Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. Towers, while not quite so varied as Fellowship in its moods and settings, has a grave gusto that energizes every moment...a thrilling work of film craft.
  2. Maid in Manhattan is not so much a movie as a collection of career moves. J. Lo needs a comedy hit to support her principal activity, adorning magazine covers. Fiennes needs to warm his austere British image if he hopes to become a true international star.
    • Time
  3. Sublime and sorrowful movie.
  4. The movie ends in a burst of violence that we are unprepared for and don't believe. Maybe it's the film's final joke. It's a miscalculation -- though a calculated one -- but it does not erase one's fond memories of all the odd, deeply humorous behavior that preceded it.
  5. A coda that will have the movie's audience gasping in exhilarated exhaustion, whispering astonished gratitude to Sokurov for having created vigorous art out of 21st century video technique and asking themselves, "What's the Russian word for Wow!?"
  6. This is a chase movie (Simon Legree after three Little Evas) across parched outback terrain, captured with rapturous authenticity by cinematographer Christopher Doyle.
  7. Can't touch the 1972 film's austere poignancy, and McElhone lacks the bewitching beauty of Natalya Bondarchuk in the original Solaris. But the project's gravity and ambition can't be denied.
  8. May leave viewers emotionally disconnected from this distinctly unchipper Mr. Chips.
  9. As thoughtful as it is handsomely acted. Caine's subtle, bold performance should guarantee him an aisle seat on Oscar night.
  10. Carrera's handsome film offers a richly detailed portrait of a church not so much corrupt as morally lazy after centuries in command of an overwhelmingly Catholic country.
  11. There's something old-fashioned and dauntless about the way the film pushes past our initial resistance to its setting and subject matter, past pain, past defeat, to make this point. Because it rejects easy victories, this may be one of the few inspirational movies that could actually inspire someone, somewhere, sometime.
  12. Ironizes without parodying an antique screen manner, then reaches out from beneath this smooth cover to grab us.
  13. Take a while to get their vehicle to sail and soar. But when it does, this Planet is a treasure.
  14. Donen got it gloriously right the first time. Why do it again? And why do it like this?
  15. Julie Taymor's inventiveness has diminished to a kind of strained cuteness. Everything that makes an artist an artist -- the obsessions, the egotism -- is ignored in favor of upbeat movie conventions.
  16. An edgy, watchable film, but one that makes you feel more squeamish than screamish.
  17. Schrader's objectification of sad and stupid material is neither tragic nor transgressive. It is just undramatic and uninvolving.
  18. Sex, drugs and rack 'n' ruin; pretty people doing nasty things to one another...honestly, what more could you want in a movie?
  19. Rambunctious, disturbing, often hilarious new documentary.
  20. Comic, suspenseful, romantic.
  21. Lohman's pensive loveliness carries the film.
  22. There is something arresting about it too. The damned thing keeps gnawing at your mind -- if only for its almost perfect lack of conventional sentiment. Or movieness.
  23. This darkly seductive, flawlessly acted piece is worlds removed from most horror films. Here monsters have their grandeur, heroes their gravity. And when they collide, a dance of death ensues between two souls doomed to understand each other.
  24. The film (directed by Andy Tennant) has more problems than Melanie, and they're insoluble. Its lazy calculation telegraphs each plot turn and underlines emotions with corn-pone music.
  25. The film is full of sharp acting and home truths, but its ambition to be different finally surrenders to its need to be loved.
  26. Dolman's comedy isn't exactly a barrel of emotional surprises, but its great cast underachieves admirably. There are worse ways to pass 94 minutes.
  27. Writer-director Shainberg seems to be aiming for a dark comedy, but mostly his movie is coy without being funny, ugly without being truly transgressive, stupid when it needs to be smart.
  28. Seduction is more important than deduction in this chic display of star quality to the eighth power.
  29. Artful but not arty, Spirited Away is a handcrafted cartoon, as personal as an Utamaro painting, yet its breadth and heart give it an appeal that should touch American viewers of all ages.
  30. Simone is a funny, smart, improbably successful satire on contemporary celebrity obsessions, the waning summer's most delirious comedy.

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