The Seattle Times' Scores

  • Movies
For 1,951 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 2.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Gladiator
Lowest review score: 0 It's Pat: The Movie
Score distribution:
1951 movie reviews
  1. The Phoenix Incident is an indigestible mess.
  2. Thanks to Walken’s superlative, multileveled performance and Edwards’ trenchant writing, this complicated guy...is a weirdly beguiling figure.
  3. The horror is all the more effective for having sneaked up on us quietly.
  4. Rockwell and Kendrick, both of whom can really sell this film’s brand of laid-back quirk, keep things lively.
  5. By the end, it’s falling apart under the weight of all the extraneous divergings, but thanks to Gyllenhaal’s performance, Demolition stands out as a powerful meditation on the unhinging effects of deep grief.
  6. McCarthy’s trademark blend of chipper likability and treble-voiced rage just isn’t quite enough to carry things through.
  7. Linklater gets it right in every significant regard.
  8. Wonderfully confident and strange, Take Me to the River marks an auspicious directing debut for Matt Sobel. There’s not a stale moment in it.
    • 47 Metascore
    • 75 Critic Score
    If you don’t already care about Hank Williams, this movie isn’t likely to change that.
  9. As feverish and dark as this first feature by filmmaker Can Evrenol gets, there is a sense that something larger is at stake — an elusive explanation having to do with a recurring dream, twisted destiny and the bond of a promise.
  10. A more disagreeable collection of cynical, backstabbing, self-aggrandizing, shallow, vicious and vile specimens of humanity gathered together in a single motion picture would be difficult to conceive of.
  11. The picture is a long tease, artfully constructed. Mood is all-important, and it’s a mood designed to keep the audience off balance and on edge until the very end.
  12. Shot in stark black and white, the picture’s sense of place and time is strong — pungently so.
    • 72 Metascore
    • 75 Critic Score
    While the film’s formula gets repetitive, little revelations peppered throughout keep it engaging.
  13. For all its strengths, Krisha can also be self-indulgent and artificial.
  14. Hock handles that perennial sports question — what is the athletic limit of a human? — with interesting sidebars about the brain and physics. Such mysteries mingle with irresistible lore in this satisfying work.
  15. Greetings from Moldova. Where surly locals stare sullenly at stupid strangers. Where the traditional regional greeting extended to said strangers is a hatchet in the forehead.
  16. In the matter of searching for work in a difficult economy, Get a Job traffics in fairy tales that come complete with happily-ever-after endings.
  17. None of this has any real reason for being; even the tiniest bit of drama that Vardalos’ screenplay scares up...gets wrapped up by the hour mark. But Vardalos has created a community of characters and players so likable, it seems almost mean to criticize.
  18. Many decisions...make “Batman v Superman” a joyless slog.
  19. Creative Control is a hypnotic voyage into a society where technology addiction comes to rule and ruin those who fall under its seductive spell.
  20. Field, carrying the movie on her shoulders and handing it to us for our approval, makes us root for wistful Doris. Single-handedly, she makes the movie work. I didn’t always believe Doris’ behavior, but I knew I wanted to see her smile again.
  21. At times, the film approaches gallows comedy...perhaps a little too much so; at others, it’s a tense, chilling look at a seemingly unbearable choice — refreshingly, without telling its viewers what to think.
  22. What the film does have going for it is a ghostly atmosphere that leads to a few surprising developments, including some color effects and a charmingly off-the-wall musical number.
  23. A surprisingly sweet-spirited picture about a man’s redemption and a boy’s initiation into the ways of the world.
  24. I found myself admiring The Bronze for its stalwart refusal to soften Hope, and for Rauch’s carefully detailed performance.... But admiring isn’t quite the same as liking. This film is a comedy wrapped in barbed wire; approach with caution.
  25. All of it feels warmed over, reprocessed … and, yes, confused.
  26. This modest film’s heart is really in the mysteries of small moments.
  27. Throughout, the fragility of the native cultures and of the rain-forest environment that is their home is underscored by Guerra in this fascinating, melancholy movie.
  28. You keep waiting for the film to come together, for Rick to emerge as a character rather than a cipher, for the women to seem less interchangeable — in short, for a point to it all. By its end, I was still waiting.

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