TV Guide Magazine's Scores

  • Movies
  • TV
For 7,979 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 4.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Badlands
Lowest review score: 0 Terror Firmer
Score distribution:
7979 movie reviews
  1. An old-fashioned dinosaur opera, in the worst sense of the term. An obviously formulaic effort, designed more as a cash machine than a piece of cinema.
  2. A hokey, more-than-a-little-annoying mystical journey of self-discovery.
    • 60 Metascore
    • 40 Reviewed by
      Ken Fox
    Gordon makes the mistake of preserving Bradfield's highly idiosyncratic dialogue -- dazzling on the page, deadly in any actor's mouths -- and the otherwise talented Lloyd is miscast.
    • 67 Metascore
    • 70 Reviewed by
      Ken Fox
    A grim and deliciously twisted Gothic chiller from the dark side of sunny Down Under.
    • 72 Metascore
    • 70 Reviewed by
      Ken Fox
    An entertaining, insightful and handsomely illustrated "Freud for Dummies."
  3. This thin, clichéd comedy of crime and social climbing contains some scattered laughs and whole lot of padding.
    • 55 Metascore
    • 50 Reviewed by
      Ken Fox
    When it's not wasting time with character, this deliberately dumb collegiate comedy is good for a few laughs of the big butts and sex variety, but not much else.
  4. A hick-town, screwball comedy version of "Dog Day Afternoon," and surprisingly palatable despite its sitcom soul and star.
  5. By trying to be both a portrait of Rijker and an introduction to women's boxing, it shortchanges both subjects.
    • 70 Metascore
    • 80 Reviewed by
      Ken Fox
    The acting is uniformly superb, as is the rich, somber cinematography.
  6. The story is shallow stuff, but pretty entertaining until it becomes utterly preposterous.
  7. As bad as the title, and much longer.
  8. The story's broad strokes are painfully clichéd and its details make no sense at all.
    • 44 Metascore
    • 40 Reviewed by
      Ken Fox
    Just because it was written and directed by a woman doesn't mean the title isn't exactly the vulgar double entendre you think.
  9. Has an interesting look, several sensational performances (notably from Kyle MacLachlan and Liev Schreiber) and in general works far better than it has any right to.
    • 53 Metascore
    • 60 Reviewed by
      Ken Fox
    Brimming with fun and a few great ideas, it's little more than a foggy memory the minute it's over.
    • 82 Metascore
    • 80 Reviewed by
      Ken Fox
    An enthusiastic recommendation.
    • 34 Metascore
    • 50 Reviewed by
      Ken Fox
    The results are only so-so.
  10. Camille's desperate, destructive antics just don't seem especially cute or funny.
  11. The surprise is how tame and passionless it all seems, particularly after director Philip Haas's fevered "Angels and Insects."
  12. Though beautifully acted by Basinger (everyone else is relegated to a supporting role), there's a strange vagueness to much of this sumptuous, stunningly photographed melodrama.
  13. There's not much substantive food for thought.
    • 53 Metascore
    • 30 Reviewed by
      Ken Fox
    Despite the overplotting, there's scarcely any of the characterization that might have made some of it interesting.
  14. Brawny, he-man spectacle combined with a surprisingly solid story and buttressed by excellent performances.
    • 69 Metascore
    • 60 Reviewed by
      Ken Fox
    Supremely silly on the surface but full of sophisticated sight gags and deadpan humor.
  15. Breezy and eminently watchable.
    • 56 Metascore
    • 50 Critic Score
    It's a chamber piece that probably should have stayed where it started, in regional theater.
    • 44 Metascore
    • 50 Reviewed by
      Ken Fox
    But one can only imagine how different the film might have been with, say, Parker Posey or Catherine Keener -- truly funky actresses with some real edge -- in the lead.
  16. What do you get when you cross a serial-killer movie with a sappy father/son drama and give it a time-travel twist?
  17. The city looks breathtakingly lovely, the movie's Brazilian characters are charming and filled with joie de vivre, and using excerpts would take care of the fact that the pacing's a bit sluggish for such fluffy material.

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