The New York Times' Scores

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For 20,311 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,399 out of 20311
  2. Mixed: 8,446 out of 20311
  3. Negative: 2,466 out of 20311
20311 movie reviews
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  1. Only the Lonely
    Thanks in large part to Mr. Candy, who gives an honestly touching performance in what might have been a cloying role, this story does have its simple charms.
  2. Madonna: Truth or Dare
    Truth or Dare is at the very least a potent conversation piece. It can also be seen as a clever, brazen, spirited self-portrait, an ingeniously contrived extension of Madonna's public personality and a studied glimpse into what, in the case of most other pop luminaries, would be at least a quasi-hidden realm.
  3. What About Bob?
    What About Bob? does work as comedy for a while, thanks to the fortuitous teaming of Mr. Dreyfuss and Mr. Murray.
  4. Stone Cold
    Once the movie gets down to business, the muscle and pyrotechnics take over. The action -- especially the motorcycle chases through the marble government halls -- pack a fairly good visceral charge.
  5. Mannequin: On the Move
    This film has enough new characters and independent spirit to have a light, cheery style of its own.
  6. F/X2
    As long as it is fixated on gadgetry, FX2 is reasonably entertaining. But when the movie focuses on plot and character, it turns quite dotty in an amiable way.
  7. Switch
    Nothing in Switch is that plausible or compelling. Any movie that depends on the presence of either the Devil or God is asking for trouble, and Switch has them both.
  8. Europa Europa
    This film includes several remarkable episodes illustrating the strange events that shaped Mr. Perel's destiny and the full force of his terror and sorrow.
  9. Toy Soldiers
    Toy Soldiers is a crisp, suspenseful thriller well tailored to the tastes of teen-age audiences, who will doubtless appreciate such touches as the equivalent microchips found in one student's radio-controlled airplane and the chief terrorist's detonator, which is rigged to blow up the entire school.
  10. A Kiss Before Dying
    A Kiss Before Dying is not Crime and Punishment. It is pop movie making to be enjoyed without guilt.
  11. Oscar
    Mr. Stallone displays an unexpected gameness, even a flair, for the kind of broadly durable comedy that is the television sitcom's specialty. It works a lot better than might have been expected. Mr. Stallone may not be a comic genius, but he's definitely a sport.
  12. Mortal Thoughts
    Mortal Thoughts has a good cast and a lot to recommend it, but what it doesn't have is the kind of dramatic payoff that makes so much extended buildup and explanation seem worthwhile.
  13. The Object of Beauty
    The Object of Beauty might have been practically perfect escapist entertainment if the screenplay had been as smooth as the cast. Mr. Lindsay-Hogg has written some attractive characters and a lot of bright lines, but he needs a script doctor. He has let the plot confuse things.
  14. Out for Justice
    It really would be unfair to take such a narrow view of Mr. Seagal's appeal. In fact, he combines street-smart swagger and a flair for wisecracks with a martial arts background and the pampered look of a Hollywood eminence, all of which makes for a lively mix. [13 Apr 1991, p.12]
    • The New York Times
  15. Poison
    Poison, which won the grand prize as the best fiction work at this year's Sundance Film Festival, is an imaginative film that, like the infectious Tom Graves, is eventually overwhelmed by its ambitions. The movie needs to evoke more than the ghost of Genet to give it resonance.
  16. Defending Your Life
    Within the larger context of the Brooks oeuvre, this pleasantly mortifying arrangement makes perfect sense. [22 Mar 1991, p.C12]
    • The New York Times
  17. The Comfort of Strangers
    Mr. Schrader is a director of great rigor and discipline. The movie is fascinated by the baroque behavior it observes, but without imitating it.
  18. Ju Dou
    Ju Dou is an intellectually and artistically brave film. Asking for dramatic power and psychological depth as well may be expecting too much.
  19. Career Opportunities
    Mr. Whaley has to work too hard to be antic in the early, Ferris Bueller-type scenes, but he gets much better in more easygoing moments. The gorgeous Ms. Connelly is more model than actress, but by those standards she is relatively lively.
  20. Teenage Mutant Ninja Turtles II: The Secret of the Ooze
    If the Turtles insist on remaining a mainstream box-office attraction, at least they've now had the decency to make a mainstream movie.
  21. Class Action
    Class Action won't put you to sleep. Yet it vanishes from the memory as fast as anything dreamed in the conventional manner.
  22. Guilty by Suspicion
    A stirring and tragic evocation of terrible times.
  23. The Perfect Weapon
    A macho fantasy of physical control, grace and invincibility in which women are all but absent.
  24. True Colors
    As directed by Mr. Ross, True Colors is dreary, humorless, heavy-handed and self-important.
  25. Reunion
    Reunion is gratifying in the small ways most familiar from public-television's depictions of English upper-class behavior. The offhanded elegance of its settings, and the attractive crispness of its schoolboy manners...are a major part of its gently decorative appeal. [15 Mar 1991, p.C16]
    • The New York Times
  26. The Dark Backward
    Mr. Rifkin's direction does display, in addition to an appreciation of Mr. Lynch and perhaps John Waters, a promising eye for design and a taste for the unusual. With less noxious material and a less patronizing manner, those talents would amount to a lot more.
  27. La Femme Nikita
    The film, like Nikita herself, becomes more conventionally sleek and less interestingly bizarre as it moves along.
  28. New Jack City
    The film's flamboyant portrait of Nino may be stereotypical, but Mr. Snipes makes it chilling.
  29. The Doors
    It is made by a Morrison groupie for other groupies, a film that leaves the rest of us locked outside wondering what the fuss is about.
  30. Bride of Re-Animator
    Bride of Re-Animator is less a sequel to the critically praised 1985 horror film Re-Animator than a rehash based on the same H. P. Lovecraft stories.
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