For 1,641 reviews, this publication has graded:
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46% higher than the average critic
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3% same as the average critic
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51% lower than the average critic
On average, this publication grades 3.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Enys Men | |
|---|---|---|
| Lowest review score: | Book Club: The Next Chapter |
Score distribution:
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Positive: 894 out of 1641
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Mixed: 714 out of 1641
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Negative: 33 out of 1641
1641
movie
reviews
- By Date
- By Critic Score
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- Critic Score
Great acting, and a superb screenplay by Robert Towne, who re-united with Nicholson the following year on Polanski's Chinatown. [02 Apr 2006, p.10]- The Observer (UK)
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Wendy Ide
This lean Danish drama is not wholly original – David Michôd’s Animal Kingdom is an obvious comparison – but it’s a tense, suspenseful piece of storytelling and a showcase for a treacherously mercurial performance from Knudsen as the fearsome matriarch.- The Observer (UK)
- Posted Aug 17, 2021
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Mark Kermode
Its Oscar-bait earworm tune may be entitled Shallow, but the film itself is as deep and resonant as Bradley Cooper’s drawl, and as bright as Lady Gaga’s screen future.- The Observer (UK)
- Posted Oct 7, 2018
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Simran Hans
There are three sides to every story in Ekwa Msangi’s vivid and carefully observed feature debut, and so she cleverly splits the film into thirds, replaying the action but changing the vantage point with each chapter.- The Observer (UK)
- Posted Dec 21, 2020
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Ellen E Jones
Larraín’s film demonstrates a palate for mordant humour as refined as the count’s taste for blood.- The Observer (UK)
- Posted Sep 10, 2023
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- The Observer (UK)
- Posted Apr 23, 2022
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Simran Hans
Subverting the original text’s point of view allows Whannell to privilege his female protagonist while continuing to explore the novel’s theme of untrammelled power.- The Observer (UK)
- Posted Feb 29, 2020
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Ellen E Jones
Harding’s film proves movingly open-minded on the subject of the strange things isolation can do, but as a neighbour he might have been nosier. English reserve seems to have prevented further prying into the circumstances that created this English eccentric.- The Observer (UK)
- Posted Sep 10, 2023
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Wendy Ide
The film features dazzling action and a fantasy world that is realised with an almost tactile level of detail. Seek it out on a monster-size screen if at all possible.- The Observer (UK)
- Posted Jun 27, 2022
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The script is dense, subtly shaped, and bristles with stylised, often witty hard-boiled dialogue and voice-over narration, eg: 'I never saw her in the daytime. We seemed to live by night. What was left of the day went away like a pack of cigarettes you smoke.'- The Observer (UK)
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Wendy Ide
As the enigmatic, tarot-inspired title suggests, questions remain, but Lentzou leaves us with the sense that this long-stalled relationship can finally move forward.- The Observer (UK)
- Posted Jun 27, 2022
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Wendy Ide
It’s an intense watch; at times infectiously hilarious, at others wrenchingly sad. For the film’s brief running time, there’s an emotional osmosis at play, in both sauna and cinema alike.- The Observer (UK)
- Posted Oct 15, 2023
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Wendy Ide
Two of the most immediately likable actors in Hollywood, Theron and Rogen are a joy together.- The Observer (UK)
- Posted May 5, 2019
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Mark Kermode
Jessie Buckley, who proved so electrifying in Michael Pearce’s psychological thriller Beast, lights up the screen as Rose-Lynn Harlan; a 23-year-old firebrand, fresh out of jail, wearing an electronic tag beneath white cowgirl boots.- The Observer (UK)
- Posted Apr 15, 2019
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Mark Kermode
Like the unblinking closeup that concludes the deeply moving (and ultimately redemptive?) epilogue to Quo Vadis, Aida?, Žbanić’s powerful and personal film keeps its eyes wide open.- The Observer (UK)
- Posted Jan 26, 2021
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Wendy Ide
Combining news footage, interviews, blustering commentators and vox pops, the film serves as an accusatory finger pointed at public appetites and the press that fed them, and a cautionary tale.- The Observer (UK)
- Posted Jun 27, 2022
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The movie defines the violent, complex persona that would make Marvin a star, and he's cast alongside the irresistibly alluring Angie Dickinson.- The Observer (UK)
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Mark Kermode
Geirharðsdóttir commands the screen throughout, but she receives significant support from Jóhann Sigurðarson as Sveinbjörn, the gruffly avuncular sheep farmer who lives alone with his dog, Woman.- The Observer (UK)
- Posted May 5, 2019
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Jonathan Romney
Boisterous fun, with Day’s performance – as the song goes – as busy as a fizzy sarsaparilla.- The Observer (UK)
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Wendy Ide
Familiarity doesn’t lessen the impact of this excellent documentary by Peter Middleton, directing solo here, having previously collaborated with James Spinney on the acclaimed Notes on Blindness.- The Observer (UK)
- Posted Sep 8, 2024
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Wendy Ide
Given the vested interest that the business has in the industry and its highly lucrative maverick son, it’s surprising and refreshing that High & Low is as nuanced and thought-provoking as it is.- The Observer (UK)
- Posted Mar 10, 2024
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Mark Kermode
It’s one of the lovely ironies of Akhavan’s bittersweet film that Cameron finds true friendship in a place dedicated to stamping it out, and there’s laugh-out-loud joy to be found in the acid-tongued interaction between these soulmates.- The Observer (UK)
- Posted Sep 9, 2018
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Mark Kermode
I found this a rewarding and entertaining drama, heavy with the weight of the past, yet buoyed up by the possibilities of the future.- The Observer (UK)
- Posted Feb 14, 2021
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Mark Kermode
Amid such strangeness, the central performances keep us grounded.- The Observer (UK)
- Posted Jan 1, 2019
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Wendy Ide
Hit Man takes Powell’s amiable, supporting actor appeal (Top Gun: Maverick) and hones it to a star quality of such laser-beam intensity, you start to fear for your eyesight. It breathes fresh life into the played-out hitman genre – and contains what may be one of the top five winks in movie history.- The Observer (UK)
- Posted May 25, 2024
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Wendy Ide
While the actual plot is a little thin, this is a thrillingly evocative piece of film-making: it’s shot in colour rather than the black and white of Lyon’s photographs but there’s a weary, beer-stained grit to it all, like leathers that have wiped out across asphalt a few too many times.- The Observer (UK)
- Posted Jun 24, 2024
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Wendy Ide
The lovely, subtle work from Macdonald, as her character blossoms and her horizons broaden, gives the film a warmth and magnetism.- The Observer (UK)
- Posted Sep 9, 2018
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Simran Hans
Though the references are familiar, it’s a fresh direction for the macho franchise.- The Observer (UK)
- Posted Jan 1, 2019
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Wendy Ide
While the film doesn’t attempt to explore every aspect and every romantic connection, it does delve satisfyingly deeply into her interior life, explored through her artistic output.- The Observer (UK)
- Posted Mar 10, 2024
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Mark Kermode
The film may not be flawless (it’s a touch textbooky at times) but Oyelowo is note-perfect.- The Observer (UK)
- Posted Nov 19, 2018
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