The New York Times' Scores

Select another publication »
For 20,335 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,412 out of 20335
  2. Mixed: 8,455 out of 20335
  3. Negative: 2,468 out of 20335
20335 movie reviews
view
per page
  1. How Much Does Your Building Weigh, Mr Foster?
    Mr. Goldberger's words are among the more substantive in a film that at times seems ready to levitate from the screen on puffy clouds of praise.
  2. Grey Matter
    There are no emotional fireworks here, just smoldering, quiet, lonely agony.
  3. The Viral Factor
    The Viral Factor wants to be both an action movie and a soap opera. But the merging of the two genres by Dante Lam, a director based in Hong Kong, is clumsy, and so is the film.
  4. Fullmetal Alchemist: The Sacred Star of Milos
    The widescreen canvas is an improvement over television's limited expanse. But if you're not among the indoctrinated, don't bother.
  5. Ultrasuede: In Search of Halston
    Lost in all this is Halston, who comes through only in dribs and drabs. If you're curious about him, skip this film. Read about him - you'll learn far more on his Wikipedia page - and look at his clothes. And if you're a filmmaker, go out and make a decent movie about him: he deserves it.
  6. Scalene
    While occasionally unpleasant, the film never crosses the line from bearably chilling to unbearably gruesome, keeping its characters credible and its events explicable.
  7. Watching TV with the Red Chinese
    The film nicely captures the grad-student vibe: beer-fueled bull sessions about science, religion, probability and destiny; fragile, self-absorbed egos preening even as confidence wavers.
  8. The Front Line
    A movie that reserves its final sickening wallop for a grueling half-hour that leaves you as emotionally battered as the soldiers are forced to return to hell for one last senseless round.
  9. Miss Bala
    A first-rate art-house thriller, Miss Bala tells the strange, seemingly impossible story of a Mexican beauty queen who becomes the accidental pawn of a drug cartel. It's an adventure story that could be called a contemporary picaresque if it weren't so deadly serious.
  10. Red Tails
    To say that this live-action comic book lives up to Mr. Lucas's description is not a wholehearted endorsement. Are teenage boys as naïve today as they were 60 or more years ago? And much of the dialogue is groaningly clunky. But so it was back then.
  11. Haywire
    Once the talking stops and the action begins, her professionalism is very much in evidence and exciting to watch. And yet, somehow, it cannot quite relieve the tedium of a movie that is too cool even to pretend that there is anything worth fighting about.
  12. Loosies
    There are a couple of movies, or rather a couple of story ideas, tucked in Loosies, an amorphous, laugh-flecked drama about a New York City pickpocket that mostly comes across as a feature-length advertisement for its likable star and writer, Peter Facinelli.
  13. Robinson in Ruins
    An exaltation of life counters the intimations of extinction, trumping the polemical despair.
  14. Toll Booth
    Though speckled here and there with uneasy comedy, Toll Booth is a psychological pressure cooker that could blow its lid at any moment.
  15. Don't Go in the Woods
    The actors are all natural, but no character is developed enough for you to care who is killed next. There's not much suspense, no inventive pacing, no wink-wink irony, no cinematic gimmicks, not much mystery and no awful gore.
  16. Albatross
    Niall MacCormick's direction, while unfocused, locates a sweet center in the bonding of the two young girls, effortlessly capturing the way unexpected friendship, like first love, can completely alter the look of the world.
  17. Domain
    You really can't hang a drama on a mathematical theory and expect it to serve as a shortcut for storytelling.
  18. The Divide
    We wait, from one cringe-inducing, hide-your-face-from-the-screen act after another, to see how much worse the behavior will become.
  19. Lula, the Son of Brazil
    A conventional, rather shallow up-by-your-bootstraps drama, but with a difference.
  20. Sing Your Song
    The revelations keep coming in Sing Your Song and it's hard not to go googly eyed when, for a 1963 CBS special, you see Mr. Belafonte discussing the march on Washington with some fellow marchers, Mr. Poitier, Marlon Brando, James Baldwin, Charlton Heston and the film director Joseph L. Mankiewicz.
  21. Joyful Noise
    A lower echelon of musical comedy hell (or heaven, if you love the hoariest musical comedy clichés).
  22. Contraband
    The absurdity of the story in the largely thrill-free thriller Contraband, its hairpin twists and outrageous coincidences, may keep even hungry action fans away. That's too bad because the story doesn't matter. (It rarely does.)
  23. The Devil Inside
    The scariest thing about The Devil Inside is that a major studio like Paramount Pictures, which is distributing it, may be able to squeeze more profit out of a tedious, tediously exhausted subgenre that was already creatively tapped out when "The Blair Witch Project" spooked audiences more than a decade ago.
  24. Codependent Lesbian Space Alien Seeks Same
    Photographed in crisp black and white by Nat Bouman, this enormously likable movie keeps sexual politics on the back burner and the universal search for connection front and center.
  25. Beneath the Darkness
    Someone involved with Beneath the Darkness has either watched too many horror movies or not enough. There is not an original thought in this story, written by Bruce Wilkinson, or in the way it is directed by Martin Guigui.
  26. Roadie
    One problem is Jimmy and his mother's dialogue, which continues in the same clichéd vein as the opening scenes of him alone yelling and yammering into his cell.
  27. Norwegian Wood
    The film has the loose narrative structure of a quasi-poetic personal journal that is more a series of reflections than a cohesive story.
  28. It's About You
    Because Kurt Markus's Super 8 camera is the cinematic equivalent of a single microphone, the film's look matches the scratchy quality of its ancient (by rock 'n' roll standards) sound. The crudeness brings out the elemental quality of music that digs deeply into the soil of working-class American life in songs that express the defiance, despair and nobility of people who refuse to go down without a fight.
  29. The Hunter
    The clammy chill that pervades The Hunter, the fourth feature film by the Iranian director Rafi Pitts, seeps under your skin as you wait for its grim, taciturn protagonist to detonate.
  30. Once Upon a Time in Anatolia
    A metaphysical road movie about life, death and the limits of knowledge, Once Upon a Time in Anatolia has arrived just in time to cure the adult filmgoer blues.
Page:

Top Trailers

See all »
See all trailers »