The Salt Lake Tribune's Scores

  • TV
For 118 reviews, this publication has graded:
  • 42% higher than the average critic
  • 5% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 11.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 56
Highest review score: 100 The Handmaid's Tale: Season 1
Lowest review score: 10 Prison Break: Season 5
Score distribution:
  1. Positive: 51 out of 51
  2. Mixed: 0 out of 51
  3. Negative: 0 out of 51
51 tv reviews
  1. It gets off to a slow start, but Van Helsing picks up in the second episode. It is also super violent and super gory. If you like that sort of thing, you might want to give this a chance.
  2. If you turn off your brain, this isn't the worst way you can spend an hour. But it's not a particularly good show.
  3. It's pretty slow. This is related to the movies, but it's not a remake. It's just ... similar.
  4. Notorious is populated by unpleasant, self-absorbed characters, some of whom are murderers. ... Their chemistry is forced. And, like the rest of Notorious, it fizzles. This is certainly a candidate to be the first show canceled this fall.
  5. This Lethal Weapon pilot episode is very entertaining. Great action scenes, snappy banter and a bit of pathos mixed together with nice chemistry between Wayans and Crawford. That's the most important ingredient, and it makes the rest of it work.
  6. For the first half hour or so, Designated Survivor feels a lot "The West Wing"--and that's about the highest praise I can give a show. But then things start to deteriorate. There's a rather ridiculous plot involving Kirkman's son. Worse yet, there's a plot involving one of the generals who seems to be plotting a coup--and he's a cartoonish villain if ever there was one.
  7. You won't feel like you're doing public service when you watch this show. It's very funny. Very entertaining. And it has a big heart.
  8. Weatherly is a very appealing star. The Dr. Phil thing would seem to be more a detriment than an advantage. Only the fact that Weatherly is so likable keeps Bull from being unbearably obnoxious.
  9. There's nothing even slightly new or original about Kevin Can Wait. It's comedy-by-the-numbers aimed at a broad, undiscerning audience.
  10. This show is offbeat, but it's definitely worth checking out.
  11. These characters feel real. Relatable. Sympathetic. Their stories are compelling. They interact in unexpected ways. And the Big Plot Twist in This Is Us feels right. And sets up what could be an outstanding series.
  12. Pitch feels phony from the get-go. The characters are caricatures. The premise is ludicrous. And the Big Plot Twist is manipulative, derivative and gob-smackingly stupid.
  13. Better Things is one of the best new comedies this year.
  14. It succeeds, period.
  15. Crude comedy can be funny, but this is lots of crude and almost nothing in the way of comedy. Repeatedly dropping f-bombs doesn't make Vice Principals anything but lame. Neal and Lee are childish idiots, sure, but they're not amusing.
  16. It's enthralling. The Night Of looks like this summer's TV obsession.
  17. Roadies is so convinced it's clever that it feels like it's talking down to us. It feels forced.
  18. Judging by Episode 1, Queen of the South faces some tough going. But it's too early to write it off altogether.
  19. Whodunit? After screening the first two episodes, I have no idea. But I'm engaged enough to keep watching to find out.
  20. Greenleaf is a big ol' soap opera. A pretty good soap, as a matter of fact, filled with more than its share of characters who are instantly unlikable.
  21. Animal Kingdom is not exactly a cerebral series. It's a show about guys doing guy things, complete with action sequences. And the characters are intriguing--although a little bit of Barkin goes a long way.
  22. The new Uncle Buck has a lot in common with the old version. They both, well, suck. ABC's sitcom is not funny. It's unoriginal and tedious.
  23. Braindead is pretty much completely insane. But in sort of a good way. At least for a while.
  24. Feed the Beast has one huge narrative flaw. The storylines center on the tension that arises keeping the fledgling restaurant going. But there is no tension.
  25. Fugit is great as Kyle, the character around whom Outcast pivots. You've got to believe this guy is real to buy into the series, and the Utah native delivers a performance that makes the series work.
  26. The period trappings are cool. The show looks great. But it feels false. And for science fiction to work--for drama to work--you have to be able to buy into the premise. That's pretty much impossible with Houdini & Doyle--a crazy idea that just doesn't work.
  27. Something like this has to be gripping, and Containment is anything but.
  28. This is great stuff. And, at just six episodes, it's a great length.
  29. It's entertaining in a none-too-challenging kind of way.
  30. The most interesting thing about the premiere of The Catch is the camera-work and the editing--including some very clever split screens. But the characters ought to be the most interesting thing, and they're not.

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