An extraordinarily well-made film about anachronistic outlaws in the early 20th century, Sam Peckinpah's The Wild Bunch feels like it should have been the final western.

The plot is full of huge holes, and the film fails to live up to its terrific opening credit sequence.

An enormously entertaining adventure that is as much about John Wayne's image as it is about a girl seeking revenge for her father's murder.

Although it lacks the intensity and sophistication that could have made it a classic, the film still has a definite charm and appeal.

Talented Englishman Schlesinger had an unerring eye for capturing the grimy reality of New York, even if his directorial style is more jittery than is really necessary.

The footage in the Indy race is of the awesome 17-car crackup that began the 1968 festivities. Its insertion lends the picture even greater authenticity.

Overlong, overblown, and badly scripted.

Siegel develops some interesting themes that he would later explore in John Wayne's outstanding final film, The Shootist.

A subtler and less bombastic companion piece to Arthur Miller's most famous play, Salesman is an exemplar of nonfictional material shaped and illuminated by sophisticated filmmakers who have absorbed the devices of fictional storytelling.

Beneath all of the superficially fierce fighting sequences lies just another routine western plot.

This entertaining spoof of western movie cliches features Garner as a stranger who stops off at a small town en route to Australia, a running joke that works well through the rest of the film.

Great cast plays the whole thing with tongue in cheek.

Waters fans and those with a taste for '60s indulgence will want to have a look, but keep that fast-forward button handy!

The entire cast give standout performances, but Herbie steals the show in this well-directed, funny picture.

An exciting picture with much derring-do and adventure, Where Eagles Dare is also a lengthy film, though there is more than enough action to keep it moving along.

A very good musical that should have been a great musical. Bob Fosse, making his film directorial debut, couldn't convey the verve he injected into the play to the movie version.

The fourth of nine Dracula films by Hammer, with the violence and eroticism more up front this time around.

Compared to D.A. Pennebaker's previous feature DON'T LOOK BACK (1967), the warts-and-all portrait of Bob Dylan, MONTEREY POP seems very much an authorized presentation of its subject.

This fun film is filled with loads of laughs, atmosphere, and nostalgia.

Mifune is as great here as he ever has been.

Based on an Ian Fleming book, Chitty Chitty Bang Bang was made in Britain for American consumption, but its magic works on kids and adults of any nationality.

Oliver! is better than most screen musicals of the 1960s, a period when oversized, poorly rendered songfests virtually killed the genre.

Though it is sometimes a tedious viewing experience, its improvisational and documentary techniques are rewarding.

A zesty, satisfying celebration of animation, fantasy, love, and the Beatles that pleases the eyes as much as the ears.

Even the excellent supporting cast could not help this exploitative picture, a lame attempt at replicating the classic film noir pieces of the 1930s and 1940s.

Intrigue comes in epic proportions in this US versus Russia arctic battle.

What really makes Vixen work is the performance of Erica Gavin in the title role. Equally popular with both male and female viewers, Vixen is a take-charge woman who gets what she wants. She's something rare in American movies, a woman in whom strong sexuality isn't paired with evil or some other major character weakness.

Expert chase film, breathless and modern, that sent McQueen to the top of the box office heap. Bullitt is a return to the old, tough crime movies so expertly played by Bogart and Robinson, but made modern here by great technical advances and McQueen's taciturn, antihero stance. Yates's superb direction presents a fluid, always moving camera. All the performers are top-notch.