The New York Times' Scores

For 20,324 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20324 movie reviews
  1. A well-meaning but inexpertly dramatized account of the roundup of 13,000 Parisian Jews in the summer of 1942.
  2. Quiet, simple and soaked in sorrow, Hitler's Children takes a stripped-down approach to an emotionally sophisticated subject.
  3. At the very least 28 Hotel Rooms, the first feature written and directed by Matt Ross, is an impressively executed acting exercise for Chris Messina and Marin Ireland.
  4. Once Price Check darkens, it loses its comic footing, along with its nerve, and becomes a wishy-washy potpourri of elements that fail to mesh: backing away from its satirical potential, it sputters toward an evasive and unsatisfying ending. Ms. Posey, however, blithely sails above the fray.
  5. If you can discern any critical distance or interesting perspective here, or even a good reason to spend 90 minutes in such company, I'm afraid the joke is on you.
  6. The glue holding the film together is Adam Newport-Berra's elegant hand-held cinematography, which captures changing shades of winter and the frightened faces in natural light with an astonishing intensity.
  7. There is something to be said for a clear and unblinking recitation of facts, and thankfully Mr. Gibney does a lot of that.
  8. Despite the slow start Mr. Condon closes the series in fine, smooth style. He gives fans all the lovely flowers, conditioned hair and lightly erotic, dreamy kisses they deserve.
  9. For all its high-flying zaniness the movie has the sting of life, and its humor feels dredged up from the same dark, boggy place from which Samuel Beckett extracted his yuks.
  10. Mr. Wright's Anna Karenina is different. It is risky and ambitious enough to count as an act of artistic hubris, and confident enough to triumph on its own slightly - wonderfully - crazy terms.
  11. Seemingly banal in its conceit, wildly startling in its execution, it tracks a film crew that, like a detective squad, investigates what became of an ordinary man.
  12. Mr. Plummer stumbles beautifully, poignantly and often, leering and searching through a haze of memory or, with concern edged with panic, calling for "a line, a line" much as Richard III calls for a horse.
  13. Even though the film drags, the magic of Bollywood is that this story's muddle of twists only clarifies the urgency behind the undying desires of all concerned parties.
  14. By keeping its focus admirably tight, the sober and sobering Israeli documentary The Law in These Parts presents a devastating case against the occupation of the West Bank and the Gaza Strip.
  15. A story that, though sickly fascinating, is as crudely rendered as its images.
  16. This spare first feature from the Irish filmmaker Ciaran Foy (drawing on his own experiences) has an atavistic pulse, evoking a decaying society where elevators fail and bus drivers cower behind mesh grills.
  17. If the Boy Scouts offered a merit badge for inept filmmaking, Todd Rohal would certainly earn it with Nature Calls, an unwatchably bad movie about a camping trip gone haywire.
  18. The film doesn't just serve up Mr. Balog's amazing and undeniably convincing imagery. It also records his personal struggles as knee problems threaten his ability to hike the difficult terrain to get the shots he wants.
  19. It's a colorful patchwork of family high and low points, schoolboy days, professional triumphs and assorted epiphanies (including sex with women followed by sex with men).
  20. Schadenfreude carries a delectable tang no matter the language, and as the history of Hollywood shows, stories about pretty people behaving badly remain reliably alluring.
  21. The grittier side of Coming Up Roses, which Ms. Albright wrote with Christina Lazaridi, is unconvincing boilerplate grunge.
  22. It must be said that Café de Flore is true to its hyper-romantic belief system. And unlike most movies in the "Touched by an Angel" school of storytelling, it doesn't descend into cheap sentimentality. It may be hokum, but it is sophisticated hokum.
  23. What the point here might be is a bit more elusive. It may be simply to allow Ms. Huppert, one of the most adventurous actresses in movies, the opportunity to try something new. And that might be enough.
  24. A Royal Affair suffers from the richness of the historical material - there is so much going on here - and also, perhaps, from a patriotic desire to treat it reverently. Unfortunately it never fully comes to life.
  25. For all the alarming statistics cited in the film, Burn is not a depressing movie. The firefighters interviewed are remarkably resilient men who talk enthusiastically about the adrenaline rush of their work. And the film makes you thankful for members of this macho breed, who relish risking their lives to save others.
  26. The bright sun that blasts through Starlet, a thrillingly, unexpectedly good American movie about love and a moral awakening, bathes everything in a radiant light, even the small houses with thirsty lawns and dusty cars.
  27. Low-key and low-tech, Lunch coasts on the earned wisdom of pros who know how to work a room. Right up to the arrival of their separate checks.
  28. Go see this movie. Take your children, even though they may occasionally be confused or fidgety. Boredom and confusion are also part of democracy, after all. Lincoln is a rough and noble democratic masterpiece - an omen, perhaps, that movies for the people shall not perish from the earth.
  29. As Bond sprints from peril to pleasure, Mr. Craig and the other players - including an exceptional, wittily venal Javier Bardem, a sleek Ralph Fiennes and a likable Ben Whishaw - turn out to be the most spectacular of Mr. Mendes's special effects.
  30. It ends up being largely just another story about a rebellious American teenager.

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