The Wire's Scores
- Music
For 2,880 reviews, this publication has graded:
-
51% higher than the average critic
-
7% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.8 points higher than other critics.
(0-100 point scale)
Average Music review score: 74
| Highest review score: | SMiLE | |
|---|---|---|
| Lowest review score: | Amazing Grace |
Score distribution:
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Positive: 2,405 out of 2880
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Mixed: 455 out of 2880
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Negative: 20 out of 2880
2880
music
reviews
- By Date
- By Critic Score
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- Critic Score
So many groups enthused by punk's initial promise have done little more than dance around in its corpse. Sleaford Mods have managed to animate its ghost. [Jul 2015, p.52]- The Wire
Posted Jul 27, 2015 -
- Critic Score
Double Negative stands alongside Yo La Tengo’s There’s A Riot Going On as a painfully honest expression of what it’s like to live in a post-truth country and have to call it your own. [Oct 2018, p.58]- The Wire
Posted Sep 21, 2018 -
- Critic Score
The focus is on the uniqueness of their music (check out the Deep Purple inspired organ solo on “Forest Dweller”) which infuses progressive song structures with foundational black metal’s penchant for folk melodies and historical narratives. [Jul 2023, p.62]- The Wire
Posted Jun 7, 2023 -
- Critic Score
Wet Tuna always sound as if they’re trying to escape the constraints of product and profit. “Disco Bev” is delightfully sour and affectionate, “Sacagawea” more expansive and produced sounding, but it all hangs together brilliantly, even as it falls (dis)gracefully apart. [Oct 2019, p.52]- The Wire
Posted Dec 11, 2019 -
- Critic Score
This new set sees them nailing their sound to tighter structures a little, but there’s still that delicious ill-discipline at work throughout. [Apr 2020, p.56]- The Wire
Posted Mar 17, 2020 -
- Critic Score
Unsurprisingly, Badu’s is the least pretentious, the least bogged down in gushing musical detail; it’s also the most politically woke and personally reflective. It is perhaps the most in tune with Fela’s own unique worldview, with eternal struggle as a way of life. [Feb 2018, p.65]- The Wire
Posted Feb 23, 2018 -
- Critic Score
The album cuts across a plethora of genres, refusing to be static. “La Vacanza” and “Sublime” completely submerge you into this dream state, slowing down, giving a reprieve from the increasing intensity. [Sep 2023, p.56]- The Wire
Posted Sep 26, 2023 -
- The Wire
Posted Feb 28, 2013 -
- Critic Score
Oddisee is a hyper-eloquent, charismatic rapper, and this album is buoyed with lyrical wit and lush instrumentation. [Jul 2015, p.57]- The Wire
Posted Jul 27, 2015 -
- Critic Score
Iconoclasts finds von Hausswolff at her most unabashedly accessible and soulful. [Jan/Feb 2026, p.86]- The Wire
Posted Dec 16, 2025 -
- The Wire
Posted Nov 8, 2016 -
- Critic Score
Avalon Emerson & The Charm will find favour with anyone into Cocteau Twins, dreamy bedroom synthpop and anything Balearic. “Entombed In Ice” feels nostalgic but fresh, Emerson’s vocals floating effortlessly overhead. [Jul 2023, p.63]- The Wire
Posted Jun 7, 2023 -
- Critic Score
It may look wildly out of control but closer inspection reveals the symmetry and order that supported the garden’s historical design. [Nov 2017, p.53]- The Wire
Posted Dec 6, 2017 -
- Critic Score
Whether K Bay is progressive rock or not, White hooks you in with his big warm voice and big tunes, and then goes weird on you in such a strong way that he can’t really be asked to leave. [Aug 2021, p.55]- The Wire
Posted Sep 9, 2021 -
- Critic Score
The album is imbued with the expectant, febrile energy that comes with having forged ahead into unknown spaces with out the means or desire to backpedal. [Jul 2015, p.58]- The Wire
Posted Jul 27, 2015 -
- Critic Score
Body is a sound sculpture that cares less for internal time than for the cerebral pleasures of long duration. [Oct 2018, p.60]- The Wire
Posted Sep 21, 2018 -
- Critic Score
Where as The Notwist traffic in mellow tempos and beautifully seamless surfaces, Dose and Jel conjure all manner of conniption ta[s and noise. [Jul 2011, p.62]- The Wire
Posted Aug 17, 2011 -
- Critic Score
Like all the music collected on Off The Record, "Lake Shore Drive Five" serves as a testament to McCraven and his band's ability to make improvisation sound focused and intentional, even as they take us on an unexpected journey. [Jan/Feb 2026, p.88]- The Wire
Posted Dec 16, 2025 -
- Critic Score
The result is an enriched soundworld, more ambitious than her much discussed debut, Tragedy. [Aug 2013, p.53]- The Wire
Posted Aug 15, 2013 -
- Critic Score
Most of SremmLife II’s successes are confined to its front half, but the brothers have a strong enough pop sensibility to reward your attention even when they’re on autopilot. [Oct 2016, p.65]- The Wire
Posted Nov 8, 2016 -
- Critic Score
This EP, the first in a projected triptych, shows the group in their best light. [Nov 2008, p.74]- The Wire
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- Critic Score
With Return To Archive, the balance is just right – this gets nearer to sound art. [Nov 2023, p.52]- The Wire
Posted Nov 7, 2023 -
- Critic Score
Here as elsewhere, Hval manages to perfectly combine an eerie, folkish, ethereal pitch that even veers on yodelling at times, as if summoning an army of hidden folk, with an earthly sensuality that speaks of all kinds of lust, particularly the kinds that hint at lengthy afternoons in obscure cabins. [Jun 2018, p.58]- The Wire
Posted Jul 12, 2018 -
- Critic Score
Pig Destroyer explore transgression on their sixth album by creating a new narrative that begs for more careful introspection about who we are and the world we live in. [Oct 2018, p.60]- The Wire
Posted Sep 21, 2018 -
- Critic Score
Children's voices soften and lift the sound, not with nostalgia but with unvarnished purity. Even the darkest tracks have this sense of movement: "Endgames" trudges on a low, stubborn pulse until bowed strings and harp flourishes nudge it into tentative radiance. The album becomes a procession, carrying its own weight into a brighter place. [Jan/Feb 2026, p.88]- The Wire
Posted Dec 16, 2025 -
- Critic Score
The production, courtesy of DJ Dahi, No ID and James Blake, spirals outward from the world this Long Beach native’s peers inhabit and into satisfyingly experimental territory. [Oct 2016, p.65]- The Wire
Posted Nov 8, 2016 -
- Critic Score
Even the occasional instances of hypergloss cinematic texture and vaporwave mannerisms have their place, glueing together spikes of noise, luscious organ reverberations and feverish glitch pulses into a synthetic yet intensely human whole. [Aug 2022, p.50]- The Wire
Posted Aug 1, 2022 -
- The Wire
Posted Nov 7, 2023 -
- Critic Score
It’s smooth and contemplative at times, punctuated by cinematic ruptures and ambient textures that trail behind El Shazly’s elastic vocal phrasing. Her voice, processed and layered with care, frequently emerges as the central narrative device and quickly slips between intimacy and distance. [Jun 2025, p.58]- The Wire
Posted Jun 17, 2025 -
- Critic Score
If the album feels a little like it’s beginning to run out of ideas by the end of its 45 minutes, the audacity of its central aesthetic propels it to some dizzying heights along the way. [Oct 2018, p.62]- The Wire
Posted Sep 21, 2018