For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
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- By Critic Score
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- The New York Times
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Reviewed by
Janet Maslin
It isn't nearly as successful a showcase for this filmmaker's extraordinary talents.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
It's a flimsy sentimental comedy with more product plugs and fewer laughs than might have been hoped for.- The New York Times
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A.O. Scott
The movie turns into a cobweb of tricky spins and twists that seems like a hip-hop version of "Ruthless People."- The New York Times
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Stephen Holden
Watching it is like a slow injection of a numbing anesthetic. It may send a chill to your heart, but along with it goes a warning signal to your brain not to believe a word of this hooey.- The New York Times
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Dave Kehr
What's lacking is the sense of structure that might have made Van Wilder more than a meandering succession of random gags.- The New York Times
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Ned Martel
Artistry is not the inevitable outcome, and fluffy costumes and French location shoots are the only production elements that don't seem wholly amateurish.- The New York Times
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Dana Stevens
Like a documentary version of "Fight Club," shorn of social insight, intellectual pretension and cinematic interest. It also offers a supremely literal-minded version of slapstick.- The New York Times
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A.O. Scott
Thornton's performance is lost in a film that is more of a schematic success than a dramatic one.- The New York Times
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Stephen Holden
A movie that knows much better than to try to make sense. It is essentially a strung-together series of gags, most of them thought up by Lloyd, an inveterate practical joker.- The New York Times
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Dave Kehr
The film feels authentic only during the scenes between Valentín and his selfish, angry father.- The New York Times
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Dana Stevens
There is very little that is tantalizing or suspenseful. The feeling of revelation is gone, and many of the teasing implications of "Reloaded" have been abandoned.- The New York Times
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Dana Stevens
Would have worked brilliantly as a five-minute late-night comedy sketch, flogs its premise for nearly an hour and a half, generating too few laughs to justify the enterprise.- The New York Times
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Reviewed by
Vincent Canby
Mr. Blake's screenplay and Mr. Costner's direction of it are, with the exception of three memorable sequences, commonplace. The film is painstakingly composed of small details of frontier and tribal life that should be riveting. Most of the time they aren't.- The New York Times
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Reviewed by
Stephen Holden
Buried somewhere under the gross-out jokes and the wet-lipped ogling at an endless parade of jiggling bikini-clad flesh in Grind is the kernel of a cheerful little movie about the world of competitive skateboarding.- The New York Times
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Reviewed by
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Reviewed by
Dave Kehr
Though clearly meant as a heartwarmer in the longstanding holiday tradition, the film comes off as strange and sour.- The New York Times
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Reviewed by
Dave Kehr
This is a tiny, vulnerable, rather treacly film at heart, one that would probably float away were it not for Ms. Rue's generous presence.- The New York Times
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Dave Kehr
Comes to seem less a movie than a memory of movies -- or, at worst, a commercial Frankenstein's monster, sewn together to fill a perceived gap in the market.- The New York Times
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Stephen Holden
A high-minded, lethally dull biography of the legendary golfer Bobby Jones.- The New York Times
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Anita Gates
The animation is done in rich, jewel-like colors, but it seems strangely flat. The overall film does, too, although the glorious Rodgers and Hammerstein music makes up for a lot.- The New York Times
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Stephen Holden
A bland, well-meaning mishmash that never coheres into a dramatic whole.- The New York Times
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A.O. Scott
While impressively made, this impassive and cold feature fails, in a spectacular fashion, to deliver the thrills.- The New York Times
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Reviewed by
A.O. Scott
There is a grungy high spirit during the first third of this film, but then it dissipates like a mist from an aerosol can.- The New York Times
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Stephen Holden
A cream puff with a melted marshmallow inside it. As the temperature rises, the whole gooey thing starts to melt.- The New York Times
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A.O. Scott
Seems stranded in that nowhereland between irony and sarcasm.- The New York Times
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Reviewed by
Dave Kehr
Seems held back by vestiges of an old-fashioned format that Mr. Gatlif has long since outgrown.- The New York Times
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Reviewed by
Vincent Canby
It's neither funny nor solemn. It has the personality not of a particular movie but of a product, of something arrived at by corporate decision.- The New York Times
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Reviewed by
Dana Stevens
Like a bottle of lukewarm Champagne -- an expensive one, judging by the label -- America's Sweethearts opens with a promising burst of effervescence and quickly goes flat.- The New York Times
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Reviewed by
Lawrence Van Gelder
Plods along, never catching dramatic fire, sometimes suffering from amateurish acting and often relying on its intrusive and treacly music to impart mood and rhythm.- The New York Times
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Reviewed by
Dana Stevens
Any movie that makes you root against the underdog, though, is cause for suspicion, and Mr. Smith and Mr. Montana, perhaps aware of this, try belatedly to restore Mr. Duffy's status as a victim.- The New York Times
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