TheWrap's Scores

  • Movies
  • TV
For 3,665 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Always Be My Maybe
Lowest review score: 0 Love, Weddings & Other Disasters
Score distribution:
3665 movie reviews
  1. Without ever leaving the bar, Blue Moon offers a snapshot of wartime America expressed wholly through shifting public tastes (and the attending egos left shattered.)
  2. The film, in short, exhilarates and exhausts in equal measure, abundant in ambition and arduous, at points, in execution. And after six long years of waiting, one can hardly fault a bit of excess generosity – even if the feast leaves you stuffed if not quite satisfied.
  3. It’s a film whose magnificence sneaks up on you, delighting in plenty of clever silliness before hitting you with a succession of somber scenes that lay you flat.
  4. It isn’t always a pretty picture, but it is a truthful one, proving to be a loving tribute to those lost.
  5. A welcome new patch in the sprawling 'Bridget Jones' tapestry. It’s got all the humor and romance we’ve come to enjoy and all the caring and maturity we’ve come to depend on.
  6. An unexpectedly romantic movie coming from the 'Sinister' and 'The Black Phone' director, but it’s also a gnarly monster flick with memorable beasties galore.
  7. There’s nothing brave about this movie. There’s nothing new either. And sure, it technically takes place in the world, but one out of three is bad.
  8. It’s a compassionately constructed film — it never looks away from the agony before us, and the subject is of the utmost importance.
  9. Heart Eyes seems destined to become a Valentine’s Day favorite, that rare horror movie with a great and charming love story, and that even rarer romantic comedy with a great and savage serial killer.
  10. If this is just one bullet point in your Valentine’s Day to-do list, an excuse to hold hands or neck in a darkened theater, or maybe as a litmus test for your date’s artistic tastes, it’s a harmless, mostly generic action rom-com.
  11. For thousands of years it’s been believed that laughter is the best medicine. Unfortunately, it appears that the laughs in the new Netflix comedy 'Kinda Pregnant' have been recalled.
  12. Rabbit Trap finds some occasionally effective moments of atmospheric dread and sadness, only to leave those moments stranded.
  13. The kids will love it. And actually, you might, too.
  14. Last Days is a film that is so contrived, superficial and misconceived, it does a disservice to the story with every choice it makes.
  15. More a forced, one-note farce than the sharp satire it’s trying to be, Atropia is almost impressive in how it manages to allude to so many complicated subjects surrounding U.S. militarism without authentically skewering or even poking at any of them.
  16. It’s a deeply painful, necessary watch that confronts the way cruelty and repression leaves deep, lasting wounds over lifetimes. But some blunt narrative decisions and a rushed conclusion ultimately keep “All That’s Left of You” from greatness.
  17. Some B-movies, of course, are highly entertaining. This one, though, seems like it was as much of a slog to make as it is to watch.
  18. If the end result is less a comprehensive biography than a long overdue and entirely deserved tribute, it is, nevertheless, truly terrific.
  19. A gorgeous meditation on girlhood
  20. The actors are so committed, and the script so heartfelt, you’d have to be a villain to resist this group’s superpowered sincerity.
  21. Delpy’s balancing act is an admirable and often effective one.
  22. There’s no rule that every criminal has to be charismatic, or all their heists have to be heart-pounding. They just can’t commit the one sin that’s truly unforgivable: leaving us bored.
  23. A sex comedy lacking in sex, silliness or subversion, when just one would do.
  24. It’s a testament to both Matlin and the movie that we leave already anticipating the chapters still to come.
  25. Luz
    Even as Lau's intentions are to nudge us back into real life, the images flickering on screen continue to hold us rapt.
  26. Brooklyn has never looked lovelier than in Holder's soulful debut.
  27. Does great justice to an extraordinary astronaut and reluctant icon, but also repeats the error made so often by media of Ride's era, in centering other people’s perspectives over her own.
  28. While Stoller’s script does boast a few solid laughs, everyone involved deserves and can do better.
  29. The result is a film that’s not just funny, skewering so much of the lazy yet still effective tropes of so much of true crime, but also a wake-up call for the genre.
  30. Lacking anything resembling a remotely conventional narrative, it just lets the conversation flow naturally and thus, Peter Hujar’s Day lives and dies based on its performances. Luckily, both Whishaw and Hall are outstanding, disappearing completely into their conversing characters.

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