For 20,335 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,412 out of 20335
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Mixed: 8,455 out of 20335
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Negative: 2,468 out of 20335
20335
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Brandon Yu
Quiz Lady, a mostly winning comedy directed by Jessica Yu, is elevated most of all on the shoulders of Oh’s delightful and nuanced performance.- The New York Times
- Posted Nov 2, 2023
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Reviewed by
Lisa Kennedy
The film’s gentle detours into the real-life stories remind us that it is the people met on the road that so often make the trip memorable.- The New York Times
- Posted Jul 27, 2023
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Reviewed by
Nicolas Rapold
Cousins’s attuned eye and ear keep us interested afresh in the Hitchcock magic.- The New York Times
- Posted Oct 24, 2024
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Reviewed by
Brandon Yu
As the team unearths evidence, the documentary offers a ripe window into the process of scientific discovery.- The New York Times
- Posted Jul 19, 2023
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Reviewed by
Devika Girish
The documentary is less an inspiring tale than a sobering wake-up call.- The New York Times
- Posted Jul 20, 2023
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Reviewed by
Beatrice Loayza
The traps are disgusting; the plot, so self-serious its absurd (and knowingly so). And unlike the sundry sequels before it (by the third “Saw,” any pretense of ingenuity had been hacked off), this one manages to make you feel something beyond gross-out adrenaline — assuming you have affection for the franchise’s mainstays.- The New York Times
- Posted Sep 28, 2023
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Claire Shaffer
Underneath its ridiculous framing and outer-space high jinks, “Jules” is full to the brim with empathy for its elderly characters and their desire for personal agency.- The New York Times
- Posted Aug 14, 2023
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Reviewed by
Nicolas Rapold
[Abzug's] never-say-die advocacy still inspires, but the film also illustrates the merciless challenges of electoral endurance even for the fiercest fighter.- The New York Times
- Posted Aug 17, 2023
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Reviewed by
Bosley Crowther
Even though an oldtimer may view this Good News with mocking eyes—may mutter that, back in 1927, which is the advertised date of its events, the goal-posts were set on the goal-line and the huddle was an undeveloped freak—the pleasures of reminiscence which the picture affords are worthwhile. As for the untraditioned youngsters—especially the Lawford-Allyson fans—the stars and the dancing activity should adequately satisfy.- The New York Times
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Ben Kenigsberg
Not all the material is equally striking, but the film has an original and at times disarming approach to bearing witness.- The New York Times
- Posted Jul 27, 2023
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Devika Girish
El Agua succeeds as a portrait of the village’s traditions, both manual and cultural, brought to life by a largely nonprofessional cast (including Pamies, a striking discovery).- The New York Times
- Posted Jul 28, 2023
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Reviewed by
Manohla Dargis
Every so often an actor so dominates a movie that its success largely hinges on his every word and gesture. That’s the case with Colman Domingo’s galvanic title performance in Rustin.- The New York Times
- Posted Nov 16, 2023
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Reviewed by
Teo Bugbee
At times, the film is hampered by the sheer amount of information there is to condense from across a 50-year career, but Hardison is never less than a fascinating subject — an artist whose medium is industrial disruption.- The New York Times
- Posted Sep 14, 2023
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Reviewed by
Nicolas Rapold
Uri and Raya (who have disarmingly direct affects) show a mix of insight and innocence that also feels like a faithful rendering of the vulnerability within a relationship.- The New York Times
- Posted Aug 3, 2023
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- Critic Score
In all, the picture adheres faithfully to the original and while it undoubtedly lacks the life and depth and color of the play, by means of excellent characterizations it keeps the audience on the qui vive.- The New York Times
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Reviewed by
Glenn Kenny
If today Presley really needs a sales pitch, this movie is a good one.- The New York Times
- Posted Aug 16, 2023
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Reviewed by
Calum Marsh
With compelling verve, “Hall of Shame,” from the director Bryan Storkel, tells the story of Conte’s ignominious rise and fall.- The New York Times
- Posted Aug 16, 2023
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Reviewed by
Glenn Kenny
All Up in the Biz, a new documentary directed by Sacha Jenkins, is a cogent, affectionate and largely apt tribute to Markie, the D.J. and rapper who was known as a gifted beatboxer.- The New York Times
- Posted Aug 16, 2023
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Reviewed by
Brandon Yu
The movie falters periodically under the weight of its own dream logic, which can be hard to follow or flimsily constructed as the story gains momentum. But it’s mostly easy to move past those flaws in a work of such rich magical realism and heart.- The New York Times
- Posted Jul 5, 2024
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Reviewed by
Ben Kenigsberg
There’s something tough to resist about how “We Kill for Love” rescues works from the shadows.- The New York Times
- Posted Aug 31, 2023
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Reviewed by
Nicolas Rapold
The shifting story, written by Paltrow and Tom Shoval, complicates the act of commemoration and dwells on the moral quandaries and uncomfortable resonances that result from the events.- The New York Times
- Posted Jun 27, 2024
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Reviewed by
Claire Shaffer
While it’s unlikely to join the rom-com pantheon, its charming leads and humorous truths do invoke the spirit of Ephron, to whom the film is dedicated. It’s a worthy tribute to her, delivered by perhaps the most qualified person to create one.- The New York Times
- Posted Nov 2, 2023
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- Critic Score
Unlike "Funny Girl," the screenplay is rich, not in stereotypes (mothers, accents), but in anecdotes, and there is a wonderful confrontation between Jason Robards, as a slick, sleazy burlesque entertainer, and the owner of a restaurant, "a man from principle," over an order of bagels, which are thrown, one by one, to the floor, with rage and elegance.- The New York Times
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Reviewed by
Ben Kenigsberg
The most barbed aspect of the movie, a National Geographic release, is its acknowledgment of the role that National Geographic itself has played in exoticizing groups like the North Sentinelese.- The New York Times
- Posted Oct 12, 2023
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Reviewed by
Calum Marsh
Office Race, a ribald comedy from Jared Lapidus about an inveterate deadbeat reluctantly training for a marathon, understands one of the great unspoken truths about running: that it is a miserable, arduous, soul-destroying pastime, and also deeply, profoundly rewarding.- The New York Times
- Posted Sep 4, 2023
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Reviewed by
Glenn Kenny
[Roth] knows his stuff and he’s very adept at serving up both gross-outs and real leap-from-your-seat moments.- The New York Times
- Posted Nov 16, 2023
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Reviewed by
Nicolas Rapold
The heroic arc is creaky, but despite the chintzy clichés about Godzilla movies, this one keeps bringing blockbuster brio to heel with a sometimes heavy heart.- The New York Times
- Posted Nov 30, 2023
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Reviewed by
Erik Piepenburg
This is a dark and timely parable about what happens when trust — among community members, within families, between a government and its people — disintegrates.- The New York Times
- Posted Oct 5, 2023
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Reviewed by
Alissa Wilkinson
As a drama, Woman of the Hour is effective and infuriating.- The New York Times
- Posted Oct 17, 2024
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Reviewed by
Alissa Wilkinson
The movie is full of goofy side characters and one-liners, yet elevated occasionally to genuine complexity by Colman and Buckley, who are consistently the best thing about any movie they’re in.- The New York Times
- Posted Mar 28, 2024
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Reviewed by