Uncut's Scores
- Music
For 11,994 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
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| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,013 out of 11994
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Mixed: 2,907 out of 11994
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Negative: 74 out of 11994
11994
music
reviews
- By Date
- By Critic Score
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- Critic Score
BAG's core values remain intact, but it's an exhilarating advance. [Feb 2019, p.24]- Uncut
Posted Jan 15, 2019 -
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Memories Are Now is built on stacked voices, sparse rhythm and twisted folk shapes, but the execution varies pleasingly. [Mar 2017, p.32]- Uncut
Posted Feb 9, 2017 -
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But though much of the record revels in freaky electronics--'Chores' and 'Winter Wonder Land' rush through as though played by pixellated marching bands--there’s an overwhelming sadness to the undertow- Uncut
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The result is typically elegant and--perhaps surprisingly, given the circumstances--uplifting work about the affairs of the heart. [Mar 2016, p.80]- Uncut
Posted Feb 3, 2016 -
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It's safe to say this is the most endlessly playable comedy album of the new millennium. [May 2008, p.95]- Uncut
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Posted Feb 13, 2012 -
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Posted May 18, 2017 -
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Andrews' deft touch with an insidious melody and candid phrase extends whatever solace she finds to her audience as well. [Jul 2020, p.27]- Uncut
Posted Jul 22, 2020 -
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The mess is the whole point. It's a fascinating place to be, largely because she finds so much meaning in everyday observations and mundane ironies, in the small moments many other songwriters might overlook. [Mar 2024, p.30]- Uncut
- Posted Feb 28, 2024
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As frustratingly close to perfect as ever. [May 2014, p.73]- Uncut
Posted Apr 14, 2014 -
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Here are miasmic, dizzyingly gorgeous songs built on the grandest and most romantic, but steadied by the hand of hook-loving classicists. Bravo! [Mar 2010, p.90]- Uncut
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A 21st-century alienated soul album that slips the Eels back into your heart. [Jul 2003, p.120]- Uncut
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Fans of Curt Smith and Roland Orzabal will find more than enough reminders of their glory days. [Mar 2022, p.36]- Uncut
Posted Feb 16, 2022 -
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Overnight is their most ambitious record, as well as their most accomplished. [Dec 2016, p.26]- Uncut
Posted Oct 25, 2016 -
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Ben Glover makes his fifth album a bringing-it-all-back-home beauty. [Oct 2014, p.73]- Uncut
Posted Sep 19, 2014 -
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Posted Sep 28, 2012 -
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The overall mixture of anger and longing, fierceness and calm, is breathtaking. [Nov 2014, p.68]- Uncut
Posted Sep 25, 2014 -
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Take Me To The Land Of Hell is one of Yoko Ono's strongest efforts. [Oct 2013, p.72]- Uncut
Posted Sep 20, 2013 -
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Bad As Me is the sound of a supremely confident artist convening a raucous celebration of his own myth, and is multifariously marvellous. [Nov 2011, p.78]- Uncut
Posted Oct 18, 2011 -
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It's unmistakable, unsettling, classic Linkous. [Oct 2006, p.120]- Uncut
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They may have defined a genre, but Low can clearly still move forward. [May 2007, p.99]- Uncut
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Lux works on a pragmatic and egalitarian level as more or less the ideal ambient record. [Dec 2012, p.66]- Uncut
Posted Nov 19, 2012 -
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Dolorous, soulful, a voice that speaks of total commitment--Best Coast are The Crystals of the blogosphere. [Sep 2010, p.90]- Uncut
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Posted Feb 20, 2018 -
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The band maintain their impeccable standards for muscular riffage and structural sophistication while still making the occasional flourish that further confirms their shame-free allegiance to prog. [May 2017, p.35]- Uncut
Posted Mar 21, 2017 -
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The disparate elements feel abstract and abrasive in places, yet the whole is sumptuously melodic and sonically rich. [May 2016, p.75]- Uncut
Posted Mar 25, 2016 -
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Eating Us is a litle too tidy, their frazzled wildness cultivated into ordered orchards, but on tracks like the typically titled 'Bubblegum Animals,' BMSR still conjure a ravishing, stoned cyber-soul pinic. [Jun 2009, p.83]- Uncut
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As ever, Case finds room for expansive manoeuvres in the gap between her lusty, orthodox pop choruses and droll, deadpan voice. Still a singer-songwriter like no other. [Jul 2018, p.24]- Uncut
Posted May 24, 2018 -
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She immerses listeners in the remarkably wide range of textures and timbres she explores on chamber organ, Mellotron, oboe and other instruments rarely combined in such fashion since prog's golden era. [Oct 2021, p.27]- Uncut
Posted Sep 14, 2021 -
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There's so much tunefully wild enjoyment on offer it's hard to pick highlights. [Jul 2010, p.110]- Uncut
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Black Hours knowingly and passionately charts a journey through make songwriting archetypes, from doomed fatalist to well-adjusted realist. [Jun 2014, p.84]- Uncut
- Posted May 21, 2014
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Mountain Moves is a brilliantly executed synthesis of tag-averse weirdness, orchestral pop and easy grooves, stuffed with earworms and whimsy-free. [Oct 2017, p.26]- Uncut
Posted Aug 29, 2017 -
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Both Crutchfield sisters sound more comfortable in their own skin, more confident in their lyrics and vocals, as though bringing all those years apart to bear on the sessions. [Review of the Year 2025, p.20]- Uncut
Posted Nov 10, 2025 -
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There's a surprising warmth to his work here as he gradually fills and empties out these eight immaculately sculpted soundscapes. [Dec 2020, p.36]- Uncut
Posted Nov 5, 2020 -
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There is so much on Nashville Obsolete that impresses, but what lingers longest is rare and persuasive ability to tap into the ageless mythos of true American folk. [Oct 2015, p.85]- Uncut
Posted Sep 14, 2015 -
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Bridges high- and low-brow without ever being anything less than exhilarating. [Jul 2005, p.99]- Uncut
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In this live setting, fascinatingly, the brutality to which the songs are subjected only serves to underscore their poignancy. [Dec 2005, p.100]- Uncut
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Sermon On The Rocks is a wild ride, with producer Trina Shoemaker adding vivid colours to the singer's rolling rock gospel. [Dec 2015, p.78]- Uncut
Posted Oct 27, 2015 -
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The period-perfect production is a little Dukes Of Stratosphear, though as with Partridge and co, the songs are so well crafted as to avoid any sense of prissy homage. [Nov 2013, p.79]- Uncut
Posted Nov 20, 2013 -
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[Hames] combines the stately emotionalism of '60s torch singers with the all-caps exuberance of a particularly sharp garage-rock band and the eloquent twang of late-period Replacements. [Apr 2017, p.30]- Uncut
Posted Mar 29, 2017 -
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Skinner's brightest, punchiest and most eclectic in memory. It's a welcome return. [Dec 2023, p.36]- Uncut
Posted Oct 25, 2023 -
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The band's love of jamming bears fruit when they find a real groove on "Bulldozer Love." [Feb 2014, p.71]- Uncut
Posted Jan 15, 2014 -
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The manic, galloping "Susie Mullen" proves Anderson's still got a nose for fun. [Dec 2023, p.31]- Uncut
Posted Nov 3, 2023 -
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Posted Jun 18, 2021 -
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What sounds showy on paper is, in reality, a respectful, atmospheric tribute to the Bard. [Jun 2016, p.82]- Uncut
Posted Apr 27, 2016 -
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Posted Mar 12, 2014 -
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The band's core strengths--Loz Colbert's hyperactive drumming, Steve Queralt's incisive basslines, Mark Gardener and Andy Bel's grasp of melody--are all intact. They continue to wear their influences with endearing frankness. [Jul 2017, p.36]- Uncut
Posted Jun 7, 2017 -
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With an empathetic band featuring strings, keys and pedal steel, Castle alternative;y pulls the songs into focus with her clear, honeyed voice and lets it drift free inside them. [Jul 2018, p.24]- Uncut
Posted May 24, 2018 -
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Tuscaloosa is an incredibly valuable document of Neil Young in 1973, battling his demons in front of thousands and delivering some of his most deeply felt music. [Jul 2019, p.42]- Uncut
Posted Jun 7, 2019 -
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Posted May 14, 2015 -
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The Last Days Of Oakland is a polished--but not too polished--set of soulful blues. [Aug 2016, p.75]- Uncut
Posted Jun 22, 2016 -
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Listening to the array of styles, from the Jim O'Rourke-like folk of "Psyche", laced with Martina Topley-Bird's cosmic incantation, to "Splitting The Atom"'s opiated rocksteady or Hope Sandoval's dusky ballad, "Paradise Circus", it's conceivable Del Naja and Marshall needed every minute of those years to concoct such alluring material.- Uncut
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Here [on "Yesterday Is Only A Song"] and on the best tunes of Interplay, Ride feel wonderfully, unexpectedly, younger than yesterday. [Apr 2024, p.36]- Uncut
- Posted Mar 28, 2024
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Mostly they don't sound like anyone except themselves, multiplied by a thousand. [Mar 2023, p.36]- Uncut
Posted Jan 30, 2023 -
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This time the compositions are still thoughtful and exploratory and, although a tendency to emphatic angst dulls on the over-earnest, producer Mark Hutchinson is fully attuned to Dunlop's musical resourcefulness. [Jun 2014, p.75]- Uncut
Posted Jun 11, 2014 -
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This is vintage Roberts, rich poetry couched in spare, beautiful, quietly adventurous arrangements. [Oct 2019, p.36]- Uncut
Posted Sep 23, 2019 -
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Amid the murk, there are still magnetic, rough-hewn fight songs about heartache and ambition. [Aug 2013, p.69]- Uncut
Posted Jul 16, 2013 -
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Made for uncertain times, Optimism is funny, clever and elegant, but it’s not a record that seeks approval or constructs a tidy narrative.- Uncut
- Posted Jan 27, 2022
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The album, reminiscent of Jon Spencer at times, exudes a deep love of rock 'n' roll on each track. [Nov 2012, p.77]- Uncut
Posted Sep 28, 2012 -
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Alive As You Are, then recalls a lot from the past, and recent past, but beyond that is simply crammed with great tunes like "Split Minute" and 18th Street Shuffle," the benign spell of which is more than the sum if the material's 1960s parts. [Sep 2010, p.91]- Uncut
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Tame Impala/Pond and Unknown Mortal Orchestra are kindred spirits, but it's KG's hyperactive tendencies that distinguish them. [Jan 2015, p.74]- Uncut
Posted Dec 4, 2014 -
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You’d be even more surprised to hear that it features 'songs'--proper, beautiful, well-crafted songs.- Uncut
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The edges may be sharper, the outlook less austere and self-contained, but Villagers are still defined by songs which deliver hook upon hook. [Feb 2013, p.82]- Uncut
Posted Jan 15, 2013 -
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This album is made with care, love and expertise and it shows on every song. [Mar 2012, p.80]- Uncut
Posted Feb 3, 2012 -
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Even when the songs feel light, when the stylistic havoc and production is almost absurd, you have to admire the glorious gall. [Dec 2008]- Uncut
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Posted Apr 12, 2016 -
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It sounds, to its considerable credit, very much like the record that might have followed. [Jun 2018, p.24]- Uncut
Posted May 1, 2018 -
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The music is bewitching enough to seduce even those with the severest crystal allergy. [Jun 2020, p.36]- Uncut
Posted Jun 12, 2020 -
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It's an understated yet absorbing work, full of delicate arrangements that are elegantly swept along by Stables' gloriously tender vocals. [May 2015, p.83]- Uncut
Posted Mar 31, 2015 -
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So distinctive and confessional is Eska's voice that she's created a British pastoral music that defies classification. [May 2015, p.73]- Uncut
Posted Apr 27, 2015 -
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The south of France motorik and funk bass of "Protéïformunité" similarly reassure, before "Don't Forget You're Mine" charts choppier waters and communication breakdowns. "The Inner Smile" returns to Sadier's central quest, propelling her mantras of sexual and global reg=integration with eruptive, flute-heavy prog grooves. [Feb 2024, p.35]- Uncut
Posted Feb 22, 2024 -
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Molina's downhome style and tender vocals coalesce with Johnson's frugger voice on minor marvels like "Almost Let You In" and "Twenty Cycles To The Ground", while the tidal hum and strum of "Now, Divide" is moodily unusual. [Dec 2009, p. 103]- Uncut
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Posted Sep 4, 2025 -
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Muttered vocals and jazzy trumpet combine on the unsettling “God Save The Queen”, and even Mary Lattimore’s harp and Lonney Holley’s graceful voice can’t disguise “Guilty”’s uncomfortable challenges. [Jun 2024, p.37]- Uncut
Posted Apr 26, 2024 -
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Negro Swan sees Hynes thoughtfully explore themes of racial and sexual identities and anxieties within songs that can be a s gorgeously vaporous as "Take Your Time," as ecstatically funky as "Charcoal Baby," or any state inbetween. [Oct 2018, p.24]- Uncut
Posted Aug 23, 2018 -
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It's not hard to work out that these two albums really do function as a double, and certainly represent the group's most complete work to date. [combined review of both discs; Feb 2004, p. 68]- Uncut
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Incorporates orchestral flourishes and ambitious compositions into a full-bodied, emotionally bruising documents of divorce, betrayal, new love and self-discovery. [Review of the Year 2025, p.23]- Uncut
Posted Nov 10, 2025 -
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It’s a deep, melodic record, preoccupied – as you might expect from a sixty-something punk troubadour – with dreams, small kindnesses and the end of the world; all of these things feeling suddenly more prominent. [Review of the Year 2025, p.22]- Uncut
- Posted Dec 5, 2025
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Proves that even when their studio work was in the doldrums, REM were never less than a compelling live band. [Dec 2018, p.47]- Uncut
Posted Oct 23, 2018 -
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A “Time Of The Season”-like Latin groove powers standout “It Ain’t Over”, syncopated by percussionist Sam Bacco, whose tambourine and shakers are the album’s secret sauce. [Jun 2022, p.25]- Uncut
Posted May 6, 2022 -
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This quartet have honed thier lumbering heaviness into something both glorious and at times funny. [Aug 2010, p.82]- Uncut
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The effect is kaleidoscopic, as the music constantly moves and morphs to reveal new shapes, colours and meanings. [Jul 2022, p.31]- Uncut
Posted Jul 6, 2022 -
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Several nuggets of power-pop excellence here that rank with the best on 2002's Lapalco. [May 2020, p.23]- Uncut
Posted Apr 23, 2020 -
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A revitalised rock’n’roll soundtrack for a push towards the brightening of the light. [Sep 2022, p.33]- Uncut
- Posted Aug 22, 2022
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Now, at 52, Gelb’s music seems to have found a renewed vigour, a sharper focus. ProVISIONS not only has some lean 'n' lovely boy-girl ballads, wild mood swings and a frequent groove, but also a sense of intent.- Uncut
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The writing, revealing literary influences and the deep, weird old America depicted by, say, Merle Kilgore, is astute, while stripped-down, archaic Appalachian arrangements play tricks with time. [May 2016, p.73]- Uncut
Posted Mar 30, 2016 -
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It all proves that Seasick Steve is at his strongest when he’s playing solo.- Uncut
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Wilco (the album) picks up more or less where 2007’s mellow and soulful "Sky Blue Sky" left off, but subtly expands that record’s parameters.- Uncut
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His playing is smart but no flash, though he does show off his six-string chops with some acid blues bending on "rock And Roll". [Oct 2025, p.24]- Uncut
Posted Aug 18, 2025 -
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A collaborative project that's all over the map--delightfully so. [Sep 2019, p.29]- Uncut
Posted Aug 30, 2019 -
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Healy's songs have always been suffused with nostalgia; now, far removed from those innocent days, the poignant pull is overwhelming. [Nov 2020, p.37]- Uncut
Posted Oct 7, 2020 -
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A cleaner operation than their previous LP, but no less unorthodox. [Apr 2002, p.95]- Uncut
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he power of Landless lies in their own exquisitely intertwined four-part vocal harmonies, which add spine-tingling beauty to even the most fatalistic lyric, from an achingly gorgeous rework of traditional Celtic heartbreak lament “Blackwaterside” to the adventurously chosen Slovak-language ballad “Ej Husari”, a radiantly lovely murmuration of swooping, cooing, chirruping voices. [Jul 2024, p.35]- Uncut
Posted Jul 5, 2024