Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 64 Metascore
    • 60 Critic Score
    It's the thump and clatter of a 1950s backbeat filtered through the boogie of 1970s glam-rock. [May 2015, p.71]
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    • 64 Metascore
    • 60 Critic Score
    The musical themes are narrow and somewhat repetitive but Kubrick duly delivers on atmosphere. [Jan 2016, p.80]
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    • 64 Metascore
    • 70 Critic Score
    It's not pretty but it's pretty effective, with tracks like "Radiant Mountain Road," "Volume Peaks" and the frantic "Babel" quickly finding a groove and then flogging it to an entertaining death. [Jun 2016, p.69]
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    • 64 Metascore
    • 60 Critic Score
    There are Goat-like moments, but "Serenity" and "Meditasjonen" interrupt the party to introduce a more studied and austere note to proceedings. [Jan 2018, p.21]
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    • 64 Metascore
    • 50 Critic Score
    The best songs here are the instrumentals. As a songwriter he relies on too many cliches, remains fiercely devoted to a stiff ABAB rhyme scheme and offers too few insights into his underworld characters. [Oct 2019, p.36]
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    • 64 Metascore
    • 60 Critic Score
    This swift reimagining of the Protean Threat tapes launches into greater psychedelic flights. [Jan 2021, p.31]
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    • 64 Metascore
    • 60 Critic Score
    The constant is Wilson’s fiery vocal, still powerfully passionate well into her seventies. [May 2022, p.36]
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    • 64 Metascore
    • 40 Critic Score
    They're back to tacky autopilot, forcing Sean C and LV to save face with two rousing contributions. [Apr 2010, p.84]
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    • 64 Metascore
    • 60 Critic Score
    Like the five LPs preceding it, Last Light is dominated by autumnal mood pieces--but it rocks harder, making for a pleasing contrast with Pond's poignant lyrics and vocals.
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    • 64 Metascore
    • 70 Critic Score
    Their fourth album, self-produced and recorded in Berlin, finds the smart hooks and spiky lyrics all present and correct. [Apr 2014, p.69]
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    • 64 Metascore
    • 40 Critic Score
    His leftfield takes on protest soul have been ditched in favour of pick'n'mix revivalism and banal inspirational platitudes. [May 2014, p.67]
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    • 64 Metascore
    • 60 Critic Score
    The over-shiny, repetitive beats and the carefree, happy-skippy persona soon palls. [Apr 2007, p.120]
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    • 64 Metascore
    • 70 Critic Score
    The debut album by this French five-piece sends an icy wind cutting through their shoegaze haze. [May 2013, p.78]
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    • 64 Metascore
    • 70 Critic Score
    Madly ambitious and deeply heartfelt, it's a grand folly in the great tradition of British rock. [Nov 2006, p.96]
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    • 63 Metascore
    • 80 Critic Score
    Their best, boldest, most unashamedly poptastic album yet. [Dec 2018, p.28]
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    • 63 Metascore
    • 60 Critic Score
    Lemmy's chief inspiration is war, and this leads to some lyrically sticky moments. Generally, though, high spirits prevail. [Nov 2008, p.109]
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    • 63 Metascore
    • 70 Critic Score
    It might skirt the edges of twee but the follow-up to 2010's Die Stadt Muzikanten darkens and deepens as it unfolds. [Mar 2013, p.79]
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    • 63 Metascore
    • 60 Critic Score
    Moments of menacingly forlorn Velvet Undergound-meets-Hank Williams beauty. [Aug 2004, p.98]
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    • 63 Metascore
    • 40 Critic Score
    Crow sounds as if she's trying too hard to show us that all she still wants to do is have some fun. [May 2002, p.91]
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    • 63 Metascore
    • 80 Critic Score
    The collection not only shows the unexpected range of Gano's songwriting ability, but leaves you humming and wanting more. [Oct 2002, p.104]
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    • 63 Metascore
    • 60 Critic Score
    It contains fleeting proof of a band still capable of making sparks fly. [Jan 2018, p.29]
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    • 63 Metascore
    • 50 Critic Score
    A New Found Relaxation promises much but never fully delivers. [Aug 2020, p.33]
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    • 63 Metascore
    • 70 Critic Score
    Even as a covers band, Madness remain one step beyond. [Aug 2005, p.90]
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    • 63 Metascore
    • 60 Critic Score
    Honey's intentions are noble but the results are mixed. [Jun 2016, p.69]
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    • 63 Metascore
    • 60 Critic Score
    A flawed but fascinating follow-up. [Feb 2007, p.85]
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    • 63 Metascore
    • 60 Critic Score
    Accept the general aura of legwarmers and it's fun. [Nov 2009, p.90]
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    • 63 Metascore
    • 50 Critic Score
    On her second LP, Gothenburg's Sumie Nagano recites her depressive, wintry haikus in a soft, pure voice over some rather samey accompaniment. [Dec 2017, p.33]
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    • 63 Metascore
    • 60 Critic Score
    Despite the references to Oxford Circus and the Northern Line, Smith's baritone voice often strays into mid-Atlantic territory, but the highlights see him lean into English pastoralism. [Jan 2026, p.35]
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    • 63 Metascore
    • 70 Critic Score
    Addictive pop kitsch. [Apr 2005, p.99]
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    • 63 Metascore
    • 50 Critic Score
    Chroma strikes a largely upbeat mood, producer Dan Carey foregrounding a McGuinness vocal that's more often irksome than endearing amid the skittering rockabilly beats and lively but derivative soundscapes. [Sep 2014, p.75]
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