Uncut's Scores
- Music
For 11,991 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
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| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 9,011 out of 11991
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Mixed: 2,906 out of 11991
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Negative: 74 out of 11991
11991
music
reviews
- By Date
- By Critic Score
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- Critic Score
The Argument showcases a band of uncommon power grappling with subtler shades as well as their quiet/loud, dub-influenced trademark sound. [Dec 2001, p.102]- Uncut
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- Critic Score
The catchiest lesson in sexual politics you're likely to hear this season. [Dec 2001, p.111]- Uncut
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- Critic Score
An American oddball, for sure, but one to treasure. [Jan 2002, p.146]- Uncut
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- Critic Score
You have to adjust to its lack of ornamentation and let it settle, seep, uncurl like smoke or love. And there are songs here to equal his best. [Album Of The Month, Dec 2001, p.100]- Uncut
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- Critic Score
Rule's raw, worn vocal recalls 2Pac, a style perfect for the title track's state-of-the-nation address but wasted on fodder like "Smokin' And Ridin.'" [Jan 2002, p.140]- Uncut
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- Critic Score
Like Disney on methadone scored by Jack Nitzsche with a gun against his own head, trying to remember this soundtrack he once wanted to make, which teamed Judy Garland and Neil Young. [Album Of The Month] [Sept 2001, p.86]- Uncut
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- Critic Score
The DIY production can smother their delicate melodicism, and those parping horns can sound distinctly cheap and shrill. [Jan 2002, p.131]- Uncut
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- Critic Score
Toxicity is virtually unlistenable: thrash metal splintered into a million pieces by unnecessary time changes, topped off with excruciatingly theatrical vocals. [Dec 2001, p.118]- Uncut
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- Critic Score
The acid-daze reveries are rich in detail, thought the baleful undertow and samey melodies lose momentum over the 22 tracks. [Apr 2002, p.113]- Uncut
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- Critic Score
She uses her voice as well as she ever has, giving the moods light and shade. [Sep 2001, p.104]- Uncut
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- Critic Score
Continues their quest to reunite as many of the myriad splinters of pop music on each track as possible. [Sep 2001, p.87]- Uncut
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- Critic Score
This year's 'Stankonia.' [Sep 2001, p.96] [Review of UK version]- Uncut
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- Critic Score
He's very much the equal of Radiohead's Johnny Greenwood in terms of versatility and sheer invention. [Sep 2001, p.90]- Uncut
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- Critic Score
On first hearing, it's a record to admire rather than love, but its insidious appeal soon gets under your skin. [Sep 2002, p.112]- Uncut
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John McCrea's sense of subversion skates on the thin ice of their self-belittling grooves without ever quite toppling. [Jan 2002, p.131]- Uncut
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- Critic Score
Sonically exhilarating, yet the lyrical content remains as alluring as vomit on a Sunday morning pavement. [Sep 2001, p.104]- Uncut
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Few other performers have electrified country blues to such plaintive and non-parodic effect since the heyday of Led Zeppelin. [Sep 2001, p.100]- Uncut
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There are still enough awkwardly anthemic choruses to unsettle their detractors. [Sep 2001, p.92]- Uncut
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- Critic Score
Remarkable less for the tunes than the sheer, punchy exuberance on show. [Dec 2001, p.120]- Uncut
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One Lupine Howl is already too much, thanks. [Feb 2002, p.111]- Uncut
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A near-masterpiece.... It's hip and urgent, formal and exhilarated, everything guitar pop aspires to today. [Dec 2001, p.118]- Uncut
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Signals a further burst of creativity, suggesting there are still great things to come from the Australian Lennon & McCartney. [Jul 2002, p.123]- Uncut
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