The Seattle Times' Scores
- Movies
For 1,951 reviews, this publication has graded:
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63% higher than the average critic
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3% same as the average critic
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34% lower than the average critic
On average, this publication grades 2.8 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Gladiator | |
|---|---|---|
| Lowest review score: | It's Pat: The Movie |
Score distribution:
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Positive: 1,401 out of 1951
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Mixed: 293 out of 1951
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Negative: 257 out of 1951
1951
movie
reviews
- By Date
- By Critic Score
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- The Seattle Times
- Posted Apr 7, 2016
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Reviewed by
Soren Andersen
Thanks to Walken’s superlative, multileveled performance and Edwards’ trenchant writing, this complicated guy...is a weirdly beguiling figure.- The Seattle Times
- Posted Apr 7, 2016
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Moira Macdonald
The horror is all the more effective for having sneaked up on us quietly.- The Seattle Times
- Posted Apr 7, 2016
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Moira Macdonald
Rockwell and Kendrick, both of whom can really sell this film’s brand of laid-back quirk, keep things lively.- The Seattle Times
- Posted Apr 7, 2016
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Soren Andersen
By the end, it’s falling apart under the weight of all the extraneous divergings, but thanks to Gyllenhaal’s performance, Demolition stands out as a powerful meditation on the unhinging effects of deep grief.- The Seattle Times
- Posted Apr 7, 2016
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Moira Macdonald
McCarthy’s trademark blend of chipper likability and treble-voiced rage just isn’t quite enough to carry things through.- The Seattle Times
- Posted Apr 7, 2016
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Soren Andersen
Linklater gets it right in every significant regard.- The Seattle Times
- Posted Apr 6, 2016
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John Hartl
Wonderfully confident and strange, Take Me to the River marks an auspicious directing debut for Matt Sobel. There’s not a stale moment in it.- The Seattle Times
- Posted Mar 31, 2016
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- Critic Score
If you don’t already care about Hank Williams, this movie isn’t likely to change that.- The Seattle Times
- Posted Mar 31, 2016
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Reviewed by
Tom Keogh
As feverish and dark as this first feature by filmmaker Can Evrenol gets, there is a sense that something larger is at stake — an elusive explanation having to do with a recurring dream, twisted destiny and the bond of a promise.- The Seattle Times
- Posted Mar 31, 2016
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Soren Andersen
A more disagreeable collection of cynical, backstabbing, self-aggrandizing, shallow, vicious and vile specimens of humanity gathered together in a single motion picture would be difficult to conceive of.- The Seattle Times
- Posted Mar 31, 2016
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Soren Andersen
The picture is a long tease, artfully constructed. Mood is all-important, and it’s a mood designed to keep the audience off balance and on edge until the very end.- The Seattle Times
- Posted Mar 31, 2016
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Soren Andersen
Shot in stark black and white, the picture’s sense of place and time is strong — pungently so.- The Seattle Times
- Posted Mar 24, 2016
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While the film’s formula gets repetitive, little revelations peppered throughout keep it engaging.- The Seattle Times
- Posted Mar 24, 2016
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Reviewed by
Tom Keogh
For all its strengths, Krisha can also be self-indulgent and artificial.- The Seattle Times
- Posted Mar 24, 2016
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Tom Keogh
Hock handles that perennial sports question — what is the athletic limit of a human? — with interesting sidebars about the brain and physics. Such mysteries mingle with irresistible lore in this satisfying work.- The Seattle Times
- Posted Mar 24, 2016
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Soren Andersen
Greetings from Moldova. Where surly locals stare sullenly at stupid strangers. Where the traditional regional greeting extended to said strangers is a hatchet in the forehead.- The Seattle Times
- Posted Mar 24, 2016
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Soren Andersen
In the matter of searching for work in a difficult economy, Get a Job traffics in fairy tales that come complete with happily-ever-after endings.- The Seattle Times
- Posted Mar 24, 2016
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Moira Macdonald
None of this has any real reason for being; even the tiniest bit of drama that Vardalos’ screenplay scares up...gets wrapped up by the hour mark. But Vardalos has created a community of characters and players so likable, it seems almost mean to criticize.- The Seattle Times
- Posted Mar 24, 2016
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Soren Andersen
Many decisions...make “Batman v Superman” a joyless slog.- The Seattle Times
- Posted Mar 23, 2016
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Soren Andersen
Creative Control is a hypnotic voyage into a society where technology addiction comes to rule and ruin those who fall under its seductive spell.- The Seattle Times
- Posted Mar 18, 2016
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Moira Macdonald
Field, carrying the movie on her shoulders and handing it to us for our approval, makes us root for wistful Doris. Single-handedly, she makes the movie work. I didn’t always believe Doris’ behavior, but I knew I wanted to see her smile again.- The Seattle Times
- Posted Mar 18, 2016
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Moira Macdonald
At times, the film approaches gallows comedy...perhaps a little too much so; at others, it’s a tense, chilling look at a seemingly unbearable choice — refreshingly, without telling its viewers what to think.- The Seattle Times
- Posted Mar 18, 2016
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John Hartl
What the film does have going for it is a ghostly atmosphere that leads to a few surprising developments, including some color effects and a charmingly off-the-wall musical number.- The Seattle Times
- Posted Mar 18, 2016
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Soren Andersen
A surprisingly sweet-spirited picture about a man’s redemption and a boy’s initiation into the ways of the world.- The Seattle Times
- Posted Mar 17, 2016
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Moira Macdonald
I found myself admiring The Bronze for its stalwart refusal to soften Hope, and for Rauch’s carefully detailed performance.... But admiring isn’t quite the same as liking. This film is a comedy wrapped in barbed wire; approach with caution.- The Seattle Times
- Posted Mar 17, 2016
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Soren Andersen
All of it feels warmed over, reprocessed … and, yes, confused.- The Seattle Times
- Posted Mar 17, 2016
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Tom Keogh
This modest film’s heart is really in the mysteries of small moments.- The Seattle Times
- Posted Mar 14, 2016
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Soren Andersen
Throughout, the fragility of the native cultures and of the rain-forest environment that is their home is underscored by Guerra in this fascinating, melancholy movie.- The Seattle Times
- Posted Mar 10, 2016
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Moira Macdonald
You keep waiting for the film to come together, for Rick to emerge as a character rather than a cipher, for the women to seem less interchangeable — in short, for a point to it all. By its end, I was still waiting.- The Seattle Times
- Posted Mar 10, 2016
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