Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. All this eye candy is ultimately only about as engaging as watching kids at play, which is what Sheen and Schwartzman seem to be doing. I can’t argue that this isn’t an accurate glimpse inside some man’s mind — perhaps Austin Powers?
  2. Warm Bodies is the first movie worth paying to see in theaters this year. It’s an inventive charmer that visits all the typical movie scenarios of young love amid chaos and disaster, but with a new dimension: one of the romantic leads is a zombie.
  3. A buddy movie that limps along, pausing for breath and pulse checks like a geriatric dutifully fulfilling doctor's orders to get some exercise.
  4. The blend of fairy-tale sentiment and knowing irony worked exactly once, in "The Princess Bride," and fails here. But there's enough visual ingenuity - eye candy, if you will - to make this Hansel & Gretel an intermittently tasty temptation.
  5. It's an enjoyably old-fashioned shoot-out, if you can shake off the current headlines and sink in to a fantasy of hyper-violence that plays like an NRA vision of America the Beautiful.
  6. So Broken City stokes a lot of hopes. Too bad for all of us, the makers and the watchers alike, that it's a grimy botch.
  7. Mama is clumsily written and choppily edited, but Chastain doesn't have a bad scene in it, and you can see why she chose to be in this supernatural ghost story.
  8. Left-wingers in the mainstream media - by which I mean me - are supposed to lap up a movie that plays to our farm-loving, tree-hugging prejudices. But even we know that well-meaning does not automatically equal good movie. Some organic life is needed. And the only crop Promised Land harvests is Capra Corn.
  9. I can't deny I did feel fonder of my own family afterward, mostly because I know none of them would ever make me sit through Parental Guidance.
  10. As the movie goes on, the laughs are fewer and farther between, and for the last 30 minutes, not only did I not laugh, I wanted it to end so I could get back to my own boring but less precious life.
  11. Painful, and not in a good way. A glimpse into the '60s should give us not just the warm bath of recognition but the shock of the new, as least as it felt in days of old. That doesn't happen, in a movie that evokes less empathy than apathy.
  12. The Impossible is technologically a marvel - the tsunami experience is harrowingly believable - but also emotionally rich. I hesitate to use this term, since it is so often equated with hokey, but The Impossible is life-affirming.
  13. The archivist's meticulousness with which this movie was assembled defeats the starving-hysterical-naked urgency of its source material. Could the old Hollywood pharisees have been right? Maybe On the Road is unfilmable.
  14. Even when the film is cool, it manages to be wrong.
  15. In the history of movies about love, Amour shall last forever.
  16. The Guilt Trip works because we all know and like a Joyce Brewster (or dozens of them).
  17. A slim but likeable little romantic comedy that feels like a sweeter cousin of HBO's Girls.
  18. A pastiche that's nearly as funny as it is long (2hr. 45min.), and quite as politically troubling as it may be liberating, Django Unchained is pure, if not great, Tarantino.
  19. Sensitive souls in search of wrenching emotion can be guaranteed their Kleenex moments; you will get wet. But aside from that opening scene, you will not be cinematically edified. This is a bad movie.
  20. The movie lacks majesty. Grand in parts, the movie is too often grandiose or grandiloquent; and the running time is indefensible.
  21. Suspense isn't Burns' thing though, and it may be foolish to even ask for it this far into his career. Burns has made it crystal clear what his style is: lots of chatty, mostly amiable folks, working out their not so troubling differences in the greater New York metropolitan area.
  22. Deadfall, though, is a thing of pieces: splendidly efficient in its action sequences (car crash, knife fight, snowmobile chase), dawdling in dialogue scenes that should smolder with tension.
  23. When a mild-mannered peasant unsheathes the powers he has long kept hidden, the results can be spectacular. The same can be said for Peter Chan Ho-sun's Dragon, a martial-arts morality play as lithe as it is forceful.
  24. The word docudrama doesn't hint at Boal's achievement. This is movie journalism that snaps and stings, that purifies a decade's clamor and clutter into narrative clarity, with a salutary kick.
  25. If it weren't for him (Hemsworth), surely the Red Dawn remake would have gone straight to video; he's the only person worth watching in it (oh the pain of watching the wan Isabel Lucas hoist a rocket launcher).
  26. Like most children's movies, Rise of the Guardians mimics the patterns of adult entertainment. Where is the magic in that?
  27. It's a feel-good frolic, which is fine for anyone who prefers their Hitchcock history tidied up, absent the megalomania, the condescending cruelty and tendency to sexual harassment that caused his post-Psycho blonde discovery Tippi Hedren to declare him "a mean, mean man."
  28. A slam dunk in the genre, satisfying every period piece craving: torrid affair, mad king, bastard child, throngs at the palace gates and a history lesson that will be fresh to many.
  29. This high-IQ sermon is long but never lazy. Renouncing his tendency to make every movie take emotional flight, Spielberg sticks to the story as Kushner has artfully compressed it. Lincoln is brain food and, at another pivotal moment in American political history, an instructive feast.
  30. A Late Quartet serves as an acting showcase, particularly for Walken and Hoffman, and makes for an interesting study in artistic ego.

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