Uncut's Scores

  • Music
For 12,042 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12042 music reviews
    • 81 Metascore
    • 80 Critic Score
    AmERICa finds Wreckless Eric reborn in the USA, his home since 2011. Curmudgeonly, maybe, but a sly joy pervades. [Dec 2015, p.81]
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    • 83 Metascore
    • 80 Critic Score
    A sumptuous feast. [Sep 2023, p.24]
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    • 76 Metascore
    • 80 Critic Score
    Neither beholden to tradition nor self-consciously moderne, she crafts skeletal songs of great warmth and grace. [Oct 2006, p.117]
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    • 77 Metascore
    • 80 Critic Score
    Silver Liner utilises a much more effective palette [than The Reckoning]. It's certainly brighter and looser. [Jan 2016, p.72]
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    • 70 Metascore
    • 80 Critic Score
    Pretty.Odd. often tries way too hard to be obtuse, it's true, but you have to admire the band's willingness to grow. [May 2008, p.106
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    • 80 Metascore
    • 80 Critic Score
    It's a stunning performance, drawing fire from Smith's stentorian performance, providing the ballast for the voyage of her Rimbaudian drunken boat. [Aug 2008, p.104]
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    • 91 Metascore
    • 80 Critic Score
    These delectable hookfests metaphorically parallel Hadreas's move from the gloom of his Seattle hometown to his new base in sunswept L.A. [Jul 2020, p.33]
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    • 74 Metascore
    • 80 Critic Score
    Most of the songs are breezy reflections on romance--even two Q-Tip productions lack bite--but its melodious artiness is engaging. [Apr 2012, p.84]
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    • 84 Metascore
    • 80 Critic Score
    This double album is both poignant and richly inventive. [May 2016, p.69]
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    • 79 Metascore
    • 80 Critic Score
    The rest is a warm and hilarious mediation of mortality. [May 2012, p.83]
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    • 74 Metascore
    • 80 Critic Score
    There's barely a duff track here, from the talking gothic blues of "The Pill" and the slinky Monks-esque strut of "Isolation". Top marks, though, go the pulpit croon of "(Sometimes You Got To Be) Gentle". [Dec 2009, p. 97]
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    • 83 Metascore
    • 80 Critic Score
    Eye Contact works because its bolshie drum patterns and metallic synth stabs, influenced by Jamaican dancehall and UK bass music, anchor it firmly in the near future, while Lizzie Bougastsos' strong and inventive melodies help make light work of what could come across like a pretentious muddle. [Jun 2011, p.85]
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    • 78 Metascore
    • 80 Critic Score
    Hit Reset is a deliciously rowdy work in which Hanna flames negligent friends, cyber-bullies and idiotic lovers. [Aug 2016, p.77]
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    • 76 Metascore
    • 80 Critic Score
    His debut LP impresses, in large part thanks to smart deployment of guests. [Sep 2016, p.70]
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    • 70 Metascore
    • 80 Critic Score
    There's little discordance but much invention and beauty. [Aug 2012, p.73]
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    • 76 Metascore
    • 80 Critic Score
    An ambitious, perceptive set. [Oct 2016, p.35]
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    • 84 Metascore
    • 80 Critic Score
    Alfa Mists addresses a key weakness in so much contemporary jazz - it actually has some decent tunes. He's helped by his guests. ... But Alfa himself (who also raps on a couple of tracks) can also develop a compelling melodic idea. [Jun 2023, p.35]
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    • 87 Metascore
    • 80 Critic Score
    Simple folk arrangements foregrounding Moorer's richly emotive voice. [Jan 2020, p.27]
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    • 75 Metascore
    • 80 Critic Score
    Brakes sound like The Jesus & Mary Chain with Tourette's. [Aug 2005, p.102]
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    • 75 Metascore
    • 80 Critic Score
    Some of the group's most personal work. [Jul 2023, p.24]
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    • 84 Metascore
    • 80 Critic Score
    One of the most intriguing walls of sound since My Bloody Valentine circa Isn't Anything. [Jul 2006, p.97]
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    • 81 Metascore
    • 80 Critic Score
    A brave, beautiful record. [Sep 2006, p.76]
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    • 83 Metascore
    • 80 Critic Score
    Bowles' music is rarely less than seductive, the product of both a gifted multi-instrumentalist and restless cultural forager. [Nov 2018, p.26]
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    • 83 Metascore
    • 80 Critic Score
    Those acquainted with the slow and soulful pace of Griffin's recent work may be surprised by her ability to let rip here. [Dec 2013, p.69]
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    • 73 Metascore
    • 80 Critic Score
    For every textured, tasteful track that evokes Tortoise's mid-'90s peak as a prime exemplar of US indie's brainiest strain, two deviate wildly. [Feb 2016, p.83]
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    • 76 Metascore
    • 80 Critic Score
    Their take on the genre [is] sharply observed and utterly sincere. [Feb 2015, p.83]
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    • 83 Metascore
    • 80 Critic Score
    There's a biting political edge to the off-kilter "In The Desert," which savages Bush and Blair for instigating the Middle East crisis and its attendant horrors. At the same time, this wouldn't be a Mekons record without a fair dollop of humour. [May 2019, p.26]
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    • 78 Metascore
    • 80 Critic Score
    Exultant opener 'Country Love' and Cajun rumbler 'Shreveport,' like most of Haymaker!, just sparkle. [Feb 2009, p.82]
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    • 96 Metascore
    • 80 Critic Score
    It's blend of whispered poesy, free-form rock, and orchestration, by Jean Claude Vannier, is much celebrated and sampled. this reissue provides a definitive account of its making. [May 2009, p.86]
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    • 75 Metascore
    • 80 Critic Score
    Go past the tone of his voice, inhale the poetry, and you'll taste a sweeter, less mordant Leonard Cohen. [May 2012, p.68]
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