For 20,335 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,412 out of 20335
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Mixed: 8,455 out of 20335
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Negative: 2,468 out of 20335
20335
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
The suds that cascade through Tyler Perry’s The Family That Preys more than equal the cubic footage from nighttime soaps like "Dallas," "Dynasty" and their offspring.- The New York Times
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Reviewed by
Manohla Dargis
A clutter of recycled cop-movie and serial-killer film clichés.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Jeannette Catsoulis
The message may be clear -- suppress the past at your peril -- but the execution is a mess. As for the line-dancing soldiers, your guess is as good as mine.- The New York Times
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Reviewed by
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Reviewed by
Jeannette Catsoulis
Features annoying characters navigating unbelievable situations.- The New York Times
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Reviewed by
A.O. Scott
If the extremity of Hallam's temperament tests the limits of our sympathy as well as our credulity, Mr. Bell's ability to seem by turns sweet and scary prevents us from losing interest entirely.- The New York Times
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Reviewed by
Nathan Lee
A bright, nimble diversion, a quick-witted picture that's fast on its feet.- The New York Times
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Reviewed by
Nathan Lee
Never quite shakes off its aura of second-rate made-for-TV movie, Save Me has a lot of heart but little nerve and no surprise.- The New York Times
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Reviewed by
Nathan Lee
Of all the shoddy, insipid qualities of Bangkok Dangerous, the most egregious is the most fundamental: The film is simply dreadful to look at.- The New York Times
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Reviewed by
A.O. Scott
Nearly every melodramatic impulse has been suppressed in favor of a calm precision that serves both to intensify and delay the emotional impact of the film’s climactic disclosures.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
A film of noble intentions that eventually wears out its welcome.- The New York Times
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Reviewed by
Stephen Holden
In the manner of a Satyajit Ray film, The Pool avoids melodrama, the better to capture the texture of Venkatesh's vagabond life.- The New York Times
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Reviewed by
A.O. Scott
Our judgments, in any case, may be superfluous, since the director, Mathieu Kassovitz, has already publicly described it as "pure violence and stupidity."- The New York Times
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Reviewed by
Stephen Holden
The performance of Mr. Barnev, who has the poker face and agility of a silent clown, defines the style of a film whose timing and physical comedy look back to 1920s slapstick.- The New York Times
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Reviewed by
A.O. Scott
More often there is a frantic, compulsive quality to the action. Fanboy intoxication with the idea of formal ingenuity too often stands in for the thing itself.- The New York Times
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Reviewed by
Laura Kern
Strains to sell itself as one crazy ride (raging parties! hot lesbian sex! bare breasts!), and chances are it won't disappoint those looking solely for unadulterated raunch.- The New York Times
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Reviewed by
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Reviewed by
Nathan Lee
Does little more than congratulate its audience on recognizing the source of its riffs. "High School Musical" -- ha ha ha!- The New York Times
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Reviewed by
Jeannette Catsoulis
Any comedy that can combine death, abortion, Jewish ritual and a mariachi band without curdling into complete lunacy deserves a modicum of respect. In the case of My Mexican Shivah, more would be pushing it.- The New York Times
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Reviewed by
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Reviewed by
Jeannette Catsoulis
Packs more sadness than the familiar fairy tale but offers its own fantastical delights. Ye Xian's party dress, made of teardrops, suits her -- and her story -- perfectly.- The New York Times
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- The New York Times
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Reviewed by
Nathan Lee
The movie is legitimately greasy, authentically nasty, with a good old-fashioned sense of laying waste to everything in sight -- including the shallow philosophizing and computer-generated fakery that have overrun the summer blockbuster.- The New York Times
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Reviewed by
Nathan Lee
This particular wheel hasn't been reinvented, but at least it gets a nice fresh coat of bubblegum-pink paint and a star to pilot it with aplomb.- The New York Times
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Reviewed by
Nathan Lee
What makes this one different? Absolutely nothing. (Sure, it's based on a true story, but I mean come on, whatever.)- The New York Times
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Reviewed by
Stephen Holden
It all adds up to the kind of bad family entertainment likely to raise only a few eyebrows.- The New York Times
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Reviewed by
Manohla Dargis
They have created an ingeniously fluid narrative structure that, when combined with Ms. Roberts’s visuals, news material and their own original 16-millimeter film footage, ebbs and flows like great drama.- The New York Times
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- The New York Times
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Reviewed by
Manohla Dargis
Mr. Jacobs has succeeded at one of the most difficult tasks given a director, which is to make a character come alive through the filmmaking, not exposition.- The New York Times
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Reviewed by
Stephen Holden
Most disappointingly, the music is tepid, mediocre pop pastiche.- The New York Times
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Reviewed by
Nathan Lee
As a mechanical thrill ride, The Clone Wars has an uncluttered look and furious pace that make it more or less as satisfying as its wildly overdesigned predecessors.- The New York Times
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Reviewed by
Manohla Dargis
Although Vicky Cristina trips along winningly, carried by the beauty of its locations and stars -- and all the gauzy romanticism those enchanted places and people imply -- it reverberates with implacable melancholy, a sense of loss.- The New York Times
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Reviewed by