore
    • 80 Critic Score
    The blues remain a touchstone--the album's first line is "Woke up this Morning"--but Grinderman 2 prefers to prowl rock's perimeter with Amon Duul II, Suicide and contemporary drone practitioners like Wooden Shjips. [Oct 2010, p.86]
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    • 83 Metascore
    • 70 Critic Score
    Occasionally, N*E*R*D edge a little closer to staccato nu-metal than fans fo their inventive music might appreciate. [May 2002, p.105]
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    • 83 Metascore
    • 80 Critic Score
    Another relaxed but enigmatic foray into modernist roots territory to stand alongside records by Gillian Welch, Laura Veirs, Sparklehorse and Bonnie "Prince" Billy. [Jun 2004, p.98]
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    • 83 Metascore
    • 80 Critic Score
    At a time when all things punky or funky with an NY zip code are the peak of chic, Talking Heads ought to be lauded as authentic pioneers. [Jan 2004, p.118]
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    • 83 Metascore
    • 100 Critic Score
    Rarely has contrived weirdness sounded so utterly bewitching. [Jun 2004, p.85]
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    • 83 Metascore
    • 40 Critic Score
    There are some pleasantly elaborate, wayward songs here... Forays into funk and Tom Waits' scrapyard are cringe-inducing, though. [Sep 2004, p.110]
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    • 83 Metascore
    • 80 Critic Score
    She's far bolder, singing in a strange, little girl's voice over a solitary Chet Baker-style trumpet or chanting mantra-like over a bubbling African rhythm. [May 2008, p.87]
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    • 83 Metascore
    • 80 Critic Score
    Difficult to pin down, Hidden is even harder to forget. [Feb 2010, p.104]
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    • 83 Metascore
    • 80 Critic Score
    It manages to top those two finely crafted albums [2013's Time Off and 2014's Way Out Weather]. It's more streamlined in its playing, more confident in its writing, more determined in its mission. [Jul 2016, p.72]
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    • 83 Metascore
    • 80 Critic Score
    House and Land is first and foremost a vocal album, full of rough-hewn and exquisitely discordant mountain harmonies---like The Carter Family for the 21st century. [Jul 2017, p.32]
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    • 83 Metascore
    • 80 Critic Score
    What unifies these wildly disparate modes [political satirist. self-loathing lothario, celebrity stalker, Cali yacht-rocker, and Nilsson-like romantic crooner] is Baxter's musical sophistication, which puts him closer to the witty elegance of 10cc than the alt.country label he's been slapped with. [Sep 2018, p.26]
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    • 83 Metascore
    • 90 Critic Score
    Epic debut, an emotionally rich and stylistically broad mediation on homeland, exile and identity. ... A lavish feast of an album. [Nov 2019, p.30]
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    • 83 Metascore
    • 80 Critic Score
    This anniversary reissue is less concerned about the album as it is and more curious about how it might have sounded. ... Arguably the most revealing aspect of this reissue is Scott Litt's bold remix of Monster. [Dec 2019, p.40]
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    • 83 Metascore
    • 80 Critic Score
    Out Of My Province retains the earthen quality of her previous works, but with an added confidence, her words enunciated with a newfound assurance. [Apr 2020, p.22]
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    • 83 Metascore
    • 90 Critic Score
    There's a gorgeously somnambulant yet softly romantic feel to these 10 songs. ... And it benefits from masterfully subtle arrangement touches. [Dec 2021, p.27]
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    • 83 Metascore
    • 80 Critic Score
    There’s certainly an abundance of good ideas – often several within the course of one song, with hooks emerging from the fog before dissolving as quickly as they came – but the band seem to work through them in perfect harmony, on the way to even greater things. ... Their best album.
    • 83 Metascore
    • 80 Critic Score
    Pure pleasure with an experimental edge. [Oct 2024, p.34]
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    • 83 Metascore
    • 80 Critic Score
    Sitting somewhere between alt.rock, indie-pop and a singer-songwriter album, it’s a neat balancing act that feels personal and intimate yet also sonically ambitious. [Dec 2024, p.37]
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    • 83 Metascore
    • 80 Critic Score
    Richard Koch's trumpet and Shards' choral vocals on the spooky "Human Range" confirm his quiet urge to defy expectations. [Feb 2018, p.27]
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    • 83 Metascore
    • 80 Critic Score
    More inward-looking than her conceptual debut, its emotive lyrics lending themselves to a more tightly focused musical palette. [Apr 2022, p.36]
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    • 83 Metascore
    • 80 Critic Score
    Her quirky homespun arrangements have been toughened and broadened, adding a knowingly retro girl-group stomp and echo-drenched Spector-ish grandeur to windswept heartbreak anthems. [Apr 2011, p.85]
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    • 83 Metascore
    • 80 Critic Score
    It's a heavy trip, with the exotic/erotic minimal techno of Ricardo Villalobos overlaid to intoxicating effect with the eerie hauntological manoeuvers of The Focus group. [Feb 2011, p.82]
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    • 83 Metascore
    • 80 Critic Score
    The No. 1 slot will continue to elude him, but a strange, dank pop corner remains his and his alone. [Mar 2018, p.26]
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    • 83 Metascore
    • 90 Critic Score
    A dazzling set that even outstrips 2020’s Source, with the bearing of a modern classic. [Oct 2024, p.34]
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    • 83 Metascore
    • 80 Critic Score
    [Fear Fun is] packed with sardonic, self-effacing songs that recall the finest traditions of harmony-soaked West Coast folk-and-country influenced rock'n'roll. [Jun 2012, p. 68]
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    • 83 Metascore
    • 80 Critic Score
    A cappella shanty "Poor Old Horse" is a working class hymn with real bite, while muted electronica gives "As I Roved Out" a thoroughly modern sheen. [Feb 2018, p.35]
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