After four good, sometimes uneven seasons, "Better Call Saul” returns for Season 5 feeling like it finally knows where it’s going.

“Succession” is the best show on TV. Which makes it a particular pleasure to report that Season 3 lives up to that superlative.

Painfully timely. It's also absolutely enraging, and completely riveting. ... The Handmaid's Tale isn't just the best original show Hulu has ever done. It's one of the most impressive series of the year.

Tambor's delicacy and sincerity as Maura are subtle and moving, though he never aims for sentimentality. The comedy and difficulty of what this all means for the Pfefferman family are beautifully balanced.

Master of None is a warmer, sweeter show than "Louie" often is, and it's less cynical than a raft of other comedies on TV and elsewhere.

In Season 3, the superb writing and performances make Transparent more satisfying than ever. If there's a standout, it's Light as Shelly, providing most of the comedy as Shelly works on her own one-woman show.

Like the trial itself--and the spectacle that surrounded it--The People v. O.J. Simpson is sometimes trashy, often disturbing, and so compelling that it's impossible to stop watching.

The Vietnam War is both the most powerful film Burns has produced, and the most despairing. ... By the end of the fascinating, sometimes wrenchingly hard to watch 18 hours, it's impossible to regard the Vietnam War as anything other than an agonizing failure, one that taught Americans to be cynical about a government that lied to them, sent Americans off to risk their lives, and made one costly bad decision after another.

One of TV’s best shows. In Season 2, “Succession” continues to demonstrate that unlikable characters can make for riveting TV. ... “Succession” is good, nasty fun.

Masters of Sex is better than ever.

If subsequent chapters in the 10-episode season stay at this high level, Fargo again looks like a contender for best TV series of the year.

Adapted from a Pulitzer Prize-winning novel by Elizabeth Strout, Olive Kitteridge is an extraordinary character study, featuring a brilliant performance by Frances McDormand.

The “Parks and Recreation” special made the most of its brisk running time, packing in lovely moments for the characters, and gently delivering the message that we need to take care of our emotional and mental health as we quarantine during these anxious times.

Burns and his frequent collaborator, writer Geoffrey C. Ward, plunge into the elements that make The Roosevelts so engrossing, enlightening and entertaining. In a seemingly effortless balancing act, Burns and Ward do justice to the massive mark these three individuals left on the country's history, while also keeping a tight focus on their inner lives.

At close to eight hours over four parts, the film at times feels overly long, with considerable time and attention is paid to Ali’s boxing matches. The final chapter feels both truncated and sad. ... But overall, the documentary makes abundantly clear why Ali became the most famous man in the world, and why, when he died in 2016, he was widely loved.

The two Season 3 episodes made available to critics feature both familiar strengths and weaknesses of the series so far.

From the lead roles to the ensemble, “Mrs. America” has a fabulous cast, and the writing gives them plenty to work with. Blanchett is totally in command as Schlafly. ... “Mrs. America” is one of the best shows so far this year, and it’s worth seeking out.

Utterly fascinating. ... The Crown is a showcase for keen character observation and inspired acting, not only from Foy. As Philip, Smith is able to show more dimensions of a man who's hard to like, but not easy to outright condemn.

Lonergan's gift for empathizing with characters while clearly seeing their flaws fills every scene with rich, unsentimental emotion. Lonergan's work is matched by director Hettie MacDonald, who, rather than leaning on handsome production design and costumes, makes the material feel immediate, and the characters' choices full of risk. ... The cast more than rises to the occasion.

[Lady Diana Spencer (Emma Corrin)'s] transformation from the “Shy Di” young wife of Prince Charles (Josh O’Connor) to the desperately unhappy, but increasingly popular, Princess of Wales gives Season 4 a propulsive energy. Equally riveting are storylines involving Margaret Thatcher (played with clenched-jaw virtuosity by Gillian Anderson). ... If anything, Season 4 of “The Crown” suffers from an overabundance of plotlines that beg for more attention.

“Sometimes, I’m not sure why I make the choices I do,” Fielder says. Viewers may not know either, but “The Rehearsal” is unique in making us wonder. Whether you laugh, or stare in amazement, “The Rehearsal” will definitely keep you watching.

“The Black Church” feels a bit rushed toward the end, as Gates tries to address the ongoing horrors of racial violence, police killings of unarmed Black men, and younger activists finding the Church doesn’t reflect their progressive views. But even with its flaws, “The Black Church” flows like a river, carrying viewers forward in the tradition of the glorious music that has been an essential element of worship for centuries.

The setting is convincingly snowy and wintry (it was filmed in Calgary, Canada), the writing is clever, and the actors are outstanding.

The Deuce is probably the best new show of the 2017 fall TV season, with superb acting, punchy writing, expert production design, great music, and a storytelling flair that keeps you watching. That said, The Deuce may also make you feel a bit queasy.

If there are fewer laugh-out-loud moments in Season 2, the series goes deeper, and the actors are more than able to rise to the challenge of blending humor and drama.

Is it a long sit? Definitely. Are there moments when you wish the band would quit noodling around and amusing themselves by playing snippets of rock oldies or the Harry Lime theme from “The Third Man?” Absolutely. Will you feel impatient as you wait for more finished versions of such songs as “Get Back” to emerge? Sure. All that said, Jackson’s film is something special.

At times, the pace drags. Some scenes make the same points over and over again. Sticking with it may feel like eating your spinach. But the commitment is worth it.

The female wrestlers are a splendid ensemble, both in their silly show, and in GLOW. But they’re always individuals. ... The 10 episodes in GLOW Season 2 go by so fast, they’ll leave you wanting more.