The Wire's Scores

  • Music
For 2,880 reviews, this publication has graded:
  • 51% higher than the average critic
  • 7% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 SMiLE
Lowest review score: 10 Amazing Grace
Score distribution:
2880 music reviews
    • 83 Metascore
    • 80 Critic Score
    Those expecting a return to the group's former electronic shock treatment will be sent reeling by the subtlety of this latest release, where ceaseless sonic bombardment has been replaced with a more studied and intricately forged set of almost-songs and mangled machine shop melodies. [Jun 2013, p.56]
    • The Wire
    • 81 Metascore
    • 80 Critic Score
    The methods of its creation are the most interesting thing about Melk En Honing, but the music has impact and staying power. [Aug 2015, p.48]
    • The Wire
    • 78 Metascore
    • 80 Critic Score
    The closing track "Temptation" proves that electronic producers who refuse to be typecast are the ones who keep the music exciting. [Aug 2012, p.44]
    • The Wire
    • 73 Metascore
    • 80 Critic Score
    Valentine has gotten undeniably skilled at being slick; even at its weirdest, this record is quite easy on the ears. ... A welcome tonic. [Apr 2022, p.51]
    • The Wire
    • 75 Metascore
    • 80 Critic Score
    Tahoe is a record for after the fall, after the collapse, a compulsive soundtrack for an age that is both post-natural and post-virtual. [Mar 218, p.46]
    • The Wire
    • 84 Metascore
    • 80 Critic Score
    A Common Truth is far more intimate, focusing on arrangements and whispered songs erupting around Foon’s distinctly emotive cello. Due to the shifting blend of fear, despair, togetherness, hope and anger that characterises the battle for climate change awareness, her song cycle aptly seeps its way into all nooks and crannies of the emotional spectrum. [Apr 2017, p.55]
    • The Wire
    • 82 Metascore
    • 80 Critic Score
    Real feast of words expressing a way more convoluted and realistic portrait of a conflicted British psyche. [Jul 2019, p.55]
    • The Wire
    • 88 Metascore
    • 80 Critic Score
    An even deeper dig into the wound exposed on her debut. The album is drenched in divinity, its consideration of good and evil as polar concepts is biblical, elevating vengeance to a God-given imperative. Her classically trained voice deals in spiritual cadences, and commands gothic instrumentation of strings and drones. [Aug 2019, p.58]
    • The Wire
    • 71 Metascore
    • 80 Critic Score
    Each compositional element is perfectly judged, not a note wasted, and it's very beautiful indeed. [Jun 2013, p.61]
    • The Wire
    • 87 Metascore
    • 80 Critic Score
    Ultimately, these elements mostly serve to contextualize some beautifully conceived programmed music within an edgier club culture. [Jul 2012, p.62]
    • The Wire
    • 76 Metascore
    • 80 Critic Score
    Callahan is a true original. [#255, p.65]
    • The Wire
    • 81 Metascore
    • 80 Critic Score
    Masculin Féminin documents a youthful band impulsively pouring noise into rock, free of machismo or the urge to ape what was then hip. [Oct 2016, p.61]
    • The Wire
    • 78 Metascore
    • 80 Critic Score
    Both NV and Deradoorian maintain their musical identities but balance each other’s urges with concision to the point where the record emerges as a holistic, kaleidoscopic transmission from a duo at play with each other and with the possibilities conjured by their shared will. [Jul 2023, p.51]
    • The Wire
    • 83 Metascore
    • 80 Critic Score
    What's Your Sign is a brash, vigorous session that maintains discipline and freedom in equal measure. [Jan 2017, p.74]
    • The Wire
    • 63 Metascore
    • 80 Critic Score
    Measurable, replicable perfection has never been Smith's raison d'etre and Re-Mit--their 30th studio album in 37 years--possesses all the eccentricity of the group in their early pomp. [Jun 2013, p.49]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    This part of the past is not so much a source of rare metals to be strip-mined, but a seed bank of rare or lost varieties. [Jul 2012, p.63]
    • The Wire
    • 82 Metascore
    • 80 Critic Score
    Refusing to conform to any one style, Die Spitz surprise throughout with songs like "Voir Dire" and "American Porn" that lash out and sting, alongside the seemingly endless looping guitar stutter that accentuates the glorious roar of "Down On It". [Dec 2025, p.60]
    • The Wire
    • 82 Metascore
    • 80 Critic Score
    The thick consistency of America is of a different sort: lusher, more polished, wider in scope, almost symphonic in its conception and structure. [Aug 2012, p.43]
    • The Wire
    • 80 Metascore
    • 80 Critic Score
    Walker's latest project effectively balances the saccharine with hovering fear, demonstrating his continued capacity for writing cinematic music invested with strange drama. [Sep 2016, p.57]
    • The Wire
    • 82 Metascore
    • 80 Critic Score
    Melnyk’s playing has a rare capacity to energise and exhilarate, and in that respect Fallen Trees does not disappoint. [Jan 2019, p.82]
    • The Wire
    • 70 Metascore
    • 80 Critic Score
    Trap Or Die 3 is a uniformly strong effort. [Jan 2017, p.77]
    • The Wire
    • 83 Metascore
    • 80 Critic Score
    A striking document of Swans' current live form. [Jul 2012, p.64]
    • The Wire
    • 86 Metascore
    • 80 Critic Score
    Beautiful. [Jan 2022, p.64]
    • The Wire
    • 72 Metascore
    • 80 Critic Score
    Strange Passion's careful curation and lavish sleeve notes give a belated but generous and welcome salute to an overlooked epoch in musical history and the passions it provoked. [Aug 2012, p.52]
    • The Wire
    • 66 Metascore
    • 80 Critic Score
    Every lick of synth, guitar or bass, let alone the vocal lines, is an earworm. [Nov 2014, p.63]
    • The Wire
    • 89 Metascore
    • 80 Critic Score
    As Four Tet, Hebden has devised a musical identity that is distinctly different from his work with Fridge, but both projects share a passion for defying boundaries. [#231, p.60]
    • The Wire
    • 81 Metascore
    • 80 Critic Score
    A great part of the pleasure of Banga is revelling in the medium conveying the message. For the most part, the album is a smooth listen, its revelation couch within relaxed AOR-ish arrangements. [Jul 2012, p.64]
    • The Wire
    • 77 Metascore
    • 80 Critic Score
    There are plenty of surprises on Bright New Disease, and much to admire. Joined together, the essences of each band are recognisably present, their unique flavours seemingly intensified and emboldened by the other. Enjoyably diverse and satisfyingly coherent. [Jul 2023, p.48]
    • The Wire
    • 97 Metascore
    • 80 Critic Score
    The audio material is an illuminating reflection of the group’s transition from pop copyists to psychedelic adventurers, en route to becoming champions of rock’s progressive faction. [Jan 2017, p.82]
    • The Wire
    • 86 Metascore
    • 80 Critic Score
    Pick A Day To Die pieces together Sunburned fragments dating back to the late 2000s, resulting in an endearing zigzag of moods. [Mar 2021, p.58]
    • The Wire