The Observer (UK)'s Scores

For 1,640 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Enys Men
Lowest review score: 20 Book Club: The Next Chapter
Score distribution:
1640 movie reviews
    • 48 Metascore
    • 40 Critic Score
    This is not, by any standard, entertainment. It is, from time to time, almost too agonising to watch: but at least, in its unrelenting, occasionally powerful way, it shows how sex and violence can sometimes, in their capacity for degradation, be brothers under the crawly skin.
    • 65 Metascore
    • 40 Critic Score
    Harris has a good ear for teenage dialogue. But her heroine, who addresses us directly through the camera, is a pain in the neck. She is to assertiveness-training what Schwarzenegger is to body-building. [01 Aug 1993, p.48]
    • The Observer (UK)
    • 54 Metascore
    • 70 Critic Score
    This gripping action movie is a cross between The Treasure of the Sierra Madre and Treasure Island. [01 May 2011, p.47]
    • The Observer (UK)
  1. One for the buffs. [17 Feb 2008, p.3]
    • The Observer (UK)
    • 56 Metascore
    • 60 Critic Score
    In the character of Joe, David Morse and Penn have created an authentic hero of everyday life, and in a generally well acted picture, Charles Bronson as the boys' father reveals for the first time in some years his more vulnerable side and demonstrates what a fine actor he is. [01 Dec 1991, p.60]
    • The Observer (UK)
    • 59 Metascore
    • 70 Critic Score
    Skilfully crafted account of the final bombing raid over Germany in 1943 of a Flying Fortress, inspired by William Wyler's wartime documentary of the same title. Produced by David Puttam it avoids the worst cliches and gets affecting performance from its young all-American aircrew. [16 Jan 2005, p.87]
    • The Observer (UK)
    • 49 Metascore
    • 20 Critic Score
    It is a rancid, flaccid affair, both cynical and sentimental. The characters are caricatures and seem to have more to do with Bogdanovich's feelings about Beverly Hills in 1990 than Texas in 1984. [09 Dec 1990, p.52]
    • The Observer (UK)
    • 31 Metascore
    • 70 Critic Score
    Slick tongue-in-cheek thriller giving Rutger Hauer an unusually sympathetic role as a blinded Vietnam veteran who's spent 20 years in the jungle honing his other senses as well as his swordsmanship. [27 Oct 2002, p.9]
    • The Observer (UK)
    • 94 Metascore
    • 80 Critic Score
    It's an accomplished, affecting, relentless work.
    • 61 Metascore
    • 60 Critic Score
    Judge Reinhold and Fred Savage are pleasant enough as the father and son who swap roles, but the result is less funny and less stylish than Peter Ustinov's period version of 1947 which starred Roger Livesey and Anthony Newley. [14 Dec 2003, p.8]
    • The Observer (UK)
    • 71 Metascore
    • 80 Critic Score
    Raunchy, honest, non-judgmental comedy about two Yorkshire schoolgirls reacting against the inertia of their sink estate and sharing the favours of a randy estate agent. Adapted by Andrea Dunbar from her Royal Court play, directed by one of this country's great realists, and acted with gusto by Siobhan Finneran, Michelle Holmes and George Costigan. [01 Jan 2006, p.63]
    • The Observer (UK)
    • 85 Metascore
    • 80 Critic Score
    This humourless, portentous, beautifully made and exquisitely acted movie won the Special Jury Prize at Cannes, though when the men in white coats came to take Josephson away, some sardonic observers thought they'd come for Tarkovsky. [12 Jan 2003, p.8]
    • The Observer (UK)
    • 72 Metascore
    • 60 Critic Score
    Amusing and well acted. [16 May 2010, p.50]
    • The Observer (UK)
    • 82 Metascore
    • 80 Critic Score
    It's a beautiful, elaborately textured film, by some way Tarkovsky's most difficult, and not to be approached without first consulting some exegetical text. [15 Aug 2004, p.9]
    • The Observer (UK)
    • 85 Metascore
    • 90 Critic Score
    Visually unforgettable and possibly Tarkovsky's finest work.
    • 47 Metascore
    • 50 Critic Score
    Third and least good of the quartet of period Agatha Christie movies produced by John Brabourne and Richard Goodwin. [04 Feb 2007, p.2]
    • The Observer (UK)
    • 68 Metascore
    • 80 Critic Score
    Decades on, I found its loopy humour and skew-whiff child’s-eye observations reassuringly in place.
    • 68 Metascore
    • 80 Critic Score
    Politically, the film reflects post-Vietnam, post-countercultural blues.
    • 42 Metascore
    • 40 Critic Score
    A rather charmless remake of Hitchcock's classic 1938 comedy thriller, adding nothing of value and subtracting everything of significance. [04 Dec 2005, p.119]
    • The Observer (UK)
    • 84 Metascore
    • 90 Critic Score
    Stunning adaptation of Catholic author Flannery O'Connor's novel about religious obsession in America's Bible belt. Brad Dourif is outstanding as an agnostic GI returning to the deep south after the second world war and becoming involved with competing evangelists Harry Dean Stanton and Ned Beatty. [26 Sep 2010, p.59]
    • The Observer (UK)
    • 65 Metascore
    • 60 Critic Score
    The acting by Melvyn Douglas, Meryl Streep, Rip Torn and Barbara Harris (particularly good as Aldas wife) is of a high order, the settings are authentic, but its all a trifle predictable. [30 Jan 2000]
    • The Observer (UK)
    • 80 Metascore
    • 70 Critic Score
    Authentic, if unsurprising, look at the brutal, exploitative, drug-ridden world of top-level American football through the honest, if bleary, eyes of an over-the-hill pro, superbly played by Nick Nolte who attended several colleges on football scholarships. [02 Nov 2003, p.8]
    • The Observer (UK)
    • 89 Metascore
    • 100 Critic Score
    The film is superbly paced, imaginatively designed, consistently suspenseful and never attracts an unintentional laugh. [2003 re-release]
    • 62 Metascore
    • 70 Critic Score
    The career of the man who directed The Happy Hooker Goes to Washington could only go up, and it rocketed with this very funny comedy starring George Hamilton as Count Dracula, who's driven out of modern Transylvania by zealous Communist Party officials and heads for corrupt Manhattan, hoping to meet a trendy model he's seen in a fashion magazine. [13 Mar 2005, p.83]
    • The Observer (UK)
    • 57 Metascore
    • 80 Critic Score
    Bogdanovich's best film since his fall from grace in the mid-Seventies, and produced by Roger Corman who gave him his first jobs on low-budget drive-in movies. [18 Aug 2002, p.8]
    • The Observer (UK)
    • 90 Metascore
    • 90 Critic Score
    The Deer Hunter is a rich and powerful picture that without a trace of patronisation or the slightest touch of cultural superiority, speaks eloquently for the inarticulate.
    • 21 Metascore
    • 40 Critic Score
    Aldrich is at his most crudely anarchic and macho celebrating the saintly community service and childish off-duty antics of Los Angeles's hard-nosed uniformed cops, starring Charles Durning, Perry King et al. [25 Feb 2007, p.6]
    • The Observer (UK)
    • 63 Metascore
    • 80 Critic Score
    First-rate blockbuster preaching an anti-war message but laying on grand battle sequences as it recreates, coherently and convincingly, Operation Market Garden, the Allied Forces' airborne assault on Arnhem in 1944 that was intended to end the Second World War by Christmas. [19 Nov 2006, p.2]
    • The Observer (UK)
    • 64 Metascore
    • 70 Critic Score
    James Mason as the commanding officer and David Warner as his adjutant are both first rate, as are Coburn and Schell. This was Peckinpah's last important work and his only war movie.
    • 56 Metascore
    • 50 Critic Score
    Early, low-budget Cronenberg horror flick, emetic in intention and effect. [08 Oct 2000, p.10]
    • The Observer (UK)

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