Uncut's Scores

  • Music
For 12,033 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12033 music reviews
    • 75 Metascore
    • 90 Critic Score
    A broader exploration of form. ... Like most everything here, ["Geraldine" is] a beautifully weighted moment. [Jun 2017, p.26]
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    • 81 Metascore
    • 90 Critic Score
    An exemplary set. [Feb 2014, p.76]
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    • 85 Metascore
    • 90 Critic Score
    He's made one of the great albums of modern Americana, and one suspects that a reluctant star is born.
    • 87 Metascore
    • 90 Critic Score
    There’s a tenderness to the way he puts the instruments in conversation with one another, drawing out Younger’s harp and Macie Stewart’s melancholy violin solo. That’s ultimately what makes this record so powerful, even if you’re not familiar with its touchstones: by colliding the past with the present, McCraven makes a point of making progress. [Oct 2022, p.24]
    • 88 Metascore
    • 90 Critic Score
    Both adventurous and accessible, a record in love with the obliterating power of sound. [Apr 2003, p.120]
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    • 79 Metascore
    • 90 Critic Score
    Without question, Schmilco is Wilco's quietest, most disquieting album. [Oct 2016, p.24]
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    • 81 Metascore
    • 90 Critic Score
    Sparse and otherworldly, yet powerful and dynamic. [Mar 2020, p.24]
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    • 82 Metascore
    • 90 Critic Score
    As a representative trawl through Lanegan's solo albums, Has God Seen My Shadow? gets it very right indeed. [Feb 2014, p.94]
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    • 85 Metascore
    • 90 Critic Score
    [A] hugely satisfying album. [Jul 2016, p.66]
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    • 87 Metascore
    • 90 Critic Score
    Her ambitious third record marks anther giant progression in an already distinguished career, and offers provocative thoughts on sacrifice and identity that should outlast its 48-minute runtime. [Oct 2016, p.22]
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    • 88 Metascore
    • 90 Critic Score
    At times it hits harder and heavier than anything they've attempted before. [Nov 2020, p.32]
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    • 80 Metascore
    • 90 Critic Score
    They immediately settle back into a familiar dynamic on the aptly titled opener “Let’s Do It Again”, with the band providing a lively and sympathetic soundtrack to Cartwright’s tale of loneliness and longing. They’ve learned more than a few new tricks over the years, as evidenced on the lovely psychedelic chamber-pop saga “Just Say When”, a duet with Coco Hames. [Jun 2021, p.31]
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    • 84 Metascore
    • 90 Critic Score
    A flood of captivating images are buoyed along by the rich musical tapestry and a song that's illustrative of the broader mood: uplifting and open-hearted, looking backwards and forwards without blame or trepidation. [Sep 2025, p.22]
    • 84 Metascore
    • 90 Critic Score
    Another stunning album. [Mar 2022, p.29]
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    • 88 Metascore
    • 90 Critic Score
    In isolation, it’s a dozen of Young’s best songs, powerful no matter how many times they’ve been reshuffled since. But in reality, it risks getting lost in the shotgun spray of Young’s self-curation. [Oct 2023, p.49]
    • 76 Metascore
    • 90 Critic Score
    V
    The clarity and effervescence of much of V can seem revelatory. [Apr 2023, p.34]
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    • 93 Metascore
    • 90 Critic Score
    While Songs Of A Lost World is not as angry as Pornography or as claustrophobic as Disintegration, it instead possesses an immersive, graceful beauty and more energy than you might expect. [Dec 2024, p.113]
    • 88 Metascore
    • 90 Critic Score
    This sprawling, beguiling collection strives to reveal all, but every answer brings more questions. [Jul 2019, p.18]
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    • 87 Metascore
    • 90 Critic Score
    Supremely inviting, warm and ruefully radiant. .... A crown on a career still going strong. [May 2024, p.31]
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    • 89 Metascore
    • 90 Critic Score
    Some of the rather quizzical couplets here, all of them set to heart-wrenching chord sequences that hark back to the band's favorite 1970s guilty pleasures. It set SFA apart from the world of Britpop in the mid-'90s. [Dec 2016, p.51]
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    • 76 Metascore
    • 90 Critic Score
    This seamless synthesis of sinew and silicon is crucial to the album's slippery feel: there's a pleasing fluidity and crooked funkiness to the arrangements that Yorke sometimes struggled to achieve on The Eraser. [Mar 2013, p.66]
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    • 85 Metascore
    • 90 Critic Score
    if Shannon Lay's solo expression has been a steady blooming across three albums, Geist represents its full-blown folkish splendour. [Nov 2021, p.29]
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    • 90 Metascore
    • 90 Critic Score
    Though Cleveland's delivery is generally far more subdued, Manzanita shares a similarly transportative, anciently psychedelic feel with The Incredible String Band's magical '60s work. [Apr 2023, p.24]
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    • 81 Metascore
    • 90 Critic Score
    This is adventurous modern music which uses old rock and singer-songwriter traditions as the raw material to be manipulated. [Album Of The Month, Feb 2002, p.110]
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    • 77 Metascore
    • 90 Critic Score
    Due to Joe Dilworth's propulsive drumming and Holger Zaf's synth work, these 12 tracks never stray into stuffiness. [Mar 2016, p.71]
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    • 79 Metascore
    • 90 Critic Score
    The Stand-In has everything that made its predecessor special--big voice, expertly crafted tunes, clever backings, a deft mix of stridency and restraint--but is definitely a step up.
    • 95 Metascore
    • 90 Critic Score
    Revelatory. .... The set offers great insight into Springsteen's creative process. [Aug 2025, p.50]
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    • 87 Metascore
    • 90 Critic Score
    There's a purity to them that's as much a product of her spirit and artistic choices as a demo's function. ... The Demos in particular still overwhelms with its conviction and visceral wallop, almost 30 years on. [Sep 2020, p.47]
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    • 89 Metascore
    • 90 Critic Score
    Remarkably, the world they create together never curdles into sentimentality. ... Wednesday turn that stabbing pain into triumphant rock'n'roll. [May 2023, p.39]
    • 96 Metascore
    • 90 Critic Score
    It is raw, but also synthetic. There are a number of very long songs,m verbal rambles, but the music fills in, disturbing the melancholy of Cave's piano with static interruptions that owe as much to cave and Warren's film soundtracks as they do to the Bad Seeds' more conventional songcraft. [Dec 2019, p.18]
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