Uncut's Scores
- Music
For 12,033 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,049 out of 12033
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Mixed: 2,910 out of 12033
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Negative: 74 out of 12033
12033
music
reviews
- By Date
- By Critic Score
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- Critic Score
A broader exploration of form. ... Like most everything here, ["Geraldine" is] a beautifully weighted moment. [Jun 2017, p.26]- Uncut
Posted Apr 25, 2017 -
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Posted Mar 13, 2014 -
- Critic Score
He's made one of the great albums of modern Americana, and one suspects that a reluctant star is born.- Uncut
- Posted Jan 22, 2013
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- Critic Score
There’s a tenderness to the way he puts the instruments in conversation with one another, drawing out Younger’s harp and Macie Stewart’s melancholy violin solo. That’s ultimately what makes this record so powerful, even if you’re not familiar with its touchstones: by colliding the past with the present, McCraven makes a point of making progress. [Oct 2022, p.24]- Uncut
- Posted Sep 21, 2022
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- Critic Score
Both adventurous and accessible, a record in love with the obliterating power of sound. [Apr 2003, p.120]- Uncut
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- Critic Score
Without question, Schmilco is Wilco's quietest, most disquieting album. [Oct 2016, p.24]- Uncut
Posted Sep 2, 2016 -
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Sparse and otherworldly, yet powerful and dynamic. [Mar 2020, p.24]- Uncut
Posted Feb 21, 2020 -
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As a representative trawl through Lanegan's solo albums, Has God Seen My Shadow? gets it very right indeed. [Feb 2014, p.94]- Uncut
Posted Jan 15, 2014 -
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Posted Jun 30, 2016 -
- Critic Score
Her ambitious third record marks anther giant progression in an already distinguished career, and offers provocative thoughts on sacrifice and identity that should outlast its 48-minute runtime. [Oct 2016, p.22]- Uncut
Posted Sep 2, 2016 -
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At times it hits harder and heavier than anything they've attempted before. [Nov 2020, p.32]- Uncut
Posted Oct 19, 2020 -
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They immediately settle back into a familiar dynamic on the aptly titled opener “Let’s Do It Again”, with the band providing a lively and sympathetic soundtrack to Cartwright’s tale of loneliness and longing. They’ve learned more than a few new tricks over the years, as evidenced on the lovely psychedelic chamber-pop saga “Just Say When”, a duet with Coco Hames. [Jun 2021, p.31]- Uncut
Posted May 21, 2021 -
- Critic Score
A flood of captivating images are buoyed along by the rich musical tapestry and a song that's illustrative of the broader mood: uplifting and open-hearted, looking backwards and forwards without blame or trepidation. [Sep 2025, p.22]- Uncut
- Posted Sep 2, 2025
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Posted Feb 28, 2022 -
- Critic Score
In isolation, it’s a dozen of Young’s best songs, powerful no matter how many times they’ve been reshuffled since. But in reality, it risks getting lost in the shotgun spray of Young’s self-curation. [Oct 2023, p.49]- Uncut
- Posted Aug 10, 2023
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Posted Mar 16, 2023 -
- Critic Score
While Songs Of A Lost World is not as angry as Pornography or as claustrophobic as Disintegration, it instead possesses an immersive, graceful beauty and more energy than you might expect. [Dec 2024, p.113]- Uncut
- Posted Oct 15, 2024
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- Critic Score
This sprawling, beguiling collection strives to reveal all, but every answer brings more questions. [Jul 2019, p.18]- Uncut
Posted Jun 10, 2019 -
- Critic Score
Supremely inviting, warm and ruefully radiant. .... A crown on a career still going strong. [May 2024, p.31]- Uncut
Posted Apr 19, 2024 -
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Some of the rather quizzical couplets here, all of them set to heart-wrenching chord sequences that hark back to the band's favorite 1970s guilty pleasures. It set SFA apart from the world of Britpop in the mid-'90s. [Dec 2016, p.51]- Uncut
Posted Nov 30, 2016 -
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This seamless synthesis of sinew and silicon is crucial to the album's slippery feel: there's a pleasing fluidity and crooked funkiness to the arrangements that Yorke sometimes struggled to achieve on The Eraser. [Mar 2013, p.66]- Uncut
Posted Feb 7, 2013 -
- Critic Score
if Shannon Lay's solo expression has been a steady blooming across three albums, Geist represents its full-blown folkish splendour. [Nov 2021, p.29]- Uncut
Posted Oct 12, 2021 -
- Critic Score
Though Cleveland's delivery is generally far more subdued, Manzanita shares a similarly transportative, anciently psychedelic feel with The Incredible String Band's magical '60s work. [Apr 2023, p.24]- Uncut
Posted Mar 9, 2023 -
- Critic Score
This is adventurous modern music which uses old rock and singer-songwriter traditions as the raw material to be manipulated. [Album Of The Month, Feb 2002, p.110]- Uncut
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- Critic Score
Due to Joe Dilworth's propulsive drumming and Holger Zaf's synth work, these 12 tracks never stray into stuffiness. [Mar 2016, p.71]- Uncut
Posted Feb 2, 2016 -
- Critic Score
The Stand-In has everything that made its predecessor special--big voice, expertly crafted tunes, clever backings, a deft mix of stridency and restraint--but is definitely a step up.- Uncut
- Posted Feb 20, 2013
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- Critic Score
Revelatory. .... The set offers great insight into Springsteen's creative process. [Aug 2025, p.50]- Uncut
Posted Jun 20, 2025 -
- Critic Score
There's a purity to them that's as much a product of her spirit and artistic choices as a demo's function. ... The Demos in particular still overwhelms with its conviction and visceral wallop, almost 30 years on. [Sep 2020, p.47]- Uncut
Posted Jul 30, 2020 -
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Remarkably, the world they create together never curdles into sentimentality. ... Wednesday turn that stabbing pain into triumphant rock'n'roll. [May 2023, p.39]- Uncut
- Posted Apr 5, 2023
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- Critic Score
It is raw, but also synthetic. There are a number of very long songs,m verbal rambles, but the music fills in, disturbing the melancholy of Cave's piano with static interruptions that owe as much to cave and Warren's film soundtracks as they do to the Bad Seeds' more conventional songcraft. [Dec 2019, p.18]- Uncut
Posted Oct 21, 2019