Uncut's Scores
- Music
For 11,991 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,011 out of 11991
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Mixed: 2,906 out of 11991
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Negative: 74 out of 11991
11991
music
reviews
- By Date
- By Critic Score
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- Critic Score
Sergio Mendes meets Sparks then plunders Charles Mingus? Could be. [Aug 2006, p.95]- Uncut
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- Critic Score
Unsurprisingly, American V is the most desolate of the series, bereft of the moments of playfulness that leavened its predecessors. [Aug 2006, p.92]- Uncut
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Finds her plumbing new depths of pomposity. [Aug 2006, p.84]- Uncut
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- Critic Score
Only the softer songs... display any of the heartbroken mystique that once made Carrabba compelling. [Sep 2006, p.79]- Uncut
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- Critic Score
You wish Neil and Chris had hooked up with a younger, switched-on, even more sympathetic producer. [Jun 2006, p.110]- Uncut
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Time that could have been spent on cultivating studied cool, a la The Bravery, appears to have been wisely invested in memorable songs. [Jul 2006, p.101]- Uncut
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Keith's interaction with his producers is minimal, and his creative control so thin that vocal parts often sound like samples. [Sep 2006, p.79]- Uncut
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These tracks feel less like performances than private reveries on which the listener eavesdrops. [Aug 2006, p.108]- Uncut
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This is the most powerful, literate and just plain individual British debut album since The Streets' Original Pirate Material. [Jul 2006, p.94]- Uncut
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In truth, only an uncharitable curmudgeon could fail to appreciate Tim Rice-Oxley's vastly improved pop songwriting. [Jul 2006, p.102]- Uncut
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A fantastic hybrid of Spacemen 3 and Deep South voodoo. [Oct 2006, p.99]- Uncut
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While he recreates his past modes, he can't recapture the audacious conceits or raptures of Liberation and Promenade. [Jul 2006, p.90]- Uncut
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For better, and for worse, this is a band who still haven't figured out who they are. [Jul 2006, p.95]- Uncut
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- Critic Score
Like mid-'80s Scritti Politti, News And Tributes is pop music made by young men loath to sell their intelligence down the river. [Jun 2006, p.114]- Uncut
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With The Warning, they've willed themselves beyond bathos by sincerely embracing their English art-pop sensibilities. [Jun 2006, p.103]- Uncut
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[El-P's] sinister, scarified industrial noise and beats bring a grimly thrilling dimension. [Jul 2006, p.102]- Uncut
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A mighty blend of doomy, Jansch-ish meander and sepulchral drones. [Jul 2006, p.92]- Uncut
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Spektor's biggest-hearted, clearest-minded effort yet--achieved, thankfully, without sacrificing any of her wonderful weirdness. [Aug 2006, p.111]- Uncut
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Son's patchwork of fluttering loops and vocal delays align Molina with kindred spirits Animal Collective, though her listless delivery can dull proceedings. [Jun 2006, p.106]- Uncut
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- Critic Score
It's an album, like most teenagers, that is sometimes awkward and exhausting, but also joyous, un-jaded, and bursting at the seams with promise. [Apr 2006, p.114]- Uncut