For 20,324 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20324
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Mixed: 8,449 out of 20324
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Negative: 2,467 out of 20324
20324
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rachel Saltz
Ms. Rohrwacher combines a documentary impulse (effective in family scenes) with a more allegorical one. Her film gets clunky when allegory has the upper hand, and that means Corpo Celeste often stumbles, along with its 12-year-old heroine, Marta (Yle Vianello).- The New York Times
- Posted Jun 7, 2012
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Andy Webster
Mr. Williams's quiet integrity trumps Mr. Kessler at every turn. Self-aware and articulate, with a modesty born from confidence, he persistently uses the film to extol - and demonstrate - the rewards of recovery. His conviction brings necessary moral weight to Paul Williams: Still Alive, which transcends caricature to emerge an impressive personal testament.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Stephen Holden
That time machine - a wonderful-looking gizmo with some lasers stolen from a medical laboratory - really exists. Whether it works or not, you'll have to see for yourself. It's worth the wait.- The New York Times
- Posted Jun 7, 2012
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Stephen Holden
Stylistically a formulaic, middle-drawer television movie about intergenerational strife and forgiveness. Every plot turn is groaningly predictable. But at least the lead performances set off sparks.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
A.O. Scott
In spite of its scruffy look and slack pacing, it often rings as false as any of the big, shiny and soft studio rom-coms (starring Kate Hudson or Katherine Heigl, say) of the last decade.- The New York Times
- Posted Jun 7, 2012
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Andy Webster
Where Madagascar 3 soars is in its visuals: A Monte Carlo chase is vertiginously madcap; a Cirque du Soleil-style spectacle dazzles with rich pastels; the 3-D effects have wit and invention. Kids will be stimulated. And, parents, you'll enjoy the sights.- The New York Times
- Posted Jun 7, 2012
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Stephen Holden
Although this is potentially juicy stuff, it is as dry and tasteless as a shrunken piece of fruit left in the refrigerator far too long.- The New York Times
- Posted Jun 7, 2012
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A.O. Scott
Mr. Solondz brilliantly - triumphantly - turns this impression on its head, transforming what might have been an exercise in easy satirical cruelty into a tremendously moving argument for the necessity of compassion.- The New York Times
- Posted Jun 7, 2012
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A.O. Scott
The virtuosity on display makes the weakness of the story all the more frustrating. I'll avoid spoilers here, but Prometheus kind of spoils itself with twists and reversals that pull the movie away from its lofty, mind-blowing potential.- The New York Times
- Posted Jun 7, 2012
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Reviewed by
Nicolas Rapold
The filmmakers hesitate at going deeper into the dark places of the prisoners' biographies and the storied prison itself. The one wouldn't exist without the other, and Ms. Chiarelli's rambling platitudes are no substitute.- The New York Times
- Posted Jun 6, 2012
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Reviewed by
Neil Genzlinger
The director, John Gulager, has no idea how to mix his ingredients to create a savvy self-parody.- The New York Times
- Posted Jun 1, 2012
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- The New York Times
- Posted Jun 1, 2012
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Reviewed by
Daniel M. Gold
Directed by Steve Rash, Crooked Arrows gets points for its glimpses of Native American culture and history - the film's backers include the Onondaga Nation - but too many of these scenes are disappointingly static.- The New York Times
- Posted Jun 1, 2012
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Andy Webster
The credibility is low, the idealism high and the sentiment through the roof in Jesse Baget's slender, micro-budgeted comedy Cellmates, a schematic parable about racism and (less overtly) illegal immigration.- The New York Times
- Posted Jun 1, 2012
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Nicolas Rapold
Names and events are ticked off in rapid succession, and the big, and fascinating, question of what role spirituality played receives cautious attention at best. Nonetheless, Bill W. offers a trove of information for non-A.A. members through the life of a man whose dedication has helped others understand their own.- The New York Times
- Posted Jun 1, 2012
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Reviewed by
Daniel M. Gold
One Day on Earth shows, there's a fine line between coherence and chaos.- The New York Times
- Posted Jun 1, 2012
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Jeannette Catsoulis
An ostensible romantic comedy that's really just a grating portrait of an irredeemable jerk.- The New York Times
- Posted May 31, 2012
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Reviewed by
Neil Genzlinger
Not much here is new, but condensing it all into one zippy documentary makes for an ugly portrait.- The New York Times
- Posted May 31, 2012
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David DeWitt
What works here is the pleasantly naturalistic acting from people who don't look like typical actors.- The New York Times
- Posted May 31, 2012
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Jeannette Catsoulis
This scrappy-slick confessional is a fascinating study in dualities.- The New York Times
- Posted May 31, 2012
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A.O. Scott
Its clever final plot twist adds a gratifying jolt of the uncanny to what is otherwise a charming, bittersweet meditation on the passage of time and the equivocal power of images to capture an older world at the moment of its disappearance.- The New York Times
- Posted May 31, 2012
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Reviewed by
Jeannette Catsoulis
Though leaving us with many more questions than answers, this well-intentioned blur of accusations, advertising clips and pink-washed events nevertheless deserves to be seen.- The New York Times
- Posted May 31, 2012
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Stephen Holden
Once the plot has sprung into action, High School is a bumpy ride that takes a few amusing dives but never coheres into anything special.- The New York Times
- Posted May 31, 2012
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Stephen Holden
Even at 143 minutes, For Greater Glory cannot satisfyingly fill out the stories of a half-dozen secondary characters, and there are frustrating gaps in the biographies of Gorostieta and José. The jamming together of so much history and melodrama makes for a handsome movie that is only rarely gripping.- The New York Times
- Posted May 31, 2012
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A.O. Scott
This movie is graceful, subtle and sure-footed, much as its English title implies.- The New York Times
- Posted May 31, 2012
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Stephen Holden
Much of the skimpy, waterlogged dialogue in Peter Vanderwall's screenplay is heavy with portent. Excerpts from Homer's "Odyssey" and Longfellow's "Children's Hour" add to the tonnage.- The New York Times
- Posted May 31, 2012
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A.O. Scott
5 Broken Cameras deserves to be appreciated for the lyrical delicacy of his voice and the precision of his eye. That it is almost possible to look at the film this way - to foresee a time when it might be understood, above all, as a film - may be the only concrete hope Mr. Burnat and Mr. Davidi have to offer.- The New York Times
- Posted May 31, 2012
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A.O. Scott
Though it is an ambitious - at times mesmerizing - application of the latest cinematic technology, the movie tries to recapture some of the menace of the stories that used to be told to scare children rather than console them.- The New York Times
- Posted May 31, 2012
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Reviewed by
Andy Webster
The "Paranormal Activity" movies don't teem with metaphor, and neither does this film, directed by Brad Parker. The original "Night of the Living Dead" left you with plenty to chew on, so to speak; Chernobyl Diaries just leaves you feeling empty.- The New York Times
- Posted May 25, 2012
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Reviewed by
Andy Webster
This moving, penetrating documentary records his attempt to describe his conditions, confront them and learn to manage them.- The New York Times
- Posted May 24, 2012
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