Yes, it gets a little soapy at times, but it's still a satisfying watch because there's an emotional authenticity at its core.

Those seeking a fast-paced Western akin to Taylor Sheridan's previous offerings might prefer to fly over "The Madison," but those willing to wade through the show's slow-moving waters will come out the other side with few regrets — and an even deeper appreciation for Michelle Pfeiffer.

Die-hard "30 Rock" fanatics — like me — will find a lot to love about the show right away.

A visual treat with genuine heart, "Marshals" is enough of a crime procedural to appeal to viewers who enjoy a complete story told in 60 minutes, while also remaining prestigious enough to satisfy "Yellowstone" fans who might not typically watch a show like, say, "S.W.A.T." or "NCIS."

This is a revival with real purpose — and, for the most part, the one fans have been hoping for ever since Lazlo Bane's "Superman" last kicked off an episode of "Scrubs." Yes, the original theme song is back. But more importantly, so is the heart.

"A Knight of the Seven Kingdoms" offers a refreshing antidote to "Game of Thrones" fatigue, with crude humor and humble humanity.

Despite the darkness, "Will Trent" remains one of television's funniest hours, anchored in the premiere by welcome bursts of levity involving desk-bound Ormewood and Det. Franklin, with newly promoted series regular Kevin Daniels once again proving what an asset he is to the ensemble.

Though it sometimes clings a little too tightly to sensibilities of seasons past, "Stranger Things" Season 5A is a rewarding, tightly paced showing that's worth the extra-long wait.

Vince Gilligan aims high with his sci-fi series "Pluribus," and it mostly works, anchored by Rhea Seehorn's dazzling performance.

The Lowdown, I should note, does threaten to disappear into its own quirk at times. It moseys along at a deliberate pace, and the meandering narrative tends to wander around like Lee after one too many hits of his vape pen. But that’s OK: This show dances to its own beat. It’s not trying too hard to impress us, and that’s endearing, in a way. It’s worth checking out just to bask in Hawke’s greatness.

Jude Law and Jason Bateman make Netflix’s grim crime drama Black Rabbit worth watching, even when the story crumbles around them.

Mare of Easttown’s creator has crafted another riveting HBO crime drama in Task, packed with emotional complexity and powerhouse performances.

Alien: Earth still feels at times like an eight-hour movie, slowly building to a chaotic climax, and it’s hard to see at this point how the story could continue for multiple seasons. Hawley has earned our trust by now, though… and once again, with a seemingly unadaptable franchise, he has delivered.

Hulu’s King of the Hill revival brings back the comfortingly low-key vibe of the original, along with a few smart updates.

Lena Dunham’s Netflix rom-com Too Much has a certain charm and a great lead performance, but its central romance is too shaky to sustain it.

If The Bear’s previous season was a letdown, Season 4 is a triumphant return to form, with raw emotion and beautiful performances.

FX’s Gen Z sitcom Adults is a welcome shot in the arm to TV comedy, with a cast of talented newcomers and a bold style that delivers huge laughs.

Tina Fey’s The Four Seasons is less zany than her previous TV work, but still delivers solid laughs, beautiful locations and a fantastic cast.

It’s commendable how Season 2 of The Last of Us tries to advance the narrative in a fresh way, but it’s not entirely successful. And the deep sadness that permeates the entire show stubbornly remains. I can say I admire a lot of the craftsmanship that goes into making The Last of Us.

Apple TV+’s Dope Thief puts a refreshing twist on the crime drama genre with top-notch performances and a wicked sense of humor.

Seth Rogen’s showbiz satire The Studio has lots of cool cameos, but gets too caught up in Hollywood lore to be consistently entertaining.

With its engaging cast and steady stream of titillating twists, CBS’ Beyond the Gates is more than just a historic moment in daytime. It’s also a drink-tossing, face-slapping, golf club-swinging good time.

Season 3 of The White Lotus covers familiar territory, but it still delivers top-notch performances and some wild twists.

Hulu’s wildly ambitious Paradise might bite off more than it can chew, but it’s an entertaining thriller with serious emotional heft.

Severance soars to new heights with its long-anticipated Season 2, exceeding our expectations by digging deeper and hitting harder than before.

No, The Pitt is not an ER reboot, but it may just be TV’s best, most authentic medical drama since the one that made Noah Wyle a star.

Dune: Prophecy boasts stunning visuals and strong performances, but the story falls short of the high bar set by the Dune movies.

It’s nice to spend more time with Apple TV+’s Bad Sisters, but Season 2 stretches their story well beyond its natural limits.