Uncut's Scores
- Music
For 12,037 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,053 out of 12037
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Mixed: 2,910 out of 12037
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Negative: 74 out of 12037
12037
music
reviews
- By Date
- By Critic Score
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- Critic Score
Her weakness is the occasional lapse into 12-step blandness on the big--and rather underwritten--choruses. [Mar 2014, p.69]- Uncut
Posted Feb 3, 2014 -
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Posted Aug 31, 2022 -
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Posted May 22, 2020 -
- Critic Score
There’s little to be found here that doesn’t already sound inescapably familiar, but it’s perfectly rock-solid stuff all the same. [Oct 2022, p.25]- Uncut
Posted Oct 5, 2022 -
- Critic Score
Rich with amped-up fiddles, mandolins, accordions and harmonies, it's vibrant, hook-laden and addictive. [Aug 2015, p.77]- Uncut
Posted Jun 26, 2015 -
- Critic Score
The result is a dynamic and punchy record that finds the band sounding comfortable yet unpredictable as they immerse themselves more in electronic sounds. [Dec 2021, p.29]- Uncut
Posted Nov 11, 2021 -
- Critic Score
It's lo-fi ambience sometimes sound submerged, suiting a report from deep in life's wreckage. [Dec 2020, p.35]- Uncut
Posted Oct 16, 2020 -
- Critic Score
Even if restless shape-shifting sometimes blunts strong melodic ideas, standout tracks like the epic freakout "Cosmo" and the goth-dub inner-space odyssey "Whammy" showcase a small band with big ambitions. [Aug 2024, p.39]- Uncut
Posted Jun 24, 2024 -
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- Critic Score
The Ethan Johns-produced follow-up sees their punky, Spectorish pop continue to evolve.[Oct 2012, p.87]- Uncut
Posted Sep 14, 2012 -
- Critic Score
Her debut full-length retains the intimacy of those bedroom recordings [on Soundcloud] while making good on their promise, with cleaner melodies and production texture pulled from the pop, hip-hop and indie music. [Jun 2023, p.31]- Uncut
Posted May 19, 2023 -
- Critic Score
Finds his laconic voice soundings more Lou Reed-like than ever. The songs, though, are classic Wynn, all psych and jangle. [Sep 2024, p.39]- Uncut
Posted Sep 20, 2024 -
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The good news is that Something Shines also enriches her puritanical sonic palette with lush instrumentation, mid-song tempo shifts and free-jazz digressions. [Oct 2014, p.77]- Uncut
Posted Sep 24, 2014 -
- Critic Score
Like all of his work, it's thoughtful, humble, introspective, funny and endlessly digressive. [Dec 2015, p.72]- Uncut
- Posted Oct 27, 2015
- Read full review
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- Critic Score
The drama can recall Florence + The Machine more than their dream-pop origins, but the mood - lacerating self-doubt becoming decay-defying euphoria - is Lanterns On The Lake's own. [Aug 2023, p.33]- Uncut
Posted Jun 22, 2023 -
- Critic Score
The expansive Pomegranate sees Parks explore a swirling, neo-psychedelic landscape, against which she sets husky, whispering vocals that can’t help but recall Mazzy Star. There’s some great, imaginative songwriting here. [Dec 2024, p.37]- Uncut
Posted Oct 23, 2024 -
- Critic Score
Songs are largely centered on shrill, surfy guitar and all of then are built to be absorbed, affixed to undulating rhythms that ebb and flow before they eventually slip into a groove. [Dec 2015, p.78]- Uncut
Posted Nov 20, 2015 -
- Critic Score
The album finds the 69-year-old musing on mortality and checking in on his past with poetic articulacy. [Oct 2023, p.37]- Uncut
Posted Aug 23, 2023 -
- Critic Score
On This Is Really Going To Hurt, singer Will Taylor's characteristic black humour still cloaks the West Coast harmonies of "Everyone's A Winner," but the emotions cuts deep. [May 2021, p.27]- Uncut
Posted Apr 8, 2021 -
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Posted Mar 11, 2020 -
- Critic Score
There's a greater diversity of moods, tempos and instruments, supporting a more experimental mindset. [Jul 2020, p.27]- Uncut
Posted Jun 9, 2020 -
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The allusive, poetic intimacy of songs and singer are enriched, while an atmospheric haze keeps the concept loose. [Sep 2019, p.34]- Uncut
Posted Jul 30, 2019 -
- Critic Score
What might feel somewhat reheated is saved thanks to Dal Forno's poise. [Jan 2020, p.25]- Uncut
Posted Nov 14, 2019 -
- Critic Score
Vertigo Days does not deviate far from the established Notwist formula of soft-focused indie-folk electronica, which can feel too tastefully non-committal at times. But there are vivid beauties here too. [Mar 2021, p.34]- Uncut
Posted Jan 29, 2021 -
- Critic Score
Tracks such as "Chester" ad "Moody" deliver more than mere retro pastiche, adding dreampop haze and lightly glitched effects to the nostalgic signifiers, bathing featherlight sunset reveries in a more contemporary vaporware glow. [Apr 2021, p.25]- Uncut
Posted Mar 9, 2021 -
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Posted Dec 11, 2015 -
- Critic Score
It’s a little stiff and metronomic in places, working more as a calling card to Hollywood than a standalone album. [Jul 2022, p.31]- Uncut
Posted May 20, 2022 -
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The pair sparked and quickly knocked out an album that sounds years in the maturing. [Jul 2022, p.25]- Uncut
Posted Jun 24, 2022 -
- Critic Score
Witty takes on mortality showcase Kirchen's weather-beaten country voice, but it's his six-string eloquence that warms the heart on Dylan's "It Takes A Lot To Laugh..." and the breakneck brilliance of "Hot Rod Lincoln." [Sep 2013, p.91]- Uncut
Posted Dec 12, 2013 -
- Critic Score
“The Shame Of Love”, “Splinter” and “Mouthful Of Blood” successfully concealing Black Flag-worthy spleen behind a comforting veneer of distorted guitars, sunny Mellotron and Carpenters-compatible melodies. [Jul 2021, p.27]- Uncut
Posted May 28, 2021