Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 64 Metascore
    • 60 Critic Score
    Abrasive album. ... Tracks like "Pleasure Seeker," "Oblivion" and "Power" demand the listener either sit up and take notice or run screaming for the hills. [Mar 2019, p.26]
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    • 71 Metascore
    • 60 Critic Score
    Ambitions here, you feel, do not extend far beyond ‘a good time, all the time’-–it’s probably telling that the band name derives from a cocktail lounge on Sunset Boulevard-–but then, Moretti probably wouldn’t want it any other way.
    • 67 Metascore
    • 60 Critic Score
    The less mannered material shines brightest. [Apr 2012, p.75]
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    • 68 Metascore
    • 60 Critic Score
    Remarkable less for the tunes than the sheer, punchy exuberance on show. [Dec 2001, p.120]
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    • 51 Metascore
    • 60 Critic Score
    Sincere but Hokey homilies test the patience, but she brings imaginative vocal skills and real life experiences to "White Room," which displays a certain determined character. [Jun 2011, p.86]
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    • 73 Metascore
    • 60 Critic Score
    Once again, Daschanel demonstrates a deep understanding and irony-free love of innocent, old-school pop craft in her writing, but too many of the chorus hooks pass by without sticking, and aome of the stacked-up vocal arrangements sag under their own weight. [May 2010, p.102]
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    • 79 Metascore
    • 60 Critic Score
    Light and airy, pretty in parts, but devoid of muscle, grit or originality. [May 2002, p.96]
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    • 81 Metascore
    • 60 Critic Score
    The Antlers, fronted by the sepulcral warble of Peter Silberman, manage to distinguish themselves slightly from these shuffling, mournful legions by bringing to bear a gently epic sensibility that verges on the orchestral. [Jul 2011, p.77]
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    • 71 Metascore
    • 60 Critic Score
    Guitar fans will particularly enjoy tracks like "Life Pass" and "Let It Out," where the solos are enjoyably garish. [Sep 2016, p.73]
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    • 75 Metascore
    • 60 Critic Score
    What You Gonna Do When the Grid Goes Down? is no return to the glory days, it is a credible reprise of their old-school rolling and one-two punch, spiked with heavy psychedelic guitar. [Dec 2020, p.36]
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    • 67 Metascore
    • 60 Critic Score
    Although the songs are both traditional and modern, the mood of gentle awe and foreboding wonder is all of a piece. [Nov 2006, p.102]
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    • 79 Metascore
    • 60 Critic Score
    Accelerate is a simple, pragmatic record built on an uncomfortable truth: sometimes, even the best bands have to retrace their steps, if only to remind themselves what they're really good at.
    • 71 Metascore
    • 60 Critic Score
    Ultimately you're left frustrated by the safety first approach. [Mar 2014, p.71]
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    • 62 Metascore
    • 60 Critic Score
    This is a "Talk Of the Town" of the mind, and he is clearly in his elemnt. [Dec 2008, p.100
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    • 68 Metascore
    • 60 Critic Score
    Certainly enough to impress the judges. [Jan 2008, p.93]
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    • 71 Metascore
    • 60 Critic Score
    Heady and infused with whimsy, their second full-length flows effortlessly from dreamy girl-group pop to electro-bossa nova. [Feb 2009, p.76]
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    • 72 Metascore
    • 60 Critic Score
    Treasury Library Canada feels less whimsical and more polished, although Hamilton still sticks closely to his signature mix of rich acoustic chamber-pop arrangemnts and quietly barbed lyrics. [Mar 2009, p.107]
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    • 80 Metascore
    • 60 Critic Score
    It ain't always pretty. [Oct 2009, p.104]
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    • 70 Metascore
    • 60 Critic Score
    Too many songs like "Spiral" lapse into mere pleasantness, but the clockwork body music of tracks like "Middle" and "Lady Luck" is compelling. [Jun 2011, p.86]
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    • 71 Metascore
    • 60 Critic Score
    There are moments when the orchestrated bathos feels promising. .... But the lyrical clunkers pile up and ultimately capsize an intriguing venture into sophisti-pop. [Aug 2024, p.39]
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    • 83 Metascore
    • 60 Critic Score
    Drew's desire to be all things to all 'hoods is the weakness of the soundtrack to his debut movie. [Oct 2012, p.86]
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    • 64 Metascore
    • 60 Critic Score
    There's a little too much preciousness here. [Oct 2014, p.72]
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    • 71 Metascore
    • 60 Critic Score
    The gambit [space-age sheen and quantised grooves] works on the trippy title track and the confrontational "If You Want It," but elsewhere it robs the band's hyper-rhythmic attack of its viscerally human feel. [Jan 2017, p.28]
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    • 69 Metascore
    • 60 Critic Score
    A much more orthodox, plaid-shirted affair that draws heavily from the early '70s. [Jan 2016, p.73]
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    • 75 Metascore
    • 60 Critic Score
    While house purists might find it juvenile, and there are some aimless passages, the lo-fi production is beautiful. [Mar 2012, p.87]
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    • 72 Metascore
    • 60 Critic Score
    If you had Yamagata bagged as "winsome singer-songwriter," the breadth and ambition of this double-disc will knock you sideways. [Apr 2009, p.105]
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    • 67 Metascore
    • 60 Critic Score
    Some of the music here illustrates the limitations of the formula, sometimes lapsing into lumpy blues-rock or new-age noodling. [May 2016, p.70]
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    • 64 Metascore
    • 60 Critic Score
    It's all very tasteful and refined, but ultimately feels a little bloodless. [Feb 2024, p.30]
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    • 73 Metascore
    • 60 Critic Score
    It's solid stuff. But he's got a way to go to rise above his influences. [Jun 2011, p.86]
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    • 72 Metascore
    • 60 Critic Score
    They've got a food ear for summer anthems but Jungle lacks the knowing self-deprecation and tender lyricism of Hot Chip or Metronomy, so all you're left with here is a pleasant pastiche. [Aug 2014, p.75]
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