TV Guide Magazine's Scores

  • Movies
  • TV
For 7,979 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 4.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Badlands
Lowest review score: 0 Terror Firmer
Score distribution:
7979 movie reviews
  1. If you're charmed from the outset, this is an enjoyable trifle; if you're not, it never gets any less mannered and convinced of its own wit.
  2. Though the film ends on a surprising and genuinely magical note, it takes its own sweet time getting there; some viewers will have lost patience before the denouement arrives.
    • 61 Metascore
    • 70 Reviewed by
      Ken Fox
    The film is filled with a languid air of decadence and decay, and a touching sympathy for people whose lives are crushed in the shadows of progress.
  3. Anonymously titled and packaged like a vulgar teen sex comedy, this candy-colored trifle is so precious it nearly floats away on a cloud of fairy dust.
  4. Herzfeld's sophomore movie is one long howl of rage over the relationship between criminals, journalists and thrill-hungry audiences.
    • 86 Metascore
    • 70 Reviewed by
      Ken Fox
    It's a humbling way of life, and one that, as Varda discovers in this wonderful, 80-minute essay, has survived in surprising ways.
  5. The result is formulaic, shamelessly manipulative and surprisingly watchable.
  6. Overall it's a frustratingly uneven movie, delicate at one moment and bluntly obvious the next.
  7. The movie's mimicry of reality TV clichés is eerie, from the use of re-creations and supplemental footage (especially the experimental video Dawn and Jeff made together for a high school art project) to the smarmy commentary.
  8. Like the hardscrabble lives of this isolated wasteland, it's equal parts unforgiving white-heat aridity and golden late-afternoon glow.
  9. Fart, feces and gonad gags notwithstanding, this knockabout comedy is no more vulgar than most contemporary children's films, and more good-natured than many.
  10. The filmmakers created an animated version of the writer to accompany audio clips of Dick speaking. It's a well-intentioned but unsatisfying invention, which pretty much sums up the whole enterprise.
    • 48 Metascore
    • 50 Reviewed by
      Ken Fox
    Crams more subplots, minor characters and comic situations into 100 minutes than most sitcoms burn through in an entire season. And that's not necessarily a good thing.
  11. Apparently intended as a larky, character-driven adventure with dark underpinnings, this attenuated road movie was originally envisioned as a vehicle for relative unknowns, and might have worked better that way.
  12. This coarse, nearly incoherent action picture apparently aspires to a 'Pulp Fiction"-like mixture of brutality and self-referential insouciance.
  13. A fairly serious psychodrama rendered in cartoon images.
    • 80 Metascore
    • 80 Reviewed by
      Ken Fox
    Sweet, melancholy comedy; it's ineffable charm lies entirely in the delivery.
    • 78 Metascore
    • 70 Reviewed by
      Ken Fox
    Fascinating documentary.
  14. A genuinely heartbreaking, romantic film based on a true story; frankly, if it doesn't make you cry, we don't want to know you.
    • 70 Metascore
    • 60 Reviewed by
      Ken Fox
    A light, entertaining musical travelogue down the highways and byways of the Pelican State: taping performances, interviewing a few legends and dropping in on various musicologists for a little historical perspective.
    • 70 Metascore
    • 70 Reviewed by
      Ken Fox
    The wonderfully drawn characters and their soap-opera entanglements are dryly amusing and well played.
    • 49 Metascore
    • 60 Reviewed by
      Ken Fox
    Easily one of the oddest romantic comedies since "My New Gun." It's also one of the most visually inventive, and if its charms very nearly defy description, it's nonetheless irresistible.
  15. Not funny at all.
  16. The script, by co-writers and -directors Douglas McGrath and Peter Askin, is intermittently clever, but their direction is leaden and assassinates every gag with a lethal accuracy the CIA could only hope to achieve.
  17. The movie's uninspired animation (including primitive, blocky computer imagery) doesn't help, nor do its astonishingly stereotyped characters.
  18. This whimsical weeper gets off to an awkward start and never finds its footing.
  19. A huge hit in France, this ensemble drama revolves around two very different social groups whose encounters with each other change several lives in surprising ways.
    • 72 Metascore
    • 70 Reviewed by
      Ken Fox
    Fictional but frighteningly realistic.
  20. Spare and coolly evocative, it's a chilling accomplishment.
  21. The result is sometimes strained, but often fresh and funny. And the sequence in which the entire cast sings "Avenues and Alleyways," bombastic '70s crooner Tony Christie's lush ode to thug life, is worth the price of admission in itself.

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