For 20,324 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20324
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Mixed: 8,449 out of 20324
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Negative: 2,467 out of 20324
20324
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
Because the film, which affects the style of “United 93,” offers no new insights, theories or important information, you’re left wondering why it was made.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Jeannette Catsoulis
Mr. Porterfield might sometimes be too subtle for his own good, but by taking us on a low-key ramble through the ever-shifting feelings of a fractured family, he has woven a dreamy, detached chronicle of dissolution and renewal.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
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- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Manohla Dargis
A.C.O.D., an unfunny comedy about a guy mooning over his parents’ divorce decades later, is so eager to please it’s hard to hate. But it’s sluggish even at 87 minutes, clichéd and gives you nothing of interest to look at other than some familiar faces.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Nicolas Rapold
Ms. Passon ultimately seems to skirt some of the larger life questions hinted at along the way.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Jeannette Catsoulis
Remarkable as much for its insights as for its audacity, The Dirties approaches school violence with a comic veneer that slowly shades into deep darkness.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Daniel M. Gold
Unfortunately, Linsanity, following the conventions of the sports bio genre, ends at its peak, with only a brief nod to these events. Lin raised his game’s possibilities; you just wish that Mr. Leong had raised his.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Manohla Dargis
A blistering fictionalized tale straight out of China, A Touch of Sin is at once monumental and human scale.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
A.O. Scott
It feels like a halfhearted bluff and has the stale smell of yesterday’s after-shave.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Neil Genzlinger
When insects are the best thing in your movie, it’s probably time to retire.- The New York Times
- Posted Oct 3, 2013
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Anita Gates
The burning question is why Mr. Hyde’s story has never been made into a feature film. You’ve got big sky, a crazy but magnetically confident old coot, a noble but seemingly hopeless quest and a triumphant ending.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Rachel Saltz
Besharam is frequently crude, but it’s also unusually clean in its plotting. And it has a kind of unblushing vitality that is especially strong in the dance numbers, which feature big crowds, lots of color and an old-fashioned Bollywood desire to please.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Nicolas Rapold
This static documentary portrait relies on the usual panning over photos and tag-team interviews, but the format, like the radio length of a song, doesn’t get in the way of its subject’s heart.- The New York Times
- Posted Oct 3, 2013
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- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Nicole Herrington
This human story is profound enough to stand on its own.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Miriam Bale
The documentary is not really about these older people but about this couple.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
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Reviewed by
Miriam Bale
Poor computer-generated effects give the movie an unsettling, two-layered feel.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
A.O. Scott
For all of Mr. Cuarón’s formal wizardry and pictorial grandeur, he is a humanist at heart.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Nicolas Rapold
Let the Fire Burn relentlessly sustains its tragic momentum.- The New York Times
- Posted Oct 2, 2013
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Reviewed by
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Reviewed by
Nicolas Rapold
Stories of humanized hit men make for a small but well-trod patch of screenwriting terrain, but The Dead Man and Being Happy quickly transcends that territory to become a beguiling road movie.- The New York Times
- Posted Oct 2, 2013
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Reviewed by
Jeannette Catsoulis
The Citizen is a heartfelt plea for charity, tolerance and all-around loving kindness — admirable aims sadly shackled to Sam Kadi’s inexpert direction.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Manohla Dargis
At once overstuffed with interviews and intellectually underdeveloped, the movie charts the area’s music industry and what is lyrically if elusively called the Muscle Shoals sound.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Nicolas Rapold
What little we learn of Pascal, who has worked in Switzerland as a shepherd for more than 30 years, and Carole, who is a former dietitian, fits in a scene or two, but their practical journey yields a certain contemplative equanimity.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Miriam Bale
It’s amusing, and a refreshing change from the usual C.G.I.-heavy blockbusters.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Jeannette Catsoulis
That space between reality and mirage is where Ms. de Van’s strength, and this movie’s true horror, lies.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Daniel M. Gold
Hôtel Normandy is a confection spun differently from the typical Hollywood rom-com.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Neil Genzlinger
There’s no way to prepare yourself for how awful The Secret Lives of Dorks is.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Nicolas Rapold
Mr. Reich ties together his talking points with a reasonable-sounding analysis and an unassuming warmth sometimes absent from documentaries charting America’s economic woes.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Stephen Holden
Even though the plot defies credibility at several points, Out in the Dark is gripping.- The New York Times
- Posted Sep 26, 2013
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Reviewed by
Jeannette Catsoulis
It’s all a little silly, but Mr. Mickle’s restrained gravity stifles the impulse to laugh.- The New York Times
- Posted Sep 26, 2013
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Reviewed by