For 20,335 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,412 out of 20335
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Mixed: 8,455 out of 20335
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Negative: 2,468 out of 20335
20335
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Manohla Dargis
The rather lost-looking Mr. Amalric, most recently seen on screens giving his left eyeball a furious workout in “The Diving Bell and the Butterfly,” maintains a suitably funereal mien throughout.- The New York Times
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Reviewed by
Jeannette Catsoulis
Flash Point”attaches coldly professional visuals to a narrative so baffling that it’s rarely clear who is pounding on whom or why.- The New York Times
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Reviewed by
A.O. Scott
The film calls attention to its own artificial status. It actually knows it’s a movie! What a clever, tricky game! What fun! What a fraud.- The New York Times
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The movie lets parallels between that time and the post-9/11 era emerge organically, in the manner of a fable that subtly illuminates your own life.- The New York Times
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Reviewed by
Laura Kern
Antonio Negret's sloppily executed film plays like a car commercial and a military-recruitment promo.- The New York Times
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Reviewed by
Jeannette Catsoulis
Unsubtle, condensed and bullet-point simple, “War Made Easy” avoids fancy visuals for a uniformly drab and dispiriting aesthetic. Sporadically narrated by Sean Penn (evincing all the personality of a potato), the movie is cinematically inert if ultimately persuasive.- The New York Times
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Reviewed by
Jeannette Catsoulis
Crammed with colorful interviews, digital animation and live performances, this frisky and forthright film by Dean Budnick chronicles a vision of financing social progress with really great tunes.- The New York Times
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Reviewed by
Manohla Dargis
Blind Mountain is a reminder that art sometimes keeps the truth alive far better than the news.- The New York Times
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In Search of Paradise portrays Meat Loaf as an obsessive, self-punishing performer, striving in vain to put on a live show that matches the visions in his head.- The New York Times
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Reviewed by
A.O. Scott
The big, climactic fight, complete with an epic snuffleupagus rampage, is decent action-movie fun. And as a history lesson, 10,000 BC has its value. It explains just how we came to be the tolerant, peace-loving farmers we are today, and why the pyramids were never finished.- The New York Times
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Reviewed by
Manohla Dargis
The workmanlike title The Bank Job is a nice fit for this wham-bam caper flick.- The New York Times
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Reviewed by
Jeannette Catsoulis
Eyes popping and mouths agape, Martin Lawrence and Raven-Symoné mug their way through College Road Trip as if it were a silent movie -- which, come to think of it, would have been a lot less irritating.- The New York Times
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Reviewed by
Stephen Holden
This is the sort of gallows humor that Hitchcock relished drawing out in cruelly amusing cat-and-mouse games, not to be taken too seriously. The same is true of Married Life. The murder plot is not to be taken any more literally than the lethal games of “Mr. and Mrs. Smith.”- The New York Times
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Reviewed by
Stephen Holden
How light is this movie? So buoyant that even an air raid warning, signaling that this whole world is about to crumble under the blitz, can’t dampen its giddy spirits.- The New York Times
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Reviewed by
Manohla Dargis
A haunting, voluptuously beautiful portrait of a teenage boy who, after being suddenly caught in midflight, falls to earth.- The New York Times
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Reviewed by
A.O. Scott
For a film full of murder, jealousy and fatalism, Snow Angels feels curiously small and anecdotal, and its impact diminishes as it nears its terrible conclusion.- The New York Times
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Reviewed by
Jeannette Catsoulis
A devilishly entertaining curveball thrown at unsuspecting family audiences.- The New York Times
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Some of the most upsetting images are from a century and a half ago: Mathew Brady photos of the Battle of Antietam during the Civil War, the conflict that gave birth to modern battlefield surgery.- The New York Times
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Reviewed by
Jeannette Catsoulis
A jubilant documentary about a place where power chords and empowerment go hand in hand.- The New York Times
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Reviewed by
Jeannette Catsoulis
Featuring exceptional people doing extraordinary things, Blindsight is one of those documentaries with the power to make you re-examine your entire life -- or at least get off the couch.- The New York Times
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Reviewed by
Stephen Holden
City of Men has a more humane, you might say bleeding-heart, perspective on this anarchic culture than “City of God.”- The New York Times
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Reviewed by
Jeannette Catsoulis
Almost holding things together is the marvelous Ms. Elsner: there’s more depth in her weary gaze and disappointed mouth than in any line of dialogue. Not since Bette Davis lit and flicked has smoking been so evocative, or so heartbreaking.- The New York Times
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Except for Ms. Lange’s silent, expressive close-ups, which render flashbacks unnecessary, the women’s journey is aesthetically and dramatically unremarkable.- The New York Times
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Reviewed by
A.O. Scott
Brett Morgen’s semi-animated, semi-documentary attempt to make the ’60s cool for a new generation of kids, does the opposite. It is a narrow, glib dollop of canned history, an affirmation of received thinking rather than a challenge to it.- The New York Times
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Reviewed by
Manohla Dargis
Forced to compete for kingly favors, the women were soon rivals, a contest that, in its few meagerly entertaining moments, recalls the sisterly love in “What Ever Happened to Baby Jane?”- The New York Times
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- The New York Times
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Semi-Pro finds the sweet spot between sports melodrama and parody, and hammers it for 90 diverting minutes.- The New York Times
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Reviewed by
Manohla Dargis
There’s nothing wrong with Mr. Redford and his love of nature. But there’s something irritatingly softheaded about the generic, nostalgia-tinged blandishments that the film finally resorts to -- a Wendell Berry poem, a grizzled old farmer wielding a sickle -- in place of truly hard questions and solutions that may effect meaningful change. With the polar ice caps melting, I want more than poetry and blame. I want a plan.- The New York Times
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Reviewed by
A.O. Scott
Jar City is chilly and cerebral but also morbidly and powerfully alive to grossness and physicality.- The New York Times
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Reviewed by
A.O. Scott
There is nonetheless a lyricism at its heart, an unsentimental, soulful appreciation of the grace that resides in even the meanest struggle for survival.- The New York Times
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