Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. She’s (Theron) a marvelous comic actor, as at home with bawdy humor as with the brainier kind, and her timing has its own rare and specific style: her lines tend to tilt sideways, with the quiet finesse of a balsa-wood glider, before coming in for a soft but neat landing. She’s an elegant goofball, funny in an over-the-shoulder way, not an in-your-face way, and every moment spent watching her is a pleasure. Hail to the chief.
  2. There’s something inexplicably Wenders-like about it; he’s a filmmaker who looks for joy in the corners, and finds it.
  3. Bad Education is a story of small-town villains who just can’t help themselves, and it’s fun to see how their own carelessness trips them up. These are people we can’t trust, played by actors we trust implicitly. Why not be flimflammed by the best?
  4. First-time director Kargman triumphs by picking characters who largely defy expectations.
  5. Schnabel’s dream portrait of van Gogh is made whole by its star, Willem Dafoe, whose radiant intensity fills every corner of the film.
  6. Though there are patches that are sad to watch, it is for the most part a delight, a biopic that brings its subject to life in a way that’s both respectful and open-hearted.
  7. The story wraps up with a tenderness that feels true but completely without mush. The irony of the title fades as Win Win wins you over.
  8. The film doesn't judge or prod its characters, just watches the long fuse of the plot dwindle, then explode.
  9. It may be a first film, but Labaki, employing a cast that is full of non-professional actresses, is a slick and knowing filmmaker. Her multiple plot lines are neatly braided and though her characters are conventionalized they are also charming and capable of surprising us.
  10. Blue Story, at its essence, is a narrative you’ve seen before. But Onwubolu vests it with firecracker energy — the pace never drags, even when you think you know what’s going to happen next.
  11. This is an action spectacle with a beating heart.
  12. The fascinating film equivalent of a humane execution.
  13. Over and over, American Honey calls attention to how observant it is, rather than just being observant.
  14. Watchmen has moments of greatness. It proves again that the action movie is where the best young Hollywood brains have gone to bring flesh to their fantasies.
  15. Malkovich sure isn’t subtle, either, but that’s the point: his job is to get your blood boiling, and boy, he’s good at it.
  16. A perfectly coherent, handsomely rendered couple of hours, animated in particular by Damon's good performance -- shrewd, innocent, angry, wistful and, above all, likable.
  17. Cruise, still in love with what big mainstream movies used to be, has become a chivalric dreamer, striving to ensure their survival by sheer will. Maybe he can pull it off and maybe he can’t. But at least there’s some pleasure to be had in watching him try.
  18. The message to take from Jodorowsky’s Dune: movies once had brains and balls, and lost them.
  19. What Kelly Gang lacks in historical accuracy it makes up for with brash punk energy.
  20. Val
    Val is a portrait of an actor who poured his all into his work. Only now can he see what it amounts to, and find some vindication in the truth that it was worth defending all along.
  21. Hazel and Augustus will live in film lore because of the young actors who play them.
  22. There’s nothing exactly like it: It has a bracing, melancholy energy all its own.
  23. You may leave the movie with Seussian anapests dancing in your happy head. Here's mine: A treat for the eye, an epic event/ This film is delightful, one hundred percent.
  24. The Big Sick succeeds in doing so many things that romantic comedies — to the extent that they’re even made anymore — have failed to do for years.
  25. A savory cocktail with a bitter twist.
  26. This film is as smart and funny as its topic and its stars.
    • 86 Metascore
    • 80 Critic Score
    Playwright Neil Simon occasionally takes off his clowns' masks to show the humans beneath. In doing so, he has made his Odd Couple real people, with enough substance to cast shadows alongside the jokes.
  27. This memory piece, shy in manner but tough in spirit, has brought out the best in everyone connected with it.
  28. Very moving film.
  29. Knightley embodies Anna as a girlish woman who has never felt erotic love; once smitten, she is raised to heavenly ecstasy before tumbling into the abyss of shame. It's a nervy performance, acutely attuned to the volcanic changes a naive creature must enjoy and endure on her first leap into mad passion. She helps make Anna Karenina an operatic romance worth singing about.

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