Time Out's Scores

  • Movies
For 6,370 reviews, this publication has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 3.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Pain and Glory
Lowest review score: 0 Surf Nazis Must Die
Score distribution:
6370 movie reviews
  1. Like that giant metaphorical carousel looming over them, it’s a movie that’s spinning its wheels.
  2. The world's worst film gets an affectionate making-of dramatization that's half as weird as the real thing.
  3. The year’s most shocking transformation arrives in the form of Gary Oldman’s Winston Churchill, a creation for the ages.
  4. At 134 minutes, the film may seem challengingly long, but the strength of its ensemble cast and unusually evolving narrative results in a satisfying watch that’s reminiscent of tucking in with an engrossing book.
  5. A committed Denzel Washington is wasted in a legal drama that never gets around to making closing arguments.
  6. The whole film pinballs between reverence and poop jokes in a way that feels far more blasphemous than anything Monty Python ever did, while a cloying R&B soundtrack further cheapens the tone. Unless you have tiny religious children, it’s probably best to avoid it.
  7. Although the film takes place in a fantasy version of brownstone Brooklyn, it’s more cutting than the book, especially for the way it shuns the concept of a star vehicle and sharpens the material into a forum for several moments of guilt.
  8. Being dead has never looked as fun as it does in Pixar’s latest adventure, bursting with skeletons, magical spells and Mexico’s annual Day of the Dead.
  9. Justice League gets the band together but remembers to bring the banter along with the boom.
    • 62 Metascore
    • 60 Critic Score
    Mayhem is an energetic genre flick that looks stunning and moves at a ferocious pace...But contrived dialogue and a bewildering narrative tarnish this otherwise enjoyable pulp effort.
  10. It’s hard to know if this clunky comedy is part of Mel Gibson’s redemption arc or some strange new form of karmic retribution.
  11. It’s anchored by a dangerously glum performance by 21-year-old Ross Lynch, who becomes more interesting the more you watch him.
  12. Thank You for Your Service is as necessary as top-flight journalism.
  13. It plays like one of Linklater’s most intimate gifts, an adult rumination on the tricky subject of patriotism.
  14. Despite its meticulously detailed gore, Jigsaw is rarely scary.
  15. Betts aims divinely high and succeeds in both understanding and respectfully critiquing organized religion. Is faith escapism or an act of surrender? In grappling with the essence of spirituality, Novitiate—not unlike Martin Scorsese’s Silence—asks more questions than it supplies answers.
  16. More time could have been spent developing the bond between the men, but ultimately this is quite gripping: a weepie bromance. You don’t see one of those every day.
  17. Quietly epic and sad but never sentimental.
  18. Geostorm is a watery blend of Armageddon and 24, with enough action to entertain on a basic level. It’ll probably be most appealing to scientists looking for a good laugh.
  19. In a world of portentous blockbusters getting ever darker, it’s a joy to see one throwing on the disco lights.
    • 72 Metascore
    • 60 Critic Score
    Despite the looming threats on display, Kosinski never imbues his movie with a real sense of danger until it’s too late to take the threat seriously. For all of the movie’s flare, Only the Brave lacks dynamism.
  20. Marshall isn’t as flashy as it ought to be.
  21. Macdonald, playing an outsider with wisdom, is by far the most sympathetic character; the movie has plenty to say about the parenting traditions of the wealthy, not much of it favorable.
  22. The movie sometimes strains for visual impact: A German medical facility is designed like a Kubrickian nightmare. But by film’s end, Robin and Diana’s devotion to each other wins you over — as does Serkis’s devotion to his story.
  23. It’s a film class, yes, but the most invigorating one you’ll take.
  24. It all really happened but surely with a lot more passion than writer-director Angela Robinson’s script would have it.
  25. Brawl then becomes a nightmare in scenes of skull-splattering violence that are truly sickening (and wonderful). Don’t look for a deeper meaning. Just soak up the grindhouse.
  26. Indie wunderkind Sean Baker continues his celebration of communities on the margins, in a movie that vibrates with compassion and energy.
  27. Mostly, it's hackneyed horror devices uneasily mixed with softball dramatics of atonement, to increasingly plodding effect. Somebody get a defibrillator in here, stat.
  28. Actor turned director John Carroll Lynch gets out of the way of his star and lets him cast his spell one final time.

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