Uncut's Scores
- Music
For 11,991 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,011 out of 11991
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Mixed: 2,906 out of 11991
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Negative: 74 out of 11991
11991
music
reviews
- By Date
- By Critic Score
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- Critic Score
It's both Gothic and arch, meaningless and amusing. [Nov 2006, p.110]- Uncut
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- Critic Score
When the adrenalin stops pumping, the reality is that labelmates The Constantines do this stuff much more effectively. [Dec 2006, p.118]- Uncut
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- Critic Score
Breathless power-pop offset by an innuendo-laden lyricism. [Mar 2006, p.98]- Uncut
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- Critic Score
Amid snatches of skewed beauty, it seems Akron/Family have lost a sense of who they really are. [Dec 2006, p.101]- Uncut
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- Critic Score
The Information often feels hygienised and missing some grit. [Nov 2006, p.100]- Uncut
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- Critic Score
Finn’s writing is sharper than ever, the various narratives driven less by the wordy exposition of yore than acute observation, devastating detail, by turns exclamatory, epigrammatic and grainily authentic.- Uncut
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- Critic Score
This... is still very much a Dears record: confused and unfocused, a messy kind of masterpiece. [Sep 2006, p.90]- Uncut
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- Critic Score
With Shine On, Jet manage to establish a common ground between Badfinger and AC/DC. [Nov 2006, p.110]- Uncut
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A 10-track masterclass in spectral, psychedelicised pop, it's awash with great tunes and soaring arrangements. [Nov 2006, p.117]- Uncut
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Neither beholden to tradition nor self-consciously moderne, she crafts skeletal songs of great warmth and grace. [Oct 2006, p.117]- Uncut
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He concocts a series of dazzling interior epics with just a fingerpicked acoustic guitar and his echo-drenched voice. [Nov 2006, p.101]- Uncut
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[It] revisits the chamber pop of their 1998 debut... equalling it in beauty and surpassing it in punch. [Nov 2006, p.123]- Uncut
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Through the simplicity of their languid melodies, Beach House access a portal into pop's truly uncanny nature. [Jan 2007, p.93]- Uncut
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The problem... is that size seems to be used as an excuse for the lack of musical ideas. [Nov 2006, p.102]- Uncut
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A moody, giddy, charming album, as ragged and dynamic as those the band were making half a lifetime ago. [Oct 2006, p.100]- Uncut
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The second brilliant Scissor Sisters longplayer and the greatest album John/Taupin never made. [Oct 2006, p.96]- Uncut
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It's unmistakable, unsettling, classic Linkous. [Oct 2006, p.120]- Uncut
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Haines... is shaping up as the most impressive writer of the current wave of Canadian indie. [Jul 2007, p.103]- Uncut
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A near-perfect balance of industrial threat, hardcore power and black comedy. [Oct 2006, p.134]- Uncut
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It can take its place alongside Live At Leeds, Rock Of Ages and Wilco's more recent Kicking Television as a live classic. [Nov 2006, p.104]- Uncut
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Burke... intuitively transforms a bunch of country tunes into gospel rave-ups and secular hymns. [Nov 2006, p.101]- Uncut