It’s somewhat difficult to recommend Mother Russia Bleeds, as the dystopian setting and drug-filled plot are at odds with the conventions of the side-scrolling beat-em-up genre. While the sprite work is overall quite ugly, the level of detail is astounding in depicting this game’s disturbing imagery. With limited replay value, couch only coop, and not much diversity among the playable roster, these issues outweigh the promise of Le Cartel Studio’s debut game.

Beat Cop is one perp that’s best approached with caution.

Knights in Tight Spaces is an incredibly follow up to an already amazing game. It fuses a wonderful amount of style with plenty of tactically strategy, and the party mechanics at play and side quests all help to make it almost feel like a solo tabletop role-playing game, which I mean as an incredible compliment. If you like the sound of this game at all, or hanker for more Fights in Tight Spaces, then you'll probably love it.

It's clear that the developers of Banner of the Maid have a lot of love for the historical French period they've adapted in this game. Unfortunately, the gorgeous character art and intricate story is hampered by a rough localization and awkward gameplay systems. The intriguing characters are hard to follow thanks to awkwardly translated dialogue, while the upgrade and faction mechanics of the game only serve to bloat the experience. Banner of the Maid has plenty of solid ideas, but only a few of them truly shine through.

Beyond is a tale of squandered potential. With acting talent such as Page and Dafoe on board, music from legendary composer Hans Zimmer and visuals that give the PS4 launch line-up a run for their money, it’s such a shame that when it comes down to it, the incompetent story and poor gameplay mechanics leave a lot to be desired.

You know what you're getting with Sniper Elite: Resistance; a spin-off covert mission that matches the scale and scope of Sniper Elite 5, but doesn't really go beyond it. It's more Sniper Elite, and there's still plenty of enjoyment in that.

Destroy All Humans is a faithful remake that retains the charm of the 2005 original, while dramatically overhauling the visuals and making some improvements to the gameplay. Perhaps a bit too faithful, with missions that now feel too simple and limited to the point of just being a bit boring.

Project CARS 3 suffers from a case of mistaken identity. Once you adjust to the new direction, you can get into a fun flow of ticking off objectives, drifting around hairpins and purchasing upgrades. However, while the series' existing platform means you get a great variety of circuits, cars and weather conditions, it also shackles this game from being a great arcade racing experience.

With strong gameplay and a healthy amount of unique characters, it’s a game that lives up to the pedigree of its developer.

I really wanted to like Hightower and I kind of do, thanks to all of the passion and cute touches that are peeking through the cracks. Whether it's the inclusion of old movie trivia that can skip a battle, some Charlie Chaplin footage, a scene where you're trapped behind a wall and more, it's clear there was a real vision here, and while it may not be fully realised, I admire the effort. The end product falls short on a number of levels, but I have a soft spot for it regardless and will be keeping an eye on the developer's future games.

Atomic Heart is a bit of a surprise. It's not perfect and the open world is an unneeded dilution, but when you're in the story missions it's always entertaining, despite occasionally dragging things out a little. It can be a bit strange, but it's the self aware kind of strange that can be a bit charming. And the robots are pretty great.

Afterlove EP is a heartfelt project that looks to explore the theme of loss, grief, and moving forward after the death of a loved one. However, it is marred by some bugs that cause loss of key conversations, and you can get softlocked out from seeing the ending.

Glyph is a soothing puzzle platformer, which, despite its sparse appearance has plenty of bounce, challenging you with its literal sandbox gameplay.

SCHiM is an adorable and delightfully unique game, and one that feels both gloriously clever and easy to pick up in equal measure.

Hydrophobia Prophecy on the PSN really is the best version. It looks and sounds great, with water effects surpassing games with ten times the budget. Add in Move support that works well, and a price of £5.10, and what we have is one of the PSN's best games.

Warriors All Stars is a grand celebration of the history and popularity of Koei Tecmo. Unfortunately, the celebration fails to deliver a satisfying video game experience. Every time I had to re-unlock a character, or study three different menus to try and guess which missions I had to avoid so I could get the next proper story chapter, Warriors All Stars felt less like a celebration, and more like homework.

This is best viewed as an educational tool, rather than a satisfying interactive experience in its own right.

While it paints its dystopian future in broad strokes and has some rough edges, there's a worthwhile and enjoyable tale to experience within The Last Worker.

As a newcomer to the franchise, you’ve got a $60 game packed with the most content I’ve ever seen in a Dynasty Warriors entry. For fans who already own the original game, though, you’re faced with purchasing a $40 upgrade kit that comes with two new story chapters, seven characters, one replayable game mode and a handful of gameplay updates. It’s an easy sell for brand new players, but I think only the most hardcore of Warriors fans will feel like the price-tag of the DLC update is worth it for Warriors Orochi 4 Ultimate.

It's great to see Mario Golf: Speed Rush reviving another Mario sports franchise for Nintendo Switch, but it's a game that feels that restrained in some places and muddled in others. The Adventure mode loses its focus half way through, and it lacks course variety, but underneath it all, this is still a fun, accessible and often frantic golf game that is easy to enjoy.

To a T is a cute game about acceptance and community, but it doesn't do enough to keep it's concept fresh or engaging for the duration of the game, and there's a major lack of enjoyable gameplay to pair with it.

The Gunk is an entertaining adventure with a message about pollution and industrialisation. with a likeable protagonist. The pacing is a little drawn out toward the end of the six to seven hour journey, but there's a great visual style and an enjoyable game to experience.

Storyteller is a delightfully different indie puzzler, and its accessible tale-telling is well worth settling down with for a few hours.

Much like its early 20th century setting, Vampyr feels like a bit of a throwback to a past age of action RPGs. In a time where the genre is evolving Vampyr holds on to past ideas for much of its tenure, and it doesn’t have a story strong enough to overcome that fact. The world itself is ripe for lots of stories to be told within, with Dontnod having done a good job with world building, but while Vampyr isn’t a bad game, nor is it as great as it could be.

There’s a good game lurking somewhere within Falcon Age. Interacting with your pet falcon in VR is an enchanting joy, so it's a shame that it's surrounded by a repetitive game structure, lacklustre visuals, and controls that are neither here nor there.

With its barmy riff on a medieval dungeoneering game show, there's something very likeable about the odd world of King of Meat. The platforming, puzzling and combat is a bit too woolly for my tastes, lacking a bit of staying power, but with UGC gaming more relevant than ever, King of Meat provides a great onramp for players to explore their creativity in a constrained setting.

Spellforce 3 Reforced is a relatively successful combination of two genres. Though each of them separately might be a bit too simplified to please die hard fans of them, they complement each other well. They also tell an interesting story in a world that's pretty interesting, even if it isn't that novel. If you're in need of an RTS/RPG on console, you could do much worse than Spellforce 3. If you've got a PC though, you're probably better off playing on there.

This is your only option if you love the sport and want a console version so it’s lucky that it’s an approachable, realistic and well-realised virtual representation.