The New York Times' Scores

For 20,335 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20335 movie reviews
  1. If there is anything worth discovering in this sad slog of a story, it is the two fierce performances by Cho Je-Hyun and Seo Won, who play the lovers and turn the harsh drama into a showcase for their pained expressions.
  2. The spare, enjoyable Naked Fame, by the documentarian Chris Long, suggests that today's pornography performers enjoy better life options than those revisited in "Inside Deep Throat."
  3. In Sexual Dependency, the filmmaker Rodrigo Bellott flirts with the allowable limit of themes in one movie. His frenzied but clever first film juggles race, class, jingoism, homophobia, sexual attraction and rape.
  4. The director's attention to details of character and locale makes for a precise evocation of a New York seldom seen in feature films.
  5. A seriously flawed movie wrapped around two nearly perfect performances.
  6. It is a beautifully made film - decorously composed, meticulously acted, cleanly photographed. But all of these qualities make it seem complacent and hypocritical when it wants to be honest and brave, and sentimental rather than emotionally daring.
  7. You can feel this niche-marketed tweener fantasy of athletic glory frantically trying to balance a decent sense of values against a market-savvy awareness.
  8. Smart, sincere and sloppy film.
  9. This visually stylish work, with its vintage glamour photos, film and television clips, and snippets from a 1951 B-movie, "Racket Girls," is more of a scrapbook than a coherent history of the sport during its rough-and-tumble infancy.
  10. There is occasionally some gorgeous scenery, and the challenge of driving through silt is mildly interesting.
  11. Still, despite the visual clumsiness and the production's tattered seams, I found myself rooting for this movie anyway, partly because Lindsey and Ben make a nice fit, as do the actors playing them, partly because the Farrellys bring so much heart to their movies, and partly because Ms. Barrymore inspires more goodwill than any other young actress I can think of working today in American movies.
  12. Some may be offended by this film's use of Sept. 11 as a plot device, but ultimately The Friend is less concerned with the politics of terror than with its psychology.
  13. The British comic turned actor (Paul Kaye) appears in almost every scene and he carries that weight admirably. He manages the very neat trick of keeping you interested in a character who doesn't merit our affection but earns it nonetheless.
  14. Isn't half bad and every so often is pretty good, filled with real sentiment, worked-through performances and a story textured enough to sometimes feel a lot like life.
  15. At once a sick comedy, a bile-raising thriller and a genre pastiche, Save the Green Planet is a welter of conflicting tones, dissonant moods and warring intentions.
  16. Thin but pleasantly diverting documentary
  17. The cinematic equivalent of a visit from a cherished but increasingly dithery maiden aunt.
  18. Despite its flaws, the film gets across some genuine melancholy, played up by a sobbing Irish fiddle.
  19. Mr. Coyote, who appears to be playing Steven Spielberg and steals every scene he is in.
  20. Lovingly shot on location in the Italian neighborhoods of Providence, this comfortably predictable film has its pleasures, most notably a dryly funny Adrienne Barbeau as the brothers' hip, hard-drinking Aunt Lidia.
  21. Manages to capture firsthand the danger, fatigue and sheer tedium of an arduous illegal border crossing from Mexico without ever becoming tedious itself.
  22. Everything that happens in the last half-hour betrays the canny, hardheaded perspective of what came before.
  23. It's when The Deal leaves the corporate offices behind that the story turns into a bogus, convoluted mess. Once the Russian mafia, personified by Angie Harmon playing an evil seductress with a terrible Russian accent, rears its head, the ballgame is over.
  24. Much of what the filmmakers and their team of cinematographers capture is undeniably remarkable, but their overt attachment to certain scenes can make watching a chore.
  25. Superfluous though it may be, The Honeymooners is not so bad.
  26. Like the film, the characters mean well and look good. But they're so deeply immersed in their own heads that they can't see the world for their needs.
  27. Mr. Caan's debut film is not quite a whole thing, but it offers up enough promising fragments to make his sophomore effort worth watching for.
  28. A mere slip of a movie, a wan character study of people who add up to little more than a series of studied quirks.
  29. Occasionally, this richly lyrical movie passes over the line separating sympathetic exploration from freak-show condescension.
  30. Reasonably enjoyable until its guys are forced to grow up. Because bad behavior is usually more fun to watch than good, the movie is especially fine during the preliminaries.

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