Uncut's Scores
- Music
For 11,989 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
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| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,009 out of 11989
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Mixed: 2,906 out of 11989
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Negative: 74 out of 11989
11989
music
reviews
- By Date
- By Critic Score
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- Uncut
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- Critic Score
If--as you should be--you're in love with Luna... you'll come over all swoonalicious to this subtly sparkling spin-off. [Dec 2003, p.130]- Uncut
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A highly satisfying bridge between the log-cabin museum pieces of Revival and Hell Among The Yearlings and a more rockin', Basement Tapes-ish Americana. [Album of the Month, Aug 2003, p.96]- Uncut
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Gahan's lyrical moochings are inevitably less assured without his umbilical cord to [Martin] Gore, at times bordering on moon-in-June banality. [Jun 2003, p.108]- Uncut
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The tunes are stunning, her voice has never sounded better and she makes serious points few others would dare in a pop context. [Oct 2003, p.114]- Uncut
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A 21st-century alienated soul album that slips the Eels back into your heart. [Jul 2003, p.120]- Uncut
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Inpressive stuff, but like the Beastie Boys' tinnitus-inducing whines, Northern State's gonzoid yelps suffer from diminishing returns. [Jun 2003, p.110]- Uncut
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If you really want to hear folk-blues played with rock'n'roll attitude then go back to Boomer's Story or Into The Purple Valley. [Oct 2003, p.111]- Uncut
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Aside from [Interpol]... the Yes groups sound just as narrow and constricted as their scuzzy East Village forebears. [Aug 2003, p.120]- Uncut
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It's a long time since we heard three-part harmonies as good as this from anyone. [Jun 2003, p.104]- Uncut
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From Every Sphere is the ultimate grower, which moves, in your mind, from quite nice to utterly compelling and addictive over a matter of days, or better, nights. [Album of the Month, March 2003, p.94]- Uncut
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An LP of spooked delicacy and wheezy, wayward charm. [Jun 2003, p.104]- Uncut
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Seems to be his regular melange of jackboot glam and electro-metal spiced up with those endearingly juvenile stabs at pretension and subversion. [Jun 2003, p.94]- Uncut
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Beth Ditto's remarkable gospel holler and fervent anti-sexist agenda deserves--no, demands--to be heard by a much bigger audience. [Aug 2003, p.106]- Uncut
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The best album McCulloch's had a hand in since 1984's Ocean Rain. [May 2003, p.96]- Uncut
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It's the freshest, most exciting and far-reaching left-field album in years. [Jun 2003, p.102]- Uncut
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Doesn't quite make it into the Thompson solo Top 10.... But it's good to have him back. [Mar 2003, p.102]- Uncut
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His twittering creations... use hip hop as their base but defy all attempts at categorisation and recall artists as diverse as Keith Jarrett, DoseOne and Smog. [Jun 2003, p.104]- Uncut
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There's nothing profound about Electric Version. But classic pop has seldom sounded so much fun. [Jun 2003, p.98]- Uncut
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An endlessly fascinating maze of sound.... This decade's Endtroducing..., possibly. [Jun 2003, p.98]- Uncut
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I doubt there'll be many better albums released this year. [Jun 2003, p.98]- Uncut