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For 3,735 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Always Be My Maybe
Lowest review score: 0 Love, Weddings & Other Disasters
Score distribution:
  1. Positive: 2,283 out of 3735
  2. Mixed: 1,008 out of 3735
  3. Negative: 444 out of 3735
3735 movie reviews
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  1. Memory
    Memory often feels more like a direct-to-video threequel than an actual movie.
  2. Yoga Hosers
    Instead of a film that’s gleefully outlandish (see: “Sausage Party”), Yoga Hosers is a drag. It contains none of the vivacity of “Clerks,” “Mallrats” or “Chasing Amy,” and plenty of references to those days of yesteryear. It’s a cannibalization of all that we once loved about Smith and his movies.
  3. The Ridiculous 6
    The Ridiculous 6 is everything wrong with Hollywood for the past two decades: a circle-jerk of imbecilic white-dude humor.
  4. United Passions
    One of those rare films so unfathomably ghastly you could write a better one while sitting through its interminable 110 minutes. I’d rather re-watch Elton John's "Gnomeo & Juliet" 110 times.
  5. My All American
    This is a movie that is confident in clean living, blinkered righteousness, and manly sentimentality, and it is shamed by some brief footage of the real Freddie at the end, an actual person whose story has been diminished by this slack, dawdling, offensive film.
  6. Love, Weddings & Other Disasters
    The title promises disaster, and the movie delivers: Love, Weddings & Other Disasters is a witless, charmless, barely-written, indifferently acted, hideously shot, and generally odious waste of 90 minutes.
  7. The Assignment
    The Assignment is reprehensible, yes, but it’s also dull and inept. Fans of Walter Hill should treat his latest effort like the kind of car crash from which it’s best to avert one’s eyes.
  8. Fifty Shades of Black
    A slapdash movie that’s more unbearable than the heavy-breathing best-seller and its emotionally timid screen adaptation.
  9. Nina
    Nina, an infuriatingly amateurish picture about the great singer and pianist Nina Simone, is a new low for the musical biopic genre.
  10. The Identical
    Credit must be given: run-of-the-mill mediocrities come and go, but The Identical is the most woozily misguided flop to grace the screen since the “Oogieloves” movie. Connoisseurs of the most wonderfully terrible cinema need to run out and catch this one early and often.
  11. America: Imagine a World Without Her
    It would be one thing if D'Souza had an idea, or any idea, he could stick to as a through-line in his project. But America isn't a documentary; it's more like the badly-filmed version of a badly-written, meandering op-ed piece from a paper that lacks fact-checking or proofreading.
  12. Flower
    There are some movies that are misguided in a simple way, and then there are those rare unrelentingly awful movies like Flower that decide to go wrong in as many ways as possible in as short a time as possible.
  13. The Human Centipede III (Final Sequence)
    The thing that wrecks The Human Centipede III isn’t how the film is disgustingly, degradingly unclean; instead, Six’s work is ruined by how his film is desperately, depressingly unclever.
  14. The Emoji Movie
    It is a soul-crushing disaster because it lacks humor, wit, ideas, visual style, compelling performances, a point of view or any other distinguishing characteristic that would make it anything but a complete waste of your time, not to mention that of the diligent animators who brought this catastrophe into being.
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