Uncut's Scores

  • Music
For 12,037 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12037 music reviews
    • 66 Metascore
    • 70 Critic Score
    Her weakness is the occasional lapse into 12-step blandness on the big--and rather underwritten--choruses. [Mar 2014, p.69]
    • Uncut
    • 75 Metascore
    • 70 Critic Score
    Art Moore conjure up some compelling scenes on their debut. [Oct 2022, p.25]
    • Uncut
    • 82 Metascore
    • 70 Critic Score
    Not a disaster = almost a triumph. [Jul 2020, p.39]
    • Uncut
    • 74 Metascore
    • 70 Critic Score
    There’s little to be found here that doesn’t already sound inescapably familiar, but it’s perfectly rock-solid stuff all the same. [Oct 2022, p.25]
    • Uncut
    • 77 Metascore
    • 70 Critic Score
    Rich with amped-up fiddles, mandolins, accordions and harmonies, it's vibrant, hook-laden and addictive. [Aug 2015, p.77]
    • Uncut
    • 75 Metascore
    • 70 Critic Score
    The result is a dynamic and punchy record that finds the band sounding comfortable yet unpredictable as they immerse themselves more in electronic sounds. [Dec 2021, p.29]
    • Uncut
    • 81 Metascore
    • 70 Critic Score
    It's lo-fi ambience sometimes sound submerged, suiting a report from deep in life's wreckage. [Dec 2020, p.35]
    • Uncut
    • 82 Metascore
    • 70 Critic Score
    Even if restless shape-shifting sometimes blunts strong melodic ideas, standout tracks like the epic freakout "Cosmo" and the goth-dub inner-space odyssey "Whammy" showcase a small band with big ambitions. [Aug 2024, p.39]
    • Uncut
    • 83 Metascore
    • 70 Critic Score
    Understated and underestimated. [Nov 2004, p.113]
    • Uncut
    • 66 Metascore
    • 70 Critic Score
    The Ethan Johns-produced follow-up sees their punky, Spectorish pop continue to evolve.[Oct 2012, p.87]
    • Uncut
    • 80 Metascore
    • 70 Critic Score
    Her debut full-length retains the intimacy of those bedroom recordings [on Soundcloud] while making good on their promise, with cleaner melodies and production texture pulled from the pop, hip-hop and indie music. [Jun 2023, p.31]
    • Uncut
    • 76 Metascore
    • 70 Critic Score
    Finds his laconic voice soundings more Lou Reed-like than ever. The songs, though, are classic Wynn, all psych and jangle. [Sep 2024, p.39]
    • Uncut
    • 71 Metascore
    • 70 Critic Score
    The good news is that Something Shines also enriches her puritanical sonic palette with lush instrumentation, mid-song tempo shifts and free-jazz digressions. [Oct 2014, p.77]
    • Uncut
    • 77 Metascore
    • 70 Critic Score
    Like all of his work, it's thoughtful, humble, introspective, funny and endlessly digressive. [Dec 2015, p.72]
    • 82 Metascore
    • 70 Critic Score
    The drama can recall Florence + The Machine more than their dream-pop origins, but the mood - lacerating self-doubt becoming decay-defying euphoria - is Lanterns On The Lake's own. [Aug 2023, p.33]
    • Uncut
    • 80 Metascore
    • 70 Critic Score
    The expansive Pomegranate sees Parks explore a swirling, neo-psychedelic landscape, against which she sets husky, whispering vocals that can’t help but recall Mazzy Star. There’s some great, imaginative songwriting here. [Dec 2024, p.37]
    • Uncut
    • 71 Metascore
    • 70 Critic Score
    Songs are largely centered on shrill, surfy guitar and all of then are built to be absorbed, affixed to undulating rhythms that ebb and flow before they eventually slip into a groove. [Dec 2015, p.78]
    • Uncut
    • 81 Metascore
    • 70 Critic Score
    The album finds the 69-year-old musing on mortality and checking in on his past with poetic articulacy. [Oct 2023, p.37]
    • Uncut
    • 70 Metascore
    • 70 Critic Score
    On This Is Really Going To Hurt, singer Will Taylor's characteristic black humour still cloaks the West Coast harmonies of "Everyone's A Winner," but the emotions cuts deep. [May 2021, p.27]
    • Uncut
    • 80 Metascore
    • 70 Critic Score
    This is an impeccably put-together record. [Apr 2020, p.37]
    • Uncut
    • 81 Metascore
    • 70 Critic Score
    There's a greater diversity of moods, tempos and instruments, supporting a more experimental mindset. [Jul 2020, p.27]
    • Uncut
    • 78 Metascore
    • 70 Critic Score
    The allusive, poetic intimacy of songs and singer are enriched, while an atmospheric haze keeps the concept loose. [Sep 2019, p.34]
    • Uncut
    • 77 Metascore
    • 70 Critic Score
    What might feel somewhat reheated is saved thanks to Dal Forno's poise. [Jan 2020, p.25]
    • Uncut
    • 75 Metascore
    • 70 Critic Score
    Vertigo Days does not deviate far from the established Notwist formula of soft-focused indie-folk electronica, which can feel too tastefully non-committal at times. But there are vivid beauties here too. [Mar 2021, p.34]
    • Uncut
    • 78 Metascore
    • 70 Critic Score
    Tracks such as "Chester" ad "Moody" deliver more than mere retro pastiche, adding dreampop haze and lightly glitched effects to the nostalgic signifiers, bathing featherlight sunset reveries in a more contemporary vaporware glow. [Apr 2021, p.25]
    • Uncut
    • 80 Metascore
    • 70 Critic Score
    A satisfying, if not earth-shattering, experiment. [Jan 2016, p.73]
    • Uncut
    • 77 Metascore
    • 70 Critic Score
    Air
    It’s a little stiff and metronomic in places, working more as a calling card to Hollywood than a standalone album. [Jul 2022, p.31]
    • Uncut
    • 71 Metascore
    • 70 Critic Score
    The pair sparked and quickly knocked out an album that sounds years in the maturing. [Jul 2022, p.25]
    • Uncut
    • 77 Metascore
    • 70 Critic Score
    Witty takes on mortality showcase Kirchen's weather-beaten country voice, but it's his six-string eloquence that warms the heart on Dylan's "It Takes A Lot To Laugh..." and the breakneck brilliance of "Hot Rod Lincoln." [Sep 2013, p.91]
    • Uncut
    • 76 Metascore
    • 70 Critic Score
    “The Shame Of Love”, “Splinter” and “Mouthful Of Blood” successfully concealing Black Flag-worthy spleen behind a comforting veneer of distorted guitars, sunny Mellotron and Carpenters-compatible melodies. [Jul 2021, p.27]
    • Uncut