The New York Times' Scores

For 20,335 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20335 movie reviews
  1. The suds that cascade through Tyler Perry’s The Family That Preys more than equal the cubic footage from nighttime soaps like "Dallas," "Dynasty" and their offspring.
  2. A clutter of recycled cop-movie and serial-killer film clichés.
  3. A witless, straining mess.
  4. The message may be clear -- suppress the past at your peril -- but the execution is a mess. As for the line-dancing soldiers, your guess is as good as mine.
  5. Features annoying characters navigating unbelievable situations.
  6. If the extremity of Hallam's temperament tests the limits of our sympathy as well as our credulity, Mr. Bell's ability to seem by turns sweet and scary prevents us from losing interest entirely.
  7. A bright, nimble diversion, a quick-witted picture that's fast on its feet.
  8. Never quite shakes off its aura of second-rate made-for-TV movie, Save Me has a lot of heart but little nerve and no surprise.
  9. Of all the shoddy, insipid qualities of Bangkok Dangerous, the most egregious is the most fundamental: The film is simply dreadful to look at.
  10. Nearly every melodramatic impulse has been suppressed in favor of a calm precision that serves both to intensify and delay the emotional impact of the film’s climactic disclosures.
  11. A film of noble intentions that eventually wears out its welcome.
  12. In the manner of a Satyajit Ray film, The Pool avoids melodrama, the better to capture the texture of Venkatesh's vagabond life.
  13. Our judgments, in any case, may be superfluous, since the director, Mathieu Kassovitz, has already publicly described it as "pure violence and stupidity."
  14. The performance of Mr. Barnev, who has the poker face and agility of a silent clown, defines the style of a film whose timing and physical comedy look back to 1920s slapstick.
  15. More often there is a frantic, compulsive quality to the action. Fanboy intoxication with the idea of formal ingenuity too often stands in for the thing itself.
  16. Strains to sell itself as one crazy ride (raging parties! hot lesbian sex! bare breasts!), and chances are it won't disappoint those looking solely for unadulterated raunch.
  17. Does little more than congratulate its audience on recognizing the source of its riffs. "High School Musical" -- ha ha ha!
  18. Any comedy that can combine death, abortion, Jewish ritual and a mariachi band without curdling into complete lunacy deserves a modicum of respect. In the case of My Mexican Shivah, more would be pushing it.
  19. Packs more sadness than the familiar fairy tale but offers its own fantastical delights. Ye Xian's party dress, made of teardrops, suits her -- and her story -- perfectly.
  20. A somber, absorbing and only moderately preposterous new thriller.
  21. The movie is legitimately greasy, authentically nasty, with a good old-fashioned sense of laying waste to everything in sight -- including the shallow philosophizing and computer-generated fakery that have overrun the summer blockbuster.
  22. This particular wheel hasn't been reinvented, but at least it gets a nice fresh coat of bubblegum-pink paint and a star to pilot it with aplomb.
  23. What makes this one different? Absolutely nothing. (Sure, it's based on a true story, but I mean come on, whatever.)
  24. It all adds up to the kind of bad family entertainment likely to raise only a few eyebrows.
  25. They have created an ingeniously fluid narrative structure that, when combined with Ms. Roberts’s visuals, news material and their own original 16-millimeter film footage, ebbs and flows like great drama.
  26. Equal parts enlightening and alarming.
  27. Mr. Jacobs has succeeded at one of the most difficult tasks given a director, which is to make a character come alive through the filmmaking, not exposition.
  28. Most disappointingly, the music is tepid, mediocre pop pastiche.
  29. As a mechanical thrill ride, The Clone Wars has an uncluttered look and furious pace that make it more or less as satisfying as its wildly overdesigned predecessors.
  30. Although Vicky Cristina trips along winningly, carried by the beauty of its locations and stars -- and all the gauzy romanticism those enchanted places and people imply -- it reverberates with implacable melancholy, a sense of loss.

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