Time's Scores

For 2,974 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2974 movie reviews
  1. The picture is enjoyable not so much for its twisty plot—which, even if you haven’t already read the book, is essentially pretty guessable—as for its artful dedication to its own highly theatrical, drapes-drawn somberness.
  2. God’s Creatures is a story about women doing the best they can by one another in a place where the odds are stacked against them. It’s a chilly film but not a heartless one; sometimes the nature of forgiveness is captured best in a small sliver of light.
  3. As to the chief complaint about Clash of the Titans -- that the movie stinks -- what can I say? I liked it. This is a full-throttle action-adventure, played unapologetically straight.
  4. It's like a giant sculpture that is so strange and off-putting, it's instantly, intriguingly post-modern. Swept up in the film's pile-driving self-assurance, even Bay-haters may absorb the pain to enjoy the gain.
  5. The battle skirmishes here mix sudden violence with slow-motion artistry. The attractive cast can sell an obsession or articulate a conundrum with equal fervor.
  6. Belushi mines quick charm out of his surly role. And Arnold, starched tongue in cheek, is a doll: G.I. Joe in Soviet mufti. He could beat the stuffing out of a toy Rambo. [20 June 1988, p.88]
    • Time
  7. Any sentient viewer will be able to predict every lumpy twist of this ludicrous, fitfully enjoyable movie.
  8. Hardly unforgettable, but it is an amiable diversion, kept afloat by some comic moments of the raunchy, silly variety, and by something that does feel rather retro: a kindness to its youthful characters.
  9. Rare among the recent fairy tale adaptions (from "Mirror Mirror" to the dreadful "Red Riding Hood") the invigorating Snow White and the Huntsman actually breathes new life into an old story.
  10. It ends up being surprisingly touching, despite the fact that you start rooting for the cloyingly cute Celeste and Jesse to break up almost from the first frame.
  11. Our Idiot Brother is both daffier and more amiable than a Woody Allen film, but the sibling filmmakers (Jesse Peretz directed and his sister Evgenia Peretz co-wrote the screenplay) have concocted sort of a "Ned and His Sisters."
  12. Queen & Slim is a movie made of equal parts sorrow and glamour, all tempered by the grim reality that during the course of their odyssey Queen and Slim do some things they’re not proud of.
  13. Curiously intense, alertly principled, refreshingly uncynical movie.
    • Time
  14. Men is a little too neat structurally, its moral and human issues a little too clear-cut: at heart it is old-fashioned melodrama. But Sorkin's dialogue is spit-shined, and the energy and conviction with which it is staged and played is more than a compensation; it's transformative. And hugely entertaining. [14 Dec 1992]
    • Time
  15. It's Mescal who gives the movie’s surprise stealth performance.
  16. Gaudily entertaining, occasionally wearying sequel.
  17. Mostly, though, it’s an enjoyable portrait of a prickly friendship between two men of vastly different temperaments.
  18. Despite its star's heroic efforts, The Aviator is a gorgeous jet, flying on automatic pilot.
  19. For its first hour or so, this upscale heart tugger motors along familiar trails. So ennobling -- and predictable -- in director Penny Marshall's fidgety rendering of a case study by Oliver Sacks. [24 Dec 1990, p.77]
    • Time
  20. A decent entertainment -- not up there with the "Harry Potter and Lord of the Rings" sagas, but a notch above "The Golden Compass" and "Narnia."
  21. The Wachowskis have the predilection for loopy camera setups common to first-time directors, but their hearts are in the right transgressive place, and their film will tide some of us over until Quentin gets...well...unbound.
    • 84 Metascore
    • 70 Critic Score
    Another little nugget mined by Walt Disney, one of Hollywood's most successful prospectors. It comes from Disney's thoroughly proved mother lode: movies for the kids that adults will stay to enjoy themselves.
  22. Witness, which is one of the most originally conceived and gracefully made suspense dramas of recent years, to work into edgy juxtaposition the representatives of two subcultures that are ordinarily mutually exclusive.
  23. This movie does not fully separate itself from our admittedly low -- even slightly shameful -- expectations, does not become the pure documentary it might perhaps better have been.
  24. Sometimes an actor can help minimize a director’s shortcomings, and that’s what Fraser does here.
  25. The movie unfolds with novelistic pacing for a leisurely but engaging two hours.
  26. This good-natured movie is very much in the spirit of those ancient comedies from Ealing Film Studios in which nice, silly people defend some enclave of old-fashioned sanity against the forces of brute modernism. [27 January 1997, p. 68]
    • Time
  27. Can't touch the 1972 film's austere poignancy, and McElhone lacks the bewitching beauty of Natalya Bondarchuk in the original Solaris. But the project's gravity and ambition can't be denied.
  28. Though the picture doesn't deserve to appear on any critic's 10-best list, it observes the minimum standards of modern action films, which is to say it looks smarter, talks sassier and moves faster than almost anything else on the market.
  29. Take this Shower and feel refreshed; it's a cool dip on a hot day.

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