The Wire's Scores

  • Music
For 2,880 reviews, this publication has graded:
  • 51% higher than the average critic
  • 7% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 SMiLE
Lowest review score: 10 Amazing Grace
Score distribution:
2880 music reviews
    • 76 Metascore
    • 70 Critic Score
    It's seven tracks whip by in a 35 minute blur, with only a dew isolated moments sticking out. [Aug 2013, p.57]
    • The Wire
    • 84 Metascore
    • 70 Critic Score
    Belief is one of his more structurally conventional turns. [Mar 2018, p.58]
    • The Wire
    • 71 Metascore
    • 70 Critic Score
    Butler offers seven tracks whose energy swings between chaotic and cool. [Nov 2023, p.62]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    Sauna Youth are a tight unit, their constituent parts meshing into a formidable wall of sound, but it might be an idea to lose a member or two, subtract an element and make space for uncertainty. [Jun 2015, p.52]
    • The Wire
    • 75 Metascore
    • 70 Critic Score
    Where the vocals are murky, the synthesizers have a queasy over-clarity, poised somewhere between the repellent and the sublime. [Aug 2011, p.58]
    • The Wire
    • 70 Metascore
    • 70 Critic Score
    The album is notable for featuring White's first vocal performance, both on "I Don't Do/ Grand Central", where he's joined in spirited conversation by Zoh Amba, and the title track, on which he narrates his inner life through word association and repetition. It's a taste of a new compositional element that will be interesting to hear develop. The album's other collaborator is White's regular producer Guy Picciotto, whose light touch encourages an egalitarian approach to sound, where everything is in the mix and everything matters. [Jan/Feb 2026, p.94].
    • The Wire
    • 70 Metascore
    • 70 Critic Score
    The record slips easily into a catalogue that is consistent with the familiar John Maus aesthetic, which will no doubt satiate a voracious fan’s appetite for music that exists outside of time, always and at once. [Jun 2018, p.62]
    • The Wire
    • 79 Metascore
    • 70 Critic Score
    The bold accessibility and nostalgic tone of Bermuda Drain is a surprise. [Jul 2011, p.60]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    How literally Allen wants us to take his nod towards Herman Melville’s whale is left tantalisingly openended, although this tapestry of ghoulishly misremembered tales has an obvious parallel with Melville’s patchwork of story and allusion. [Apr 2020, p.49]
    • The Wire
    • 80 Metascore
    • 70 Critic Score
    Rising Down's most immediate qualities are the raw aesthetic and the burning importance of its message. [July 2008, p.66]
    • The Wire
    • 76 Metascore
    • 70 Critic Score
    It's fair to say that not much new ground is broken here, but it's remarkable how endearing their blend of chugging underground pop and frail ragas still sounds. [#210, p.66]
    • The Wire
    • 81 Metascore
    • 70 Critic Score
    “Stir The Sea” coasts on a choice yowly blues metal riff, but teased out slow jams like “Arcurlarius – Burke” are equally their forte. The vocal resemblance of Brian Markham and Meat Puppets’ Curt Kirkwood helps crystallise a bubbling under comparison with the latter, although Dommengang aren’t in The Puppets’ league when it comes to ingenuity or, frankly, personality. [Aug 2019, p.64]
    • The Wire
    • 81 Metascore
    • 70 Critic Score
    All told, there are some beautiful moments on this record, as well as a sense that the gap between what Fennelly wants his music to be and what he is able to accomplish is gradually narrowing. [Jun 2018, p.62]
    • The Wire
    • 77 Metascore
    • 70 Critic Score
    Will depend on how indulgent you personally feel towards the Parliamentary legacy. The smart thing to do would be to purchase tracks selectively and sequence your own version of Medicaid Fraud Dogg. In other words: be wise and sample before you buy. [Jul 2018, p.55]
    • The Wire
    • 81 Metascore
    • 70 Critic Score
    Bachman probably spent more of Almanac Behind’s production time processing sounds than strumming strings. [Jan 2023, p.61]
    • The Wire
    • 71 Metascore
    • 60 Critic Score
    Grave Of A Dog presents a challenges to the listener because although it succeeds as a well-executed project, there is a disjunction between form and content. Hayter in particular seems to gesture at a narrative, but its precise nature is left unclear. [Apr 2020, p.60]
    • The Wire
    • 74 Metascore
    • 60 Critic Score
    These are worn vintage sounds, but the songs here lack the choruses and hooks to invest them with fresh life, and Buttery's voice is forgettable. [Dec 2010, p.46]
    • The Wire
    • 79 Metascore
    • 60 Critic Score
    Byrne has done a tidy, if not terribly exciting job on the soundtrack. [#235, p.57]
    • The Wire
    • 79 Metascore
    • 60 Critic Score
    The nine songs her give a reason for detractors to raise their voices and for devotees to hope for something a little more evolved. [Sep. 2007, p.49]
    • The Wire
    • 75 Metascore
    • 60 Critic Score
    Lacking the eldritch weirdness of Actress's music, their faded grandeur somehow feels strangely mundane, despite their inherent beauty. [Oct 2012, p.62]
    • The Wire
    • 72 Metascore
    • 60 Critic Score
    It's certainly big, but it's less clear if it's clever. [Jun 2014, p.60]
    • The Wire
    • 66 Metascore
    • 60 Critic Score
    As it is, Have Fun With God is never less than listenable but seldom more than vaguely pleasant. [Feb 2014, p.44]
    • The Wire
    • 68 Metascore
    • 60 Critic Score
    A decent film soundtrack. [#219, p.74]
    • The Wire
    • 65 Metascore
    • 60 Critic Score
    Despite their brevity, each track articulates a complete piece; they’re eventful miniatures, not sketches. But while they are sufficiently eventful to engage, the lack of someone to play off of deprives this music of the sense of an emotional stake that arises from White’s decisions to challenge or facilitate someone else. [Jun 2024, p.57]
    • The Wire
    • 86 Metascore
    • 60 Critic Score
    It feels crudely stitched together. [Mar 2011, p.49]
    • The Wire
    • 77 Metascore
    • 60 Critic Score
    The emphasis this time around is on poppier melodies, but for all its attention to song form, Sonic Nurse feels more like a collection of exercises than a cohesive album. [#244, p.63]
    • The Wire
    • 76 Metascore
    • 60 Critic Score
    The five tracks penned and played on by PJ Harvey... reverberate with all the dark, elastic abrasion of PJ's best work. [#248, p.66]
    • The Wire
    • 85 Metascore
    • 60 Critic Score
    They're still worth rooting for just about but mileage -may vary. [Mar 2026, p.54]
    • The Wire
    • 63 Metascore
    • 60 Critic Score
    Drumming that starts off in a motoric groove warps into something way more minimal and amateurish, something undanceable, yet difficult to resist at least shrugging along to. [Aug 2016, p.59]
    • The Wire
    • 72 Metascore
    • 60 Critic Score
    Zu's first studio album since 2019 is not without moments of minimalism or subtlety, yet all told it makes for a draining 80 minutes. [Mar 2026, p.60]
    • The Wire