The New York Times' Scores

For 20,335 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20335 movie reviews
  1. The rather lost-looking Mr. Amalric, most recently seen on screens giving his left eyeball a furious workout in “The Diving Bell and the Butterfly,” maintains a suitably funereal mien throughout.
  2. Flash Point”attaches coldly professional visuals to a narrative so baffling that it’s rarely clear who is pounding on whom or why.
  3. The film calls attention to its own artificial status. It actually knows it’s a movie! What a clever, tricky game! What fun! What a fraud.
    • 68 Metascore
    • 70 Critic Score
    The movie lets parallels between that time and the post-9/11 era emerge organically, in the manner of a fable that subtly illuminates your own life.
  4. Antonio Negret's sloppily executed film plays like a car commercial and a military-recruitment promo.
  5. Unsubtle, condensed and bullet-point simple, “War Made Easy” avoids fancy visuals for a uniformly drab and dispiriting aesthetic. Sporadically narrated by Sean Penn (evincing all the personality of a potato), the movie is cinematically inert if ultimately persuasive.
  6. Crammed with colorful interviews, digital animation and live performances, this frisky and forthright film by Dean Budnick chronicles a vision of financing social progress with really great tunes.
  7. Blind Mountain is a reminder that art sometimes keeps the truth alive far better than the news.
    • 58 Metascore
    • 60 Critic Score
    In Search of Paradise portrays Meat Loaf as an obsessive, self-punishing performer, striving in vain to put on a live show that matches the visions in his head.
  8. The big, climactic fight, complete with an epic snuffleupagus rampage, is decent action-movie fun. And as a history lesson, 10,000 BC has its value. It explains just how we came to be the tolerant, peace-loving farmers we are today, and why the pyramids were never finished.
  9. The workmanlike title The Bank Job is a nice fit for this wham-bam caper flick.
  10. Eyes popping and mouths agape, Martin Lawrence and Raven-Symoné mug their way through College Road Trip as if it were a silent movie -- which, come to think of it, would have been a lot less irritating.
  11. This is the sort of gallows humor that Hitchcock relished drawing out in cruelly amusing cat-and-mouse games, not to be taken too seriously. The same is true of Married Life. The murder plot is not to be taken any more literally than the lethal games of “Mr. and Mrs. Smith.”
  12. How light is this movie? So buoyant that even an air raid warning, signaling that this whole world is about to crumble under the blitz, can’t dampen its giddy spirits.
  13. A haunting, voluptuously beautiful portrait of a teenage boy who, after being suddenly caught in midflight, falls to earth.
  14. For a film full of murder, jealousy and fatalism, Snow Angels feels curiously small and anecdotal, and its impact diminishes as it nears its terrible conclusion.
  15. CJ7
    A devilishly entertaining curveball thrown at unsuspecting family audiences.
    • 64 Metascore
    • 60 Critic Score
    Some of the most upsetting images are from a century and a half ago: Mathew Brady photos of the Battle of Antietam during the Civil War, the conflict that gave birth to modern battlefield surgery.
  16. A jubilant documentary about a place where power chords and empowerment go hand in hand.
  17. Featuring exceptional people doing extraordinary things, Blindsight is one of those documentaries with the power to make you re-examine your entire life -- or at least get off the couch.
  18. City of Men has a more humane, you might say bleeding-heart, perspective on this anarchic culture than “City of God.”
  19. Almost holding things together is the marvelous Ms. Elsner: there’s more depth in her weary gaze and disappointed mouth than in any line of dialogue. Not since Bette Davis lit and flicked has smoking been so evocative, or so heartbreaking.
    • 46 Metascore
    • 50 Critic Score
    Except for Ms. Lange’s silent, expressive close-ups, which render flashbacks unnecessary, the women’s journey is aesthetically and dramatically unremarkable.
  20. Brett Morgen’s semi-animated, semi-documentary attempt to make the ’60s cool for a new generation of kids, does the opposite. It is a narrow, glib dollop of canned history, an affirmation of received thinking rather than a challenge to it.
  21. Forced to compete for kingly favors, the women were soon rivals, a contest that, in its few meagerly entertaining moments, recalls the sisterly love in “What Ever Happened to Baby Jane?”
  22. A hopeless jumble of visual and linguistic styles.
    • 47 Metascore
    • 70 Critic Score
    Semi-Pro finds the sweet spot between sports melodrama and parody, and hammers it for 90 diverting minutes.
  23. There’s nothing wrong with Mr. Redford and his love of nature. But there’s something irritatingly softheaded about the generic, nostalgia-tinged blandishments that the film finally resorts to -- a Wendell Berry poem, a grizzled old farmer wielding a sickle -- in place of truly hard questions and solutions that may effect meaningful change. With the polar ice caps melting, I want more than poetry and blame. I want a plan.
  24. Jar City is chilly and cerebral but also morbidly and powerfully alive to grossness and physicality.
  25. There is nonetheless a lyricism at its heart, an unsentimental, soulful appreciation of the grace that resides in even the meanest struggle for survival.

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